Par amour pour Gillian

This is one of the movies I'd buy to keep in my collection. Not only does it have a strong cast that meshes well together, but the story lingers on the emotional moments long enough for you to savor them and to enjoy the effect of transporting you into their world.

It's not a sappy movie that's cliched, but rather one that deals with the emotions of letting go of the past and those left behind.

Claire does play this movie well, and if it were another actress in her shoes, it would have a much different flavor and feel. I'd say it's one of her better movies she's starred in after My So Called Life, and worth buying just for her alone. (I'd rate it above Claire's others like Polish Wedding, I Love You, I Love You Not, and Brokedown Palace.)

Overall, it's a well-balanced movie that delivers a surprise that's not expected by the bland title alone, and while not an awesome movie of the highest caliber, it is certainly a movie that deserves a viewing.

Many people have losses that are very hard to deal with, and they must "Let-Go" on their own time and in their own way after processing. I think this movie was well done. I believe that many of us who have lost either a spouse, parent, sibling, etc ... have kept in contact in some way in our heart, soul and mind. Here is to Dave and Gillian, and a very good screenplay!

Michael Brady wrote this play, and David Kelley wrote the script for the movie. The original poster of comments went on and on about David Kelley's "weak writing" but we must remember that it is a play, Broadway Play Publishers owns the rights. What is a wonderful play does not trancend to the screen with all the warm fuzziness the script calls for. While you are able to put in on Nantucket and you get the scene feel, it needs to be seen live. The casting is marvelous, and worth it to see Peter Gallagher play someone very lost, and the music could have been more haunting. All in all if you want to see it, do. It's a good story and an ok movie, but if a local theatre is doing Gillian, do go see it. It's better as a play.

I can vaguely recall when this movie was released nationwide in 1996. The title struck me as odd and aside from the fact that I wanted to see/hear how James Horner would conduct another exceptional score, I had no desire to see the film. After recently viewing To Gillian on Her 37th Birthday, I am disappointed that I didn't see it in the theater. Peter Gallagher, Claire Daines, and Bruce Altman all deliver marvelous performances. Michelle Pfieffer was a nice surprise (she's always "nice") as she plays her part to perfection! One of the best things about this film is the fact that you're not sure whether or not what you are seeing is real or whether it's just what's in David's (Gallagher) mind. Whichever way you believe, it's an amazingly touching film and at times it's even powerful. Great dialogue, great directing, and a great score from Horner (again), make this a truly GREAT film!

David E. Kelley is a brilliant writer. The early episodes of Picket Fences & Chicago Hope, the later episodes of L.A. Law and just about every Practice & Ally McBeal ever made are examples of his great talent. The only problem he has is trying to convert that TV magic to the big screen. His movie scripts are enjoyable, but lack the energy and excitement of his great TV writing.

To Gillian on Her 37th Birthday deals with a man (Peter Gallagher) who loved his wife so much, he just can't let her go. The wife's ghost seems to appear to him on the beach and he spends hours talking to her while neglecting their teenaged daughter (Claire Danes). The dead wife is Michelle Pfieffer, the best-looking ghost I've ever seen in a movie! The tension between father and daughter grows and the arrival of Gillian's sister (Kathy Baker from Picket Fences) and her husband makes things even more tense.

This movie has a good cast who all give strong performances and there is a memorable scene with Claire Danes and Laurie Fortier in thong bikinis, but the movie is hurt by Kelley's weak script, which is not up to the level of quality we've come to expect from him.