Brooklyn South

I can still remember seeing BROOKLYN SOUTH during its only season (1997-98). It's really too bad that it didn't last any longer. The series struggled in the ratings, but it still had a chance to become a hit. If CBS had the courage to renew the series for a second season, it might have become successful.

What sticks in my mind is the pilot, in part because it apparently made BROOKLYN SOUTH the first non-cable series to get the TV-MA rating (meaning Mature Audiences). But other than that, the rest of the episodes were rated TV-14 (indicating that it may not be suitable for viewers under the age of 14). The reason for the pilot's TV-MA ratings was because of the grisly shoot-out scene at the beginning, which involved a cop getting shot in the head by a sniper.

The premature demise of the series was a big disappointment. I would have liked to see BROOKLYN SOUTH last five years or more. In fact, it could have been the HILL STREET BLUES of the new millennium.

I have to disagree with the others who have posted in praise of "Brooklyn South." As a die-hard fan of "Hill Street Blues," I have to say that "Brooklyn South" didn't come close to matching the earlier series in quality and watchability.

Don't get me wrong: I WANTED to like this series very much. It just didn't hold my interest, perhaps because so many of the situations seemed so incredibly far-fetched: One character's shrewish wife - who is even prepared to frame him for a murder - is conveniently killed off in a car accident; the first precinct captain was so cartoonishly clueless as to be laughable; the Terry Doyle character was so annoying I was actually HOPING he'd be killed off.

Actually, for me, the only character I cared about and who really came to life for me was Gary Besaraba's Sgt. Santoro. His scene in one of the early episodes with his son's grade-school teacher - who is copping a superior attitude to the sarge and his wife - was great. I also had a sneaking respect for Jim Sikking's character, a career Internal Affairs investigator with ice-water in his veins.

A good try, but no cigar.

I took a chance and bought this series on DVD tho I never saw it when it aired in 97'; Wow! was I pleasantly surprised. I was so bummed during the last episode cause I wanted it to keep going for more than just one season. It has the same tone and feel as NYPD Blue but I have to say I liked the cops in this show a whole lot more. The beat cop--"blue collar" feel was just much more interesting to me than the constant "heavy drama" of NYPD which is a fine show. You watch this series and you wonder how with all the schlock on TV it didn't make it. The characters are human, flawed, honorable, and compelling. It's 16 hours of great entertainment and you can pick it up fairly cheap on line.

The fact that this series ran only one season is a travesty. It's true it was competing with football etc...however, Steven Boccho and David Milch actually focused on the street officer in uniform. A tremendous cast of Gary Basaraba who made the show go..but outstanding performances by actors like James Sitking ( Hill Street Blues, Dylan Walsh, Michael Deluise (from NYPD Blue )Titus Welliver,Jon Tenny and Richard Jones. Klea Scott and Yancy Butler portrayed women police officers who interacted very well with their counterparts week after week and did their jobs very well. The series targeted the very essence of police work and that is, working the streets. It focused on the officer's duty,their personal lives, traumas and stress as they put their lives on the line every time they walked out the door of the 74th precinct. It is true there has been police series on TV, dating back to Dragnet (featuring detectives) Adam 12 ( almost robotic in nature ), William Shatner as TJ Hooker in 1982. Even Hill Street Blues featured the street officer in uniform, but was almost comedic when you consider the reflection of this mythical police department, where the officers didn't conform to the departmental regulation of the uniform..officers were allowed to wear corporate baseball caps, cowboy boots etc..with no fear of reprisal. James Sitking played a mercenary predator who was the commander of the SWAT team who wanted to utilize his latest weapons no matter what circumstances demanded. This is not to mention Renko (a loose cannon ) who in most departments would have been sent to see the department psycologist. But, none the less, it was a great show which lasted for years. The weekly scripts were outstanding addressing the controversial issues of the day while still reflecting the professionalism of the Police Officer in a positive way. This series may be history now, but it is available on DVD. I highly recommend it. Given what the choices are today, 10 years later..it should be welcomed back..regardless of critic opinion and "ratings". We lost a good series here.

Brooklyn South was an innovative and Gritty show when it hit the air. Focusing on street cops in uniform over detectives, and making a thorough commitment to realism, it was unlike most anything else on TV. The writing and acting was top notch, and the show is able to serve up verbal confrontations just as vicious as the physical ones.

Still, it hasn't aged well. Given the time period and the fact that it aired on CBS, Brooklyn South is relatively tame by today's standards. This isn't necessarily bad, such as in most classic Victorian literature, where the author invents a way to refer to sex and violence much more entertaining than a straight description. The problem is that Brooklyn South presents itself as gritty and revealing, (which it was for the time) and the actual content of the show ends up being a let down, rather than a delicious metaphor. Many of the issues that Brooklyn South is obviously trying to tackle, such as abuse of power, the slippery slope of committing evil deeds in the name of good, and what constitutes morality when your paid to use violence, it can only hint at. Thus the watcher is slowly drawn into these issues, only to be let down when the show switches subjects just before truly exposing them.

Given this I'd recommend Brooklyn South to hardcore fans of the crime genre, because even after aging it's still entertaining, and for it's historical importance as one of the first cop shows to focus on realism and morally ambiguous characters. Beyond that it's safe to say that HBO's The Wire is everything Brooklyn South wanted to be, and better done to boot.