Brooklyn South

I am a Cop, a Big City Cop. At least I was one for nearly 35 years, which was just about all of my adult life. So, just because life doesn't require sitting through at Roll Calls, patrolling the streets, nor attendance in various Court Rooms, from Traffic Court to Felony Courts and the Grand Jury; the identity is still the same, a Cop.

And, being that the Statute of Limitations have now run their course, the time is ripe. They say that Confession is good for the Soul, so it must be that time. It's high time to get all of this off my chest. So please, bear with me. Thank you.

I like Cop Shows, good Cop Shows, that is. Certain Series such as : "ADAM 12", "POLICE STORY", "HILL STREET BLUES" and the perennial NBC Favourite, "LAW & ORDER" and its family, these are programs that combine a certain level of realism, blended in with high entertainment value.

Sometimes, the public forgets that Policemen are just like any other grown-up boys, only more so. Cops like their toys and they like their fantasies. When DIRTY HARRY with Clint Eastwood hit the Screens in 1971, it was all Clint Eastwood for America's Cops. So we saw Dirty Harry type haircuts, Harry like sport jackets and the like. And there wasn't a Smith & Wesson, Model 29, .44 Magnum Calibre Pistol left for sale in any gun shops in these United States.

So a little make believe can go along way, for anyone, even the Police.

In "BROOKLYN SOUTH" we have a Stephen Bochco Production that has quite a Family Tree. It's a cousin of "NYPD BLUE" and is also distantly related to that most prolific progenitor, the Abraham of Cop Shows, "HILL STREET BLUES".

Like all the previous efforts from Mr. Bochco, quality reigned supreme. The writing, the cinematography, costuming, color work and cast were all tops. A fine group of actors, both veteran and youthful, formed a sort of repertory company of NY City Police. Among those featured, my own favourites were: "HILL STREET" veteran, James B. Sikking as Captain Jones, Michael DeLuise as Officer Phil Roussakoff and the very underrated and unappreciated Gary Basaraba as Desk Sgt.Richard Santoro, who got promoted to Lieutenant during the short, 22 episode run of "BROOKLYN SOUTH".* Mr. Bochco and Company were attempting to do what is most difficult, and that is namely, to do a successful series not about the 'Big Heat' Detectives; but rather one dealing with the 'grunts', the infantryman of the Police Department, the Uniformed Patrolmen.

NOTE: * We see that the entire series is available on DVD. Quick, someone tell my family! Christmas is just a little more than 2 weeks away.

If you haven't seen Brooklyn South, get the DVD boxed set. I thought this was an enormously entertaining series and I was very sad when it wasn't renewed. I agree with another poster who complained about some of the characters, but has there ever been a show that had all perfect characters? Brooklyn South had some bad characters, some bad actors, and some bad episodes - I say "some". But not all. I would even say very few overall. This series had some poor characters portrayed by good actors, some good characters portrayed by poor actors, and some good characters played by good actors. I submit that one sure sign of a good actor is if he or she manages to get their audience to dislike their character. Not dislike the actor, but dislike the character that they portray - especially if you like the actor. Tim Roth in the movie "Rob Roy" would be an example: I think he is a fine actor and I like him very much, but I absolutely DETESTED him (as his character) in Rob Roy. Gary Basaraba was tremendous in his role as Sgt. Santoro. It was a good character portrayed by a great actor. The on screen relationship between Clemmy and Jack was an edge-of-your-seat cliffhanger from week to week. You got the sense that under all the conflict they really liked and respected each other as people. It's just too bad that this series was not renewed after the first (and only) season. There was a lot of unrealized potential left on the table in Brooklyn South, and it was one of the few - very few - programs that I faithfully tuned into week to week. You were great while you lasted, Brooklyn South. I miss you!

Brooklyn South is probably one of the best TV shows ever produced. Unfortunately, the series did not do well enough in the US, and was cancelled after only 1 season. That is a shame, regarding it`s realism, life and death drama and gripping storytelling. Really gives a good insight into the lives of some of "New York`s finest"

I took a chance and bought this series on DVD tho I never saw it when it aired in 97'; Wow! was I pleasantly surprised. I was so bummed during the last episode cause I wanted it to keep going for more than just one season. It has the same tone and feel as NYPD Blue but I have to say I liked the cops in this show a whole lot more. The beat cop--"blue collar" feel was just much more interesting to me than the constant "heavy drama" of NYPD which is a fine show. You watch this series and you wonder how with all the schlock on TV it didn't make it. The characters are human, flawed, honorable, and compelling. It's 16 hours of great entertainment and you can pick it up fairly cheap on line.

Brooklyn South was an innovative and Gritty show when it hit the air. Focusing on street cops in uniform over detectives, and making a thorough commitment to realism, it was unlike most anything else on TV. The writing and acting was top notch, and the show is able to serve up verbal confrontations just as vicious as the physical ones.

Still, it hasn't aged well. Given the time period and the fact that it aired on CBS, Brooklyn South is relatively tame by today's standards. This isn't necessarily bad, such as in most classic Victorian literature, where the author invents a way to refer to sex and violence much more entertaining than a straight description. The problem is that Brooklyn South presents itself as gritty and revealing, (which it was for the time) and the actual content of the show ends up being a let down, rather than a delicious metaphor. Many of the issues that Brooklyn South is obviously trying to tackle, such as abuse of power, the slippery slope of committing evil deeds in the name of good, and what constitutes morality when your paid to use violence, it can only hint at. Thus the watcher is slowly drawn into these issues, only to be let down when the show switches subjects just before truly exposing them.

Given this I'd recommend Brooklyn South to hardcore fans of the crime genre, because even after aging it's still entertaining, and for it's historical importance as one of the first cop shows to focus on realism and morally ambiguous characters. Beyond that it's safe to say that HBO's The Wire is everything Brooklyn South wanted to be, and better done to boot.