Sling Blade

I guess the main reason why I wanted to see this movie was because it was written and directed by Billy Bob Thornton, who also played a role in it. Even though the man hasn't really been able to prove a lot with his work as a director, I must say that I almost always appreciate him as an actor. He's perhaps not the most popular actor in Hollywood, but in my opinion he sure is one of the better ones.

In this movie he plays the role of Karl Childers, a grown, but simple man who is released from the psychiatric hospital where he has been hospitalized since the age of twelve. He had to stay in that hospital for so long because he murdered his own mother and her lover, believing that they were doing something wrong. He returns to the town where he lived the first twelve years of his life and it doesn't take long for him to get a job as a mechanic, fixing all kinds of small motors at a local repair shop. In the same town he also meets Frank, a young and friendly boy who immediately seems to like this strange man. Soon Karl is invited by Frank's mother to stay in their garage, much against the will of her alcoholic and abusive boyfriend Doyle. While Karl's friendship with Frank gets stronger, the tension between him and Doyle keeps building up, until reaching its final climax...

Now that I've finally seen this movie, I can only say that it's too bad that I didn't give it a try earlier. Especially thanks to the magnificent performance by Billy Bob Thornton, this is a movie that is more than just worth a watch. But also the other actors like Dwight Yoakam, Natalie Canerday,... did a very good job. The entire movie feels very realistic, is quite sober and never tries to be too dramatic. This is the kind of movie that could have become very preachy, but it hasn't and that's something that I really appreciate. Add to this some good directing and you know that Thornton has done a very nice job with this movie.

This isn't exactly a typical Hollywood movie, not in its story and certainly not in its approach towards the subject. This could easily have become some kind of cheesy TV-movie, but Billy Bob Thornton has made a very good movie out of it instead. I really appreciated his work as a director, actor and writer in this movie, liked the story and was intrigued by the acting of all the actors. That's why I give it a 7.5/10, maybe even an 8/10.

Set in a small, rural Southern town, Billy Bob Thornton's "Sling Blade" is so flavorful in ambiance and tone, so rich in character and theme that it's hard to believe that its roots are not to be found in any short story or novel. For while it has all the earmarks of a great work of literature, "Sling Blade" is actually an original creation by Thornton, the triple threat talent who wrote, directed and stars in the work.

Karl Childers is a marginally retarded man who's been living in a mental institution ever since, as a child, he accidentally stumbled across his mother and her lover in a compromising position and, in a moment of considerable confusion, hacked the two of them to death. After being officially declared by the state to be "rehabilitated" and "cured," Karl is thrust back out into the world where he forms a bond with a fatherless boy, his hardworking, compassionate mother and a gay storeowner who has long since become a part of their extended family. Also part of that family is the widow's twisted boyfriend, Doyle Hargraves, who physically and psychologically abuses both mother and son.

Thanks to Carl's "strangeness" and homicidal background, as well as the simmering volatility and mercurial temperament of Doyle, there is always the threat of violence hanging ominously over the work. Yet, in many ways, "Sling Blade" is really about the goodness of people in their willingness to overlook external differences and to find the similarities that unite us all in a common bond of humanity. For the most part, the people in this quiet little community try to reach out and befriend Karl, sensing a decency in him that helps to mitigate any possible fear they might have of him based solely on surface eccentricities. Even when he is eventually forced into violent action, he does so as an avenging angel bringing swift and righteous justice, not as a murderous demon acting out of hatred or malice.

The acting in the film - beginning with Thornton himself - could not be more brilliant. With his stooped shoulders, tight-lipped smile, jutting jaw, vacant expression and guttural throat-clearing, Karl became the butt of so many jokes back when the movie first came out that it's easy to forget what a truly amazing character - and job of acting - Thornton has pulled off here. The actor we've known from so many other movies is completely invisible in this role, as he literally becomes Karl in every fiber of his being and, in so doing, forces us to see the wisdom and humanity buried deep inside the person. The performance is such a touchstone of acting for our generation that it is easy to miss all the other great acting in the film, particularly on the part of Natalie Canerday, Lucas Black, John Ritter, J.T. Walsh, Robert Duvall and, most especially, Dwight Yoakam, whose portrayal of a man teetering on the edge of a psychopathic meltdown is bone-chilling and brilliant.

As a writer, Thornton has shaped his film like a modern day parable - simple, symbol-laden and allegorical. As a director, he proves himself a master of rhythm and pacing, setting the mood and allowing the scenes to play themselves out without recourse to overstatement or melodrama. In fact, this is one of those rare movies in which every moment feels just right, so confident is Thornton in his ability as a filmmaker to bring his story to life on screen. He also knows how to make the bucolic setting come across as both stark and sensuous at the same time, a place of quiet stillness that provides the perfect backdrop for the morality tale he is endeavoring to tell. Finally, Daniel Lanois has provided a haunting musical score that ever so subtly draws us into the disturbingly offbeat world of the drama.

"Sling Blade" earned a Best Original Screenplay Oscar for Thornton, but he should also have won awards for his directing and his performance as Karl, not to mention the film itself which should have won the honor as Best Picture of 1996 - although Hollywood, in its infinite wisdom, failed even to nominate it. Ah well, even with that lapse in judgment, "Sling Blade" remains one of the great movie dramas of the past decade.

This film is a perfect example of how a film should be made. It has everything, good cast, good script, good performances everything is perfect. This has to be one of my all time favourite films and Billy Bob Thornton is a good a writer and director as he is an actor. The Oscar for best adapted screenplay was well deserved and it shocks me that Billy Bob didn't win the oscar for best actor. I bought this film on DVD and it is a shame you do not get any features but I hope they will release a special edition with contribution from the writer, actor and director himself. I urge everyone to watch this film because it is funny, emotional, enjoyable and just plain brilliant. 10/10

No film in recent years has held me as spellbound as SLING BLADE, written by BILLY BOB THORNTON (for which he won an Oscar for Best Screenplay), and starring the actor in a memorable role for which he was Oscar nominated but failed to win.

He becomes the character with such truth--and such emotional underplaying--that he makes the whole story even more moving than it would have been with any other actor in the leading role. He plays a retarded man released from prison after serving twenty-five years for killing his mother and her lover with a sling blade. He felt morally justified because he saw their act of love as evil, only later realizing that it was wrong to kill them.

We follow his release, first accepted with kindness by a local repair shop where he reveals himself to be skilled at fixing motors, then received into the family of a boy he's befriended, played wonderfully by LUCAS BLACK. Unfortunately, the family life is ruined by a violently dysfunctional man called Doyle (DWIGHT YOAKAM) who is a crude bully and redneck full of bitter hatred and resenting the intrusion of Thornton and the boy and possessive in his relationship with the mother.

The biggest weakness in the screenplay is figuring out why the mother would ever be attracted by such a bigoted bully. Yoakam plays him in a ruthless manner that shows no compassion for the character and he's so evil that you have to wonder about the mother's mental faculties in letting him even near the family. It's also hard to believe that she would let the retired man use her garage for shelter on such short acquaintance with her son. But hey, this is a movie, this is the script, and that's it.

All of the acting is uniformly excellent, particularly BILLY BOB THORNTON, who was nominated and would have deserved the Oscar for his penetrating study of a retarded man without a single false note.

Tension builds because the viewer is aware that some sort of confrontation has to happen between Karl (Thornton) and Doyle. It's a matter of waiting to see what develops and that's what keeps the viewer hooked onto the story and wondering how it will conclude.

It's a fully realized slice of life, Southern style with hillbilly overtones, always centered on the main thrust of the story without ever losing its touch, rich in atmospheric detail. J.T. WALSH as a fellow inmate is impressive, as is JOHN RITTER (whom I didn't even recognize at first) as a sympathetic gay man, amazingly real in a serious role. ROBERT DUVALL has a cameo bit as an indifferent father that he plays faultlessly.

Summing up: Brilliant film, highly recommended and involving a very touching relationship between the small boy and the retarded man.

I remember first watching Sling Blade and thinking, "Oh no, here is a Forest Gump copycat." After all, the main character, Karl (Billy Bob Thornton) was mentally challenged and they were in the South. In reality, that's where the similarities stopped, but I didn't know that at the time. The second detractor for me was Billy Bob Thornton. I had only seen Billy Bob in one movie before Sling Blade and that was Bad Santa (yes I saw Sling Blade for the first time that many years later) and I thought that movie was dreadful, hence my impression of Billy Bob was also negative.

Sling Blade was a welcome surprise. Billy Bob did an excellent job with the role and of course I was doubly surprised to see that he had written and directed the movie.

Sling Blade was terrific in its simplicity. Karl was a simple man, he lived with simple folks in a simple town. That's not to say that they were without problems. Karl's mental handicap, Linda Wheatley's (Natalie Canderday) man issues, Frank Wheatley's (Lucas Black) fatherless issues, Doyle's (Dwight Yoakam) drinking problem, et al. For the simplicity of it all it was simply perfect.