Sweet Angel Mine

I caught this film about 30 mins into it. I have to say it captured me right away and I couldn't stop watching. I disagree with some of the comments of people who say it had no plot, clearly they were not watching the film!!! To be honest it had a very disturbing storyline that somehow managed to draw you into the film in a rather uncomfortable way. I would go as far to say as you may have felt unpleasant whilst watching the film due to its disturbing screenplay. Whilst never feeling actually scared it seemed all too believable for me and made me feel somewhat uncomfortable and unsafe, a feeling I do not feel happy with. If the intent of this film was to disturb it did so well and this is a credit to the acting skills of all involved, who made this film seem like sick a documentary rather than a film.

I would not recommend seeing this film as it is rather disturbing and all too real, however I must commend it as a milestone in cinematography.

I caught this film at the Welsh International Film festival a couple of years ago, and it stood out (decapitated) head and shoulders above anything else. It's a superbly-crafted thriller about a man searching for his missing father, and finding a hell of a lot more in the shape of an isolated matriarchal family in Nova Scotia. The script, acting, use of locations, and most of all the superb atmosphere combine to make this one of the best films I've ever seen. It's a real pity it's not well known, as it certainly beats most of Hollywood's output hands down.

To my knowledge, this is the first film I've seen that is entirely filmed in Nova Scotia, Canada, or at least the first one that puts forward the region so prominently. I must say I'm deeply impressed by the beauty of this area, and that alone made "Sweet Angel Mine" worth viewing. One the other hand, one could state that, if the filming locations are the best part of a thriller, there's something seriously wrong with the film itself.

"Sweet Angel Mine" is a bizarre and semi-ambitious mix between coming-of-age, occult thriller and feminist drama. A young Londoner on a motorcycle cruises across the woods and small towns of Nova Scotia, hoping to unravel the mystery of what happened to his father, who disappeared here many years ago. The answers he seeks might be found in an isolated farmhouse run by a family of women (spooky grandma, enigmatic mother, pure daughter), but the boy is more interested in diving into the haystack with the daughter; - and maybe also the mother. The script isn't great, but nevertheless compelling enough to keep you interested. Also, whenever the story tends to get boring or overly pointless, director Curtis Radclyffe effectively inserts a bit of sex or macho bar fights. The ending is foreseeable, at least if you are into this sort of cinema, but it's pleasingly grim and mean-spirited. Decent performances, too, most notably from the gorgeous Alberta Watson ("The Keep", "The Soldier")

How do I love this movie? Let me count the ways. OK. I'm done counting. I can count the ways I love this movie on fewer than the fingers of one hand. In fact, I wouldn't even need one finger. Not unless I was using my middle finger.

This is the type of movie where you root for the young lover-wannabes to NOT get together at the end. This is the type of movie where you root for the entire cast of characters to die in the end. And speaking of root, this is the type of movie that gives undergoing a root canal a good name. That's what I wish I'd been doing instead of watching this movie---undergoing a root canal.

One really has to wonder how this film got by the Canadian Board of Tourism. Not to mention the Province of Nova Scotia's Chamber of Commerce. That's where it takes place. ("Come visit beautiful Nova Scotia. You, too, can act like an idiot!") The plot? Why bother? When every character in a movie can't get a clue, ESPECIALLY the two young lovers, then any alleged plot becomes meaningless. The best ending for this movie would have been for all of its characters, in one mass group-in, to have thrown themselves into the Atlantic Ocean from atop the rocky Nova Scotian cliffs. And to have taken the director (Curtis Radclyffe) with them! That, finally, would have been the first thing about this movie to make any sense.

"Sweet Angel Mine." Never judge a movie by its title. I did. And because I did, I wasted nearly two hours of my lifetime. That's two lost hours that can never be reclaimed. A root canal, at least, when it's all over, turns out to have been worthwhile time well spent.

This Psychoesque film has a lot to recommend it: #1 Nova Scotia (Makes me want to go there); #2 - engaging characters - even the bad characters are strangely attractive #3 - fearlessness of the main character Paul (his naive self confidence gets him in trouble.) Highlight of the film - Paul's first dream. Worst moment - the pitiful ropes which were restraining him as bad things were about to happen. It was so bad you could see the space between the rope and his wrist (right hand) - I know my 2 1/2 year old grand son, Gus could have easily slipped out of the rope.

I did enjoy the movie - flashbacks in black and white were effective. Mom & Daughter were alluring - Grandma disgusting - no surprise there! Fairly early in the movie you will "get it" even if you are not overly movie savvy. Yet worth the time. DonB