IMDb RATING
4.6/10
4.1K
YOUR RATING
Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.
David 'Shark' Fralick
- Master Sergeant Sam Harper
- (as David Shark Fralick)
Tom McFadden
- Mac Cronin
- (as Thom McFadden)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie should have been made 10 years earlier...it's a perfect '80s horror flick. It's a silly romp, which will have you laughing due to it being ridiculous. There's not much violence/gore, but a perfect B-movie. If you're gonna watch a horror movie, make sure it's a B-movie. Simple plot: a sadistic army soldier is shot down in his helicopter by 'friendly fire' by his fellow soldiers. I suppose due to revenge, he goes after anti-americans...flag burners, draft-dodgers, & his ex-wife. Did I mention that he dresses up as Uncle Sam while he does this? Isn't this alone worth watching it?
I don't know if this was a direct to cable movie, but I watched it on the basic cable system months ago after it's release.
I don't regret. It's one of the cheesiest slasher flicks I've watched. I thought I was watching a mid 80's slasher because there's a marked 80's feeling through the movie.
The f/x are as cheap as you can get. The acting is hilarious. Sir Isaac Hayes delivers a weird performance as the badass Jed.
I loved his line at the end before he gives Uncle Sam a little of his own.
Very low budget slasher flick. Doesn't deserves a watch but if you got nothing, NOTHING else to do and it's very late, you should give it a chance. Or at least watch 10 minutes of it to give you an idea of what you're going through. 2/10.
I don't regret. It's one of the cheesiest slasher flicks I've watched. I thought I was watching a mid 80's slasher because there's a marked 80's feeling through the movie.
The f/x are as cheap as you can get. The acting is hilarious. Sir Isaac Hayes delivers a weird performance as the badass Jed.
I loved his line at the end before he gives Uncle Sam a little of his own.
Very low budget slasher flick. Doesn't deserves a watch but if you got nothing, NOTHING else to do and it's very late, you should give it a chance. Or at least watch 10 minutes of it to give you an idea of what you're going through. 2/10.
Talk about a disappointment. I know it's only Uncle Sam, but it's Bill Lustig and Larry Cohen. This dynamic duo should have had better results (see Maniac Cop). Uncle Sam is just so...I don't know, but it's not fun. And fun is exactly what it should have been. It's very goofy but I never once laughed with it, only at it. Perhaps the funniest aspect was the kid in the wheelchair. Where did he come from? He was never mentioned or shown and out of nowhere (and in the middle of the movie) he becomes a major character. Talk about bewildered. The best part is that he's always left behind. If someone goes into a house, the wheelchair kid stays outside. If someone leaves to get a cannon, the wheelchair kid just chills where he's at. It's accidentally hilarious. I can say some good about Uncle Sam. I can say it has one of the best casts to ever grace a slasher film. It's a 70's who's who that features Isaac Hayes, Bo Hopkins, William Smith, and Robert Forster. It's even got the guy who played the president on That's My Bush. I'm not sure how Lustig brought this cast together for this film, but it still doesn't compensate for the negative. If you're wanting to see a hokey horror flick with a killer who never runs out of quips, stick to the Nightmare on Elm Street sequels. If you're wanting to see a serious horror film with deep social commentary about war, watch Deathdream.
"Uncle Sam wants you...dead!"
"Uncle Sam wants you...dead!"
I rented this in the mood for a really bad movie that I could rip to shreds but to my surprise, and despite what everyone else seems to think of it, it was actually quite good!
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.
The script of a soldier coming back from the dead to wreck havoc on unpatriotic citizens, seems like fertile ground for "black comedy". There are some fine character actors, Bo Hopkins plays a scuzzy Army bereavement officer, and Isaac Hayes is a wounded member of Uncle Sam's combat unit, but they are more or less wasted. The script seems like it didn't move much beyond the initial idea, and is badly underdeveloped. If it's a slasher, there is very little tension. If it's a comedy, where are the laughs? For "black comedy" to succeed, it must be outrageous, which the film is, but it also cannot be mean spirited, and "Uncle Sam" clearly is mean spirited, and somewhat meaningless to boot. Sure, the Uncle Sam on stilts peeper is fun to look at, but a few good scenes cannot save this from being a disappointment. - MERK
Did you know
- TriviaMadison Liora (the blonde woman in the towel) only agreed to do her brief nude scene if she got to keep one of the Uncle Sam masks after the film's production was finished.
- GoofsCannon balls like those being fired from the cannon by Jed do not explode, let alone explode a half dozen times as Leslie's home did.
- Crazy creditsA poem is read aloud during the credits.
- SoundtracksThe Stars and Stripes Forever
Composed by John Philip Sousa
Performed by Cincinnati Pops Orchestra (as The Cincinnati Pops Orchestra)
Conducted by Erich Kunzel
Courtesy of The Vox Music Group, A Division of Essex Entertainment, Inc.
Details
Box office
- Budget
- $2,000,000 (estimated)
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content