Daria

The self-defeating world of MTV began as a spark in the mind of one perceptive demographics adviser or another, but soon it grew to epidemic proportions, numbing and sugarcoating all things rebellious in a depressingly successful attempt to convince the masses that nonconformity is all about styles and fads. Any sensible teenager will tell you that it is an unwitting mockery of the things it believes it is making available to an already converted audience, but amongst the throngs of bright colors and loud-but-not-too-loud noises that essentially is MTV, you will occasionally find a gem; an intelligent, insightful, informed show of independent thought, sincerity and sardonic subtlety. "Daria" is one such example.

Anybody who used to watch "Beavis and Butthead" (no comment) will recognize Daria already, as the plain girl with glasses and the monotone voice that would often foil the titular duo's moronic and half-baked plans. When the show began to think about packing it in, MTV approached the creators with the offer of giving Daria her own show. And thank heavens for that. Not only is "Daria" up there with "Frasier" as one of the greatest spin-offs of all time, but it threatens to take a place as one of the greatest stand-alone shows of all time.

Daria Morgendorffer, our bland anti-heroine, is not your average teenage girl. Smart, sarcastic, opinionated but highly unmotivated, her life revolves around observing the actions of others with her best friend Jane Lane, a misfit artist from a family of unconventional thinkers. Together Daria and Jane see fit to mock the sea of stereotypes that is their suburban hometown of Lawndale, mainly the student body of their high school. Daria's deep loathing of all things superficial is regularly tested by the presence of her shallow and materialistic sister Quinn, while her workaholic lawyer mother Helen and her perpetually stressed out and slightly unbalanced father Jake struggle to do the right thing by their daughters in the interactive jumble that is life in Lawndale.

At a mere glance, one might perceive "Daria" as a children's show, due to its animation. However, even the slightest exertion of further examination would reveal that it is no more a children's show than "The Angry Beavers" is a sophisticated portrayal of American Wildlife. Where a lot of shows sell their credibility for cheap laughs and mold their characters on popularity polls, "Daria" is firm in its subtlety, never wavering in its belief that, given time, its audience will get the joke. Some may take longer than others, but all that do never turn back.

The genius of the show lies in its ironic reflection of a culture that would never allow a show like this to get off the ground. Surrounded on all sides by the trivial and materialistic values she lives to hate, Daria takes refuge in the companionship of Jane, the isolated safety of her own room and the glow of the television (which will probably be tuned in to dissocial ironathon news program 'Sick Sad World'), emerging now and again for a futile attempt to significantly impact the alienating world around her. And perhaps the experience might be alienating to us, the audience, if it weren't for the shows strategic and successful ploy to get us to see the world through Daria's eyes. Once there, we're completely hooked, and all the rest of the show's intrinsic jokes fall into place.

Arguably the most enviable quality of animation is its freedom to let characters be exaggerated without being unrealistic. The most brilliant thing about this is that eventually, characters that are truly only meant to serve as tired clichés perversely become beloved, unique personalities. Trent, Jane's lazy soft spoken musician brother with delusions of future stardom with his garage band Mystik Spiral, Kevin and Brittany, quarterback of the football team and head of the cheerleaders respectively, two blissfully ignorant airhead lovers with no aspirations beyond their current high school status, Mr. O'Neal, the hypersensitive English teacher, balanced in the extreme by the borderline psychopathic Mr. DeMartino, an irate History teacher who has lost the will to educate. Even the unbearably shallow and conceited Fashion Club, four fashion-victimized teenage girls who believe their undeservedly elitist circle is doing the world around them a world of good, gradually grow on you until, like it or not, you couldn't imagine Lawndale without them.

It is because of this paradoxical attachment to the characters that serious plot developments towards the end of the series are able to engage the audience on a level that is more than just honesty for the sake of mockery. Once we've grown accustomed to Daria's detached and cynical attitude, the show begins to admit that perhaps it has been having us on a little bit, at least concerning the rigid personalities of our beloved caricature personas. Therefore, once Daria has opened up a smidgeon , so does her/our view of her world, in an event suspiciously symptomatic of personal growth. And from there it's a small step to actually caring about the students, teachers and residents of Lawndale as we farewell them in the "Daria" movie finale "Is It College Yet?", in which we see our little high-schoolers graduate and move on. It says a lot about the show that it is able to gradually soften its bite enough to let us feel for the characters without ever feeling inconsistent.

If one were to only catch a few episodes of "Daria", then they might like what they see, and they'd be well justified. But they'd ultimately be missing out. Because as entertaining as the self-contained half-hour segments of the show can be, the world of Daria is not about separate jokes, separate characters, separate stories or separate anything. Everything within the show works to build to a greater understanding about teenage life, indeed about life in general, and everything it entails; a simple masterpiece that's value only increases when put into social context.

Most of what should be said about Daria has already been (in previous reviews) so let me just add a few things.

First, contrary to what everyone keeps saying Daria was NOT canceled by MTV. Glenn Eicler, the creator & exec producer, decided to stop at five seasons (actually five 13-episode half seasons & two 90 min episodes). MTV would have ordered a sixth, but he felt the show had run its course. And to MTV's credit they didn't hand the show over to someone else just to try and milk some more money out of it with what would have undoubtedly been inferior episodes.

Not to MTV's credit however, Daria reruns were yanked from the schedule almost immediately after the series finale. I guess its just the nature of the beast. MTV just doesn't 'do' reruns. They're so last season...

What really annoys me though is that they decided to rerun Daria on Noggin', a cable channel which is a joint venture between PBS & Nickelodeon. Nickelodeon is owned by Viacom which also owns MTV. Which means Daria reruns were essentially 'dumped' there (i.e. since they own Noggin' they didn't sell it to them and since Noggin' is non-commercial it isn't generating any revenue for them). A very indignant way to treat a show that was both a critical and ratings success, to essentially treat it as worthless filler material.

And to really add insult to injury Noggin' is absolutely the wrong place for Daria. Yes it features a very smart, semi-realistic, teenage girl lead character, but again contrary to what others have said, Daria is not and never was a show for teenage girls (let alone pre-teens)!! It was always aimed at a 20-something and up audience. And not just female. Its true that most of the main characters were women (and a lot of the male characters had 'interesting' eccentricities) but the show never, EVER pushed any kind of feminist agenda (or any other kind of agenda except for maybe 'damn what others think, just be yourself').

And since Noggin' IS aimed at pre-teen girls Daria episodes have not just been edited, they've been emasculated. They've been stripped of all the adult wit and gritty, biting satire that was the essence of the series. Airing them this way is, IMO, worse than not showing them at all. In fact at least a half dozen episodes are so adult that Noggin' has never shown them. Please, PLEASE Viacom sell the series to Cartoon Network. They'd buy & air it (unedited) in a heartbeat!

If you've never seen Daria I beg you, don't watch it on Noggin'! A few episodes are out on video & DVD (search for 'daria DVD' on eBay).

Back in the 1990s MTV used to be a driving force in world wide subculture. This show is a timeless container for the spirit of grunge, early internet, high school-horror and teenage angst. The characters are so well-crafted, it is actually shoking and surprising throughout the whole series. Many cartoons tried character development, more mature narratives and reoccuring themes but in Daria it feels unforced and fits so well. I would not even describe the cartoon with a "serious tone", its simply not a quirky kids show. The relationship between Daria and Jane, which has its ups and downs, is beautifully displayed and closer to real human experience than I have seen in almost anything. Daria is the cynical teenage proto-hipster that might have inspired many after her (when College Humor made a fake real-action-trailer Aubrey Plaza was an unsurprising casting) but has moments that make her more vivid, self-reflecting and plastic than most of the Simpsons. Even the stereotypes like Quinn show depth at times that catches you by surprise and make you forget you're watching a teenage cartoon.

Entertaining, serious, poetic, rewatchable, funny, cool - Daria has it all.

I started watching Daria when I was in college and absolutely fell in love with the show. Daria and Jane's friendship is probably the best aspect of the show, and anyone who has had a close friendship like that will probably agree with me. As a matter of fact, I still hang out with my Daria (I'm definitely more the Jane) to this day. And I totally have the memories of High School and my Brittany and Kevin - like schoolmates as well. Most people didn't like the whole Jane/Tom/Daria love triangle, but I think it was one of the things that made Daria's character more vulnerable and more human. And I really loved how the series ended with Daria realizing that shutting everyone out in her life was not the answer. I only wish I had made such a realization at that age! All in all, I say that Daria is a wonderful coming-of-age show that should be enjoyed for generations to come.

Considering multiple aspects, this is a wonderful show. Every character has a very specific personality, and most all of them actually develop as the show goes on. The humor can be dry, but is incredible if you actually get it. If you were expecting Beavis and Butthead, sorry, you will be disappointed. I've noticed that most of the negative comments talk about how Beavis and Butthead was so much better. I think it can be best said that you have to be able to appreciate intelligent humor to laugh at this. If you think, say, that Jackass is the greatest show ever, then you will most likely hate this.

However, if you like a humorous show that's incredibly well developed for a cartoon (the character development, themes, etc.), then you will enjoy this.