L'honneur de la famille

Isaac runs his publishing and continues despite the death of his wife. His company specialises in heavy subject matter about the Nazi's etc. However these don't sell well and Issac's insistence on perfection risks ruining the company. His son Arron sees this and brings in his brother Martin and sister Sarah to force their father to listen. However Isaac is forced out and starts another company – however with time it is obvious that Isaac is not fully competent to look after himself. Despite his own ill health Martin helps him to avoid court and losing everything.

Some films just shout worthy at you – this is a character driven piece about families etc, it's another worthy Miramax drama that, like Isaac's books, is lovely to look at and looks very serious and worthy. Unfortunately the story just goes along with nowhere to go and no points to make. We don't learn anything about the characters beyond the surface and they often seem to be stereotypes – the Jewish businessman father, the money motivated son, the bubbly daughter, the calm at-one-with-nature son etc. When the film does end, you feel like it should have been moving or involving, but instead it was slightly dull and uninvolving.

The performances are mixed, although it's a strong cast. Rifkin is good as the father, Isaac. However his character is not explained and his feelings never explored – instead we get a plot about mental competency. Goldwin is good as Arron, and Parker is good as bubbly (what else) Sarah. Hutton is poor as Martin, lecturing pupils by getting them to stare at trees, making meaningful sacrifice etc. His character is too calm and empty. The same could be said of Gil Bellows, although his character is smaller. Eric Bogosian makes a small cameo.

The problem with the cast is the same as with the film – there are too many scenes where they sit around talking, exchanging glances, Hutton says something semi-profound in a calm voice, the score comes up and we're all suppose to think something magical has happened. However this does not make a film worthy – even if it thinks it is.

I had great hopes for this film. I watched it twice in case I was missing something in this masterpiece. However hard the film tries it appears to have nothing to say and nowhere interesting to go. Dull and uninspired.

I have to admit, I once began watching this and didn't get very far. But I tried again and found it very interesting - more interesting, at least, than the other poster. I thought Ronny Graham was hilarious as the elderly, cantankerous author. In fact, there was more humor in the movie than I imagined. Tony Goldwyn and Sarah Jessica Parker could easily pass as siblings, and the children of Ron Rifkin, but Tim Hutton didn't seem to belong to the same family. The most interesting thing to me, and perhaps a reason to watch it, was the brief scene of Goldwyn and Gil Bellows (as his boyfriend) dancing together.

This is a film that could have been an important film if it had not stooped to the use of repeated use of the 'f' word and other foul language. The people depicted in this film would not ordinarily use such language. I am acquainted with many Holocaust survivors and I have never heard such language pass their lips.

Although the Holocaust was used as the starting point of the film, and as a background for the most important character, there was no attempt to explain how that experience molded the character to make him what he is in the film.

Also it was never shown how the children of the Holocaust survivor were affected by their father's experience as it was with most children of Holocaust survivors.

It should have been a strong family drama, and it was to a point. But the foul language ruined it.

"The Substance of Fire" is a slice of life film which tells of a small time New York Jewish holocaust-survivor book publishing purist and authoritarian patriarch to his adult children; two sons, one daughter. The slice has to do with the slow disintegration of his family owned publishing business and his mental health in the wake of his wife's death, financial woes over his inability to adapt to market demands, and his advancing age.

The film sports a solid cast and excellent performances, especially by Rifkin, and is artistically and technically good. However, when all is said and done, the viewer may wonder why they bothered watching as the story just begins and ends with no apparent reason being; no moral, no message, no lessons, not compelling or thought provoking and difficult with which to empathize. Likely to be of most interest to those who like "all in the family" relationship films.

I found this film quite flawed on the grounds of story and acting. The story is rather slow, without any definite direction and it ended abruptly before some of the main characters begin to develop. Apart from Ron Rifkin and a bit from Sarah Jeassica Parker, the overall acting is below the level one expects from such type of films.

The primary reason to like this film is that it's honest and it's original. One can see that the filmmakers are really passionate about the subject it's based upon, I don't know, maybe from personal experiences. Its structure and style are quite original and don't have any clichés. Even the ending, though abrupt, is heartfelt if the viewer cares to understand the film's statement.