Décroche les étoiles

This is a story of a mature woman who gets to take care of a little boy,after her own daughter moves out.The two have a great time,and the woman even becomes friends with the boy's mother, who is completely different from her.The older woman is very proper,but caring and the boy's mother is the wilder type. Then there also is a truck-driver, who is a friend of the wild woman,and he falls in love with the older woman.By that time her life isn't what it used to be anymore!

The acting was very good,especially Marisa Tomei was great as Monica Warren,the little boy's mom! Also I very much liked Gerard Depardieu as the truck-driver,but then again, he is always funny. Jake Lloyd put on a great show too,as "JJ" Warren,and also I liked the acting of daughter Annie (Moira Kelly)!

Overall this is a nice drama/comedy!

Will start with what did not like from what is visible at IMDB: the title - sounds pretentious. Poster - why Marisa's hair is black ?

Started with showing bad relation with about 20 y. daughter, and by me not that realistic dialog in it. Things gone better and more interesting when loud-mouth neighbor mother came in her life, with her son and marriage problems. While relation with young boy was presented well, and there was developing shown, it missed completely with other and close people. So, we don't have clue why was it bad with her daughter - well, did they think that it is enough that at one point Mildred said that she is good with young children and bad with those older ones ?

I hated that drunk bar scene, especially that goat laughing. Actually, sound was overall pretty bad quality and often irritating.

Whole romance with truck driver seemed very unlikely. Really not sure who to blame more: script or direction. Actors did great job considering given dialogs and direction. And that's for sure best part. Marisa managed to keep it on decent level, even if there was way too much f* word and all kind of trashy talk. Did not see much of comedy in this.

The ending was really weak, better said last 20 minutes. Although it was clearly shown where she will move, but all it was somehow bland and stiff. No wonder that many reviewers asking here where she headed at the end. Well, to the stars, I guess. Or was it alligators ? :-)))

UNHOOK THE STARS (1996) ***1/2 Gena Rowlands, Marisa Tomei, Gerard Depardeau, Jake Lloyd, Moira Kelly, David Sherrill, Bridgitte Wilson, David Thornton, Clint Howard. Excellent acting by Rowlands and Tomei as a widower and a troubled neighbor, respectively, who become friends after the latter asks the former to babysit her quiet, yet bright boy (Lloyd in a remarkable debut that eschews cuteness for real depth, no easy task for a five year old; Lloyd later was cast as the young Darth Vader in the Star Wars prequel!). Emotionally satisfying thanks to an even-handed directorial debut by Rowlands' son Nick Cassavettes(the late auteur John's prodigy), who co-wrote the well-written scrip with Helen Cladwell. Guaranteed to have you laughing and crying; dare you not to get a lump in your throat by the film's poignant ending between Lloyd and Rowlands. Nice job by all around! ** Personal note: I relate this film to my own upbringing between my mother and grandmother.

Marisa Tomei has always been one of my favorite actresses. She has a very individual, very strong, not to mention incredibly hot, presence and is one of the major scene thieves of our time. She is by far the best thing about My Cousin Vinny, which would hardly be even close to being as worthwhile without her. She is the only reason to watch Just A Kiss. She is wonderful in Happy Accidents and In the Bedroom. In Unhook the Stars, she is a joy to see, not just for her presence and ability to intrigue even inaminate objects but also for the freedom-emblazoned attitude she fleshes out in her character. She is not at all subtle, but she is a realistically subtle contrast to Gene Rowlands, who plays opposite her. However, in this film, Gena Rowlands serves to be the first person I've ever seen who's stolen any scene from the likes of Marisa Tomei. Tomei's earliest scenes are brilliantly fiery, both hilarious and alarming, one of these great instances involving dialogue with other characters while she is in another room cursing and raving into the phone incidentally during the natural pauses in between the other characters' exchanges. But gradually, Rowlands earns our focus a bit more, because I've hardly felt more deeply for many other characters in many other movies.

Gena Rowlands plays a mother on the latter end of middle age whose daughter gives her great disrespect and constantly runs off, leaving her to do her paper route. She has a highly serious and successful son who lives for admiration and objectifies his wife. Rowlands is lonely, riding the gentle winds through the motions of life at home. When Tomei, grungy, aggressive young mother, asks her to babysit her young son while she's at work, a new and beautiful relationship emerges into Rowlands's life, giving her great happiness and fulfillment, but the natural interferences and oncoming decisions of life seem to taper it. The scenes with her and the young boy are so touching and full of emotion. I won't explain further into her character or the story that is driven by her, but I will say that what she is is a touching, very very deeply felt characterization of a common, lonely mother of great selflessness, surrounded by the self-absorption of the people she cares the most for. And you will be surprised at how much you care for such overlooked people, people who rarely come to be the lead character in a movie.

Though Nick Cassavettes doesn't quite have the intensity or fluently original technique that his father, John Cassavettes, had, he does carry on in the Cassavettes tradition of plain and direct interpretations of reality. His film is about loneliness, and about the sort of person who takes so little from us in return for so much that she gives, and how she is prompted to live.

"Unhook the Stars" is all about Rowlands who plays a middle aged widow with grown kids who wakes up one day to find herself no longer needed as a wife and mother. An uneventful and even character study which builds enough interest in the Rowlands character to make it not too difficult to overlook her supporting cast who play obvious stereotypes, "Unhook..." is a flick with no punchline which plays like a meal with no dessert. The entertainment is in the ride, not the destination. A good slice of mature life flick worth a look.