The 1981 hunger strike in an Irish prison, in which I.R.A. prisoner Bobby Sands led a protest against their treatment as criminals rather than as prisoners of war. It focuses on the mothers ... Read allThe 1981 hunger strike in an Irish prison, in which I.R.A. prisoner Bobby Sands led a protest against their treatment as criminals rather than as prisoners of war. It focuses on the mothers of two of the strikers, and their struggle.The 1981 hunger strike in an Irish prison, in which I.R.A. prisoner Bobby Sands led a protest against their treatment as criminals rather than as prisoners of war. It focuses on the mothers of two of the strikers, and their struggle.
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Featured reviews
However, it is too bad the storyline in the movie doesn't match the quality of the music. Quite frankly, the movie was boring!
Helen Mirren and Fionnula Flanagan give first rate performances as the mothers (Kathleen Quigley and Annie Higgins) of two IRA terrorists imprisoned following a rocket attack on British soldiers. David O'Hara (Frank Higgins) plays the hard core murderer who appears to enjoy killing the British. Aiden Gillen is Gerard Quigley, the unlikely terrorist, who aids his friend Higgins in the attack. O'Hara and Gillen are very believable in their roles. In fact all of the actors are good.
The problem is with the storyline and lack of action after the initial rocket attack and subsequent capture of Higgins and Quigley. The scene involving the IRA's retaliation murder of the Maze prison guards happens far too quickly for the viewer to understand what is going on. And let's face, watching people starve to death is not very exciting.
I still gave this movie 6 out of 10, because of the fine acting and music.
Irish44
I saw this movie when it first came out, and just watched it again last night. I still feel that it's an important movie, and also that everyone in the audience except for me <insert smile here> is missing the point. It's not about the right or wrong of the IRA/Sinn Fein or Thatcher's administration, it's about a more-or-less unprecedented friendship that evolves between two sons' mothers, and how they deal with their sons' impending self-imposed deaths, a friendship that quite suddenly excludes class issues, precisely because it is about _mother's sons_.
This is evoked in many subtle ways: Mrs Quigley's daughter leaves her job at the bank because no one trusts her after her brother has been arrested, and ends up tending bar somewhere outside North Ireland -- rather declassee for a young woman who'd been working in a bank; Mrs Higgins lives her life on a bicycle, gets a driving lesson on the sea-strand from Mrs Quigley, and they both end up getting saved from an incoming tide by British/North Irish soldiers. If you check the screenplay, you can see the change in the use of forenames and last names between the two women -- it's unfair to expect Yanks to pick that up. I can't even begin to explain it to my friends, and hell, I live in a border state.
There's a unifying theme in this movie and it's the sea: the sea the mothers are connected to, and that their sons are not permitted to see.
Convicted of taking part in an attack on British forces as part of an IRA Active Service Unit, her son quickly finds himself the cell-mate of soon-to-be-IRA-icon/martyr, Bobby Sands. Although the film does not really explore the personality of this seminal figure (for ex: that he was a poet), it does convey the gravity of the situation he was thrust in as well as the huge impact the hunger strike had on the Northern Irish, indeed people around the world.
But more so, this film is about the suffering that the women in these situations, particularly the mothers (hence the title) must endure. They have no choice in the tragedy that forces itself on their lives, yet they must find ways to overcome and affect what positive change they can.
Some say there is not enough "action" in the film. It is not an "action" movie. There are plenty of Dolph Lundgren vehicles out there if that is all you want. This film is about how episodes of moving history effects everyday people's lives.
I personally think this film is quite thought-provoking and the acting is convincing. Helen Mirren, as Kathleen Quigley, who has not been aware that her son Gerard (Aidan Gillen) is an IRA soldier, is determined to help her son to survive, while Fionnula Flanagan (Annie Higgins) is terrific as a nationalist mother who is right behind her son's beliefs but eventually witnesses his death, only after losing her other son, who is shot dead by the British Troops.
Some might say many of us are IRA sympathisers and that they are nothing but a bunch of killers, that they are nothing but a bunch of terrorists. However, as one reviewer put, 'there would be no IRA if there was no British oppression'.
Did you know
- TriviaTheatrical movie debut of Tom Hollander (Farnsworth).
- GoofsThe film is clearly set in a border seaside fishing village in Ireland. However, Kathleen is clearly seen voting in the Fermanagh-South Tyrone by-election: a completely land-locked constituency.
- Quotes
Kathleen Quigley: What are you doing here?
Alice Quigley: I resigned.
Kathleen Quigley: What?
Alice Quigley: I can't work there anymore.
Kathleen Quigley: Why?
Alice Quigley: Nobody trusts me!
Kathleen Quigley: Well did- did someone say something?
Alice Quigley: No... I just know.
Kathleen Quigley: Oh, for God's sake! Alice!
Alice Quigley: It's a bloody bank, Mum! The IRA have robbed it four times, why should they trust me?
Kathleen Quigley: Gerard didn't rob it!
Alice Quigley: How do you know?
Kathleen Quigley: ...Where will you work?
Alice Quigley: I can't stay here anymore. I hate this country.
- ConnectionsFeatured in The Movie Show: Episode dated 14 May 1997 (1997)
- SoundtracksStar of Desire
Composed by Scott Wooldridge & Brian Wooldridge
Performed by The Wooldridge Bros.
Courtesy of Windswept Pacific Entertainment and Don't Records
Details
Box office
- Gross US & Canada
- $671,437
- Opening weekend US & Canada
- $88,515
- Dec 29, 1996
- Gross worldwide
- $671,437
- Runtime1 hour 52 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1