While doing a thesis about violence, Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that the girl was a former student in her faculty...While doing a thesis about violence, Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that the girl was a former student in her faculty...While doing a thesis about violence, Ángela finds a snuff video where a girl is tortured until death. Soon she discovers that the girl was a former student in her faculty...
- Awards
- 15 wins & 6 nominations total
Paco Hernández
- Padre Angela
- (as Francisco Hernández)
Featured reviews
"Tesis" is not only a tantalizing Horror Thriller, but is also an intelligent study of people's fascination with death and the imagery of death. Several movies about the topic of snuff films have come up in the last several years (8 MM, for example), this one is definitely the best.
Angela is a young woman who is writing a thesis on violence in the media, in order to get her degree in communication science. Doing research, she gets to know Chema, a fellow student who is obsessed with violent movies. Angela finds a snuff video of a girl tortured to death, Chema recognizes the girl as a former student from their school, who disappeared several years ago. Angela and Chema get themselves into great danger, trying to find out who killed the girl.
Thrilling from the first to the last minute, and sometimes quite shocking and disturbing, "Tesis" is a movie that will definitely not disappoint you if you're looking for suspense. But not only is the movie thrilling and entertaining it also makes some very interesting points in the questions why people are fascinated with death and violence, what the effects of fascination with violence are and how media are dealing with it. I'll never forget the beginning of the movie, when a suicide occurs in the Madrid subway and Angela, although she doesn't want to be 'fascinated with violence', can't help but try to get a look at the dead body.
The acting in the movie is very good, specially Ana Torrent as Angela and Fele Martínez as Chema. A good cinematography supports the suspense and the thrilling atmosphere. Alejandro Amenábar did a great job writing and directing this movie, one of the most thrilling of the 90's. A great horror thriller, researching people's fascination with violence and death, 'Tesis' is disturbing, terrifying and intelligent! 8 out of 10!
Angela is a young woman who is writing a thesis on violence in the media, in order to get her degree in communication science. Doing research, she gets to know Chema, a fellow student who is obsessed with violent movies. Angela finds a snuff video of a girl tortured to death, Chema recognizes the girl as a former student from their school, who disappeared several years ago. Angela and Chema get themselves into great danger, trying to find out who killed the girl.
Thrilling from the first to the last minute, and sometimes quite shocking and disturbing, "Tesis" is a movie that will definitely not disappoint you if you're looking for suspense. But not only is the movie thrilling and entertaining it also makes some very interesting points in the questions why people are fascinated with death and violence, what the effects of fascination with violence are and how media are dealing with it. I'll never forget the beginning of the movie, when a suicide occurs in the Madrid subway and Angela, although she doesn't want to be 'fascinated with violence', can't help but try to get a look at the dead body.
The acting in the movie is very good, specially Ana Torrent as Angela and Fele Martínez as Chema. A good cinematography supports the suspense and the thrilling atmosphere. Alejandro Amenábar did a great job writing and directing this movie, one of the most thrilling of the 90's. A great horror thriller, researching people's fascination with violence and death, 'Tesis' is disturbing, terrifying and intelligent! 8 out of 10!
This suspenseful movie concerns about Angela(Ana Torrent), she's an university student at a journalism university in Madrid. She comes across a snuff movie that shows a girl being tortured and killed. She befriends Chema(Fele Martinez), a young completely obsessed with violent films. They find out that the girl was an university at their school and her former fiancé named Bosco(Eduardo Noriega) holds a camera similar to the snuff's shooting. They early discover the killing was actually filmed on campus.
The motion picture displays genuine chills, suspense, mystery and dark atmosphere with a shocker finale . Packs excellent creation of tension, thriller, terror , emotions and brief gore. It's an exciting, bizarre film; skillfully proceeded by Alejandro Amenabar and turns out to one of the most unusual Spaniard horror movie ever made and certainly one of the most unsettling. Plenty of shocks, the eerie images deliver the exciting united a creepy score by Amenabar, also screenwriter, along with Mateo Gil, of the thrilling plot. Intelligent edition, special use of murky sets and slick utilization of shock images make this one, a magnificent terror film. Gloomy and sombre cinematography by Hans Burman which heightens the suspense. The picture is well directed by Amenabar in his first movie. After he achieved various hits, such as : 'Open your ears, The others and Mar adentro' . Rating : Better than average.
The motion picture displays genuine chills, suspense, mystery and dark atmosphere with a shocker finale . Packs excellent creation of tension, thriller, terror , emotions and brief gore. It's an exciting, bizarre film; skillfully proceeded by Alejandro Amenabar and turns out to one of the most unusual Spaniard horror movie ever made and certainly one of the most unsettling. Plenty of shocks, the eerie images deliver the exciting united a creepy score by Amenabar, also screenwriter, along with Mateo Gil, of the thrilling plot. Intelligent edition, special use of murky sets and slick utilization of shock images make this one, a magnificent terror film. Gloomy and sombre cinematography by Hans Burman which heightens the suspense. The picture is well directed by Amenabar in his first movie. After he achieved various hits, such as : 'Open your ears, The others and Mar adentro' . Rating : Better than average.
A promising director: it's what I thought after the screening of Amenabar's first feature. There is a compelling story told with bright creative ideas.
Eventually I felt the first part of the movie was really great and the following went a little under. Sure, it is more difficult to bring all sorts of things together after you built up an exciting suspense. Still you don't feel bored once you are getting to know what it is really all about, but you got more free 'RAM space' to think it over. Perhaps accelerating the rhythm would have kept Tesis on the same high level of suspense. Perhaps it would have been a mistake to change the pace.
Among things you can take away with you is the background theme about our attraction for the morbid. It opens and closes the movie and really gives it one further dimension - one could say it's a bit didactical but it's a least flaw for a first major effort.
Next step Senor Amenabar: a little less personal work (as compared with the experimental Abre los ojos) but still something personal (The Others is the least interesting work so far).
Eventually I felt the first part of the movie was really great and the following went a little under. Sure, it is more difficult to bring all sorts of things together after you built up an exciting suspense. Still you don't feel bored once you are getting to know what it is really all about, but you got more free 'RAM space' to think it over. Perhaps accelerating the rhythm would have kept Tesis on the same high level of suspense. Perhaps it would have been a mistake to change the pace.
Among things you can take away with you is the background theme about our attraction for the morbid. It opens and closes the movie and really gives it one further dimension - one could say it's a bit didactical but it's a least flaw for a first major effort.
Next step Senor Amenabar: a little less personal work (as compared with the experimental Abre los ojos) but still something personal (The Others is the least interesting work so far).
This film is an efficient thriller from Spain. It deals with the popular urban legend of "snuff" films (films which depict a real-life murder committed purely for the sake of the film).
The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.
The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.
The plot involves a young film student Angela (Ana Terrant) who is doing a thesis on cinematic violence. To research her thesis she seeks out the most extreme violence films she can find and accidentally stumbles upon a snuff film depicting the torture and murder of a fellow student from her university. She soon starts investigating the film.
The film is well-made and well-acted with several effective scares and twists. It's main message is that the people who watch violent films are in some way accomplices to the violent acts that they watch. This is an old point that has been made several times before. It also deals with the attraction of the forbidden. For example, in the opening scene, Angela goes to see a dead body on a railway track, partly because she has been told not to. Just when she, and the audience, are about to see the body she is stopped. In another scene, Angela is looking away from the snuff film but takes a quick look when she is told not to.
In Spain, Ángela Márquez (Ana Torrent) is a student of cinema preparing her thesis about the violence in the media. She approaches to the strange student of an another class, Chema (Fele Martínez), who is fan and has a collection of violent movies, to improve her research about this theme. She is receiving orientation of Prof. Figueroa (Miguel Picazo), who finds a `snuff' movie in the library of the university, showing the death of another student, Vanessa, violently killed by a man. While watching this film, Prof. Figueroa dies, and the new professor assigned to give orientation to Ángela, Jorge Castro (Xabier Elorriaga), questions many points in her thesis, inclusive the achievement of information. Meanwhile, Ángela is introduced to Bosco Herranz (Eduardo Noriega), a handsome and nice student of the university, and she suspects he made the violent movie and killed Vanessa. The plot is only resolved in the end of the film. The first film directed by Alejandro Almenábar that I watched was `Abre Los Ojos'. This masterpiece is very unknown here in Brazil. `Abre Los Ojos' is only available on VHS, and it certainly is in my list of the best thirty favorite movies. The common viewers only know the sophisticated and spoiled Hollywood version `Vanilla Sky'. The pretentious, wealthy and ham actor Tom Cruise impaired one of the most original screenplays ever made. Then I watched the marvelous `The Others'. Last month, his first movie, `Thesis', was released on DVD in Brazil. Yesterday I saw this magnificent low budget thriller. A very simple and realistic story, which keeps the viewer in tension until the last scene. There is no clichés, the performance of the cast is very credible, and it is impossible not to like this film. I did not know the meaning of `snuff' films. Based on these three foregoing mentioned movies, I dare to say that Alejandro Almenábar is the best new director of thrillers arose in the 90s. My vote is nine.
Title (Brazil): `Thesis - Morte Ao Vivo' (`Thesis - Death Live')
Title (Brazil): `Thesis - Morte Ao Vivo' (`Thesis - Death Live')
Did you know
- TriviaWhen Angela (Ana Torrent) is accessing the warranty database, director Alejandro Amenábar's name appears as a warranted customer of an XT-500 video camera.
- GoofsWhen Professor Figueroa finds the door to the secret library, before he enters, he wears glasses. In he next shot, as he enters the door, the glasses are gone, but they come back some shots after.
- ConnectionsFeatured in Cómo se hizo 'Tesis' (1996)
- SoundtracksMáquinas en Celo
Written by Ingresó Cadáver
Performed by Ingresó Cadáver
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Thesis
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €721,214 (estimated)
- Gross worldwide
- $14,227
- Runtime
- 2h 5m(125 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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