IMDb RATING
5.6/10
2.7K
YOUR RATING
Verloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a... Read allVerloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a bomb. Verloc also informs the police.Verloc lives in London 1886 with a pretty wife and her retarded brother. He's an agent for the Russian embassy. A new ambassador wants more from him than in the past years - something with a bomb. Verloc also informs the police.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Louis Costa
- Beggar Boy
- (uncredited)
Toby Hinson
- Student
- (uncredited)
Robin Williams
- The Professor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Anyone looking for some exciting tale along the lines of the Bourne trilogy in a film named The Secret Agent is going to be disappointed.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
What you have here is a dark and deep intellectual exercise in the actions of spies, anarchists, agent provocateurs, and the like in 19th Century England.
While Bob Hoskins (Unleashed, Who Framed Roger Rabbit) leads the cast, it is truly an ensemble film.
Hoskins is a man playing all sides. He is an anarchist, but in the employ of the Russians, and under the thumb of a local police inspector (Jim Broadbent). His wife (Patricia Arquette) only married him to gain protection for disabled brother (Christian Bale). When the Russian boss (Eddie Izzard) puts the pressure on, he has to act and he manages to kill the brother. Everything falls apart at that point, and it is where the film really gets interesting. So, if you bail before that, you miss it all.
One of the most interesting things in the film was his actions after his wife found out that her brother was killed. She is leaving, and he orders her to stay. He is stuffing his face while "consoling" her and sits on the couch. He then tells her, "I know what you need. Come over here." I hope this is not a reflection of the attitude of men towards women in this period, but I am afraid that it probably is. Anyway, it was what she needed, but not in the way he imagined.
Things do not end well in this film. There is a good performance by Gérard Depardieu (Cyrano de Bergerac, The Man in the Iron Mask) towards the end, and a great performance by Robin Williams throughout.
They must really like Conrad's story, as it has been done on TV a couple of times before this film. It is worth your time.
Whoever cares about international terrorism? It's just a boring subject, let's face it. Any objections? Well, I can understand if there are some. This film, however, might unexpectedly make you accept the truth of the above provocative statements. At least until the next time you zap to a TV news channel that is.
It's hard not to see awesome potential in doing an adaptation of Joseph Conrad's 'The Secret Agent'. And it's hard to believe such a boring and inconsequential mess could be created following up on that very idea. Incredible, just think of the following issues explored in the movie: a web of anarchist militants finding political refuge in 1880s London, an agent provocateur run by the Russian embassy, a would-be suicide bomber, human drama complicating plots and counter-plots and so on. If I managed to excite you a little by mentioning these themes, so sorry, the film will still be boring.
To say something positive, at least it's not altogether unwatchable and, totally unexpectedly for me, the scenes between two actors from whom I would have normally anticipated the least were actually some of the best moments of the film, the scenes between Robin Williams and Gérard Depardieu, both playing anarchists with a rather mysterious (anarchic?) mindset. Oh, and it's quite likely I'll read the book after all, for what I have seen at least was enough to convince me that it might be a good idea.
It's hard not to see awesome potential in doing an adaptation of Joseph Conrad's 'The Secret Agent'. And it's hard to believe such a boring and inconsequential mess could be created following up on that very idea. Incredible, just think of the following issues explored in the movie: a web of anarchist militants finding political refuge in 1880s London, an agent provocateur run by the Russian embassy, a would-be suicide bomber, human drama complicating plots and counter-plots and so on. If I managed to excite you a little by mentioning these themes, so sorry, the film will still be boring.
To say something positive, at least it's not altogether unwatchable and, totally unexpectedly for me, the scenes between two actors from whom I would have normally anticipated the least were actually some of the best moments of the film, the scenes between Robin Williams and Gérard Depardieu, both playing anarchists with a rather mysterious (anarchic?) mindset. Oh, and it's quite likely I'll read the book after all, for what I have seen at least was enough to convince me that it might be a good idea.
I'm constantly amazed how well Conrad is adapted by modern film makers. The political intrigue can be mostly ignored, as it is slight and not very interesting. What this movie does well is depict human emotions and reactions in difficult situations, and here is where the well picked cast delivers. Robin Williams is unbilled, but provides a fascinating character study of a true anarchist which contrasts nicely against Bob Hoskins' unwilling agent role. I was beginning to grow tired in the middle of the film, thinking the shallow political action was the ending, but the later intense focus on the human reactions and struggles following the incident do a wonderful job of drawing you back in.
"I have no future, but I am a force," says the Robin Williams character, minutes before he completes his mission. A chilling glimpse into the mind of the fanatic. Superb performances by almost everyone (Eddie Izzard does the most unconvincing accent since the last time John Malkovich played an Englishman), a great score by Philip Glass, and the last five minutes will freeze your blood. (Two Academy Award winners here, and neither of them is Bob Hoskins -- what is wrong with those people in Hollywood?)
You have to take into consideration that the book with which this was based was first published in 1907 and written by Joseph Conrad, author of "The Heart of Darkness". Conrad is not the kind of writer to spoon-feed "good" and "bad" characters. Simultaneously, the late 19th and early 20th century was not exactly an era teeming with spy thrillers. The closest comparable tales were those by Arthur Conan Doyle and his character Sherlock Holmes. (High-adventure books, such as Allan Quatermain, were all the rage.) And yet, this is a very literary take on the suspense-thriller genre that strangely transcends its era--almost eerily. But instead of the west vs east situation that became the perfect backdrop for spy thrillers of the late 20th century, this story centers around the very beginnings of socialist and anarchist groups that would eventually rise up and seize Russia and later China.
The film captures well the dark atmosphere of late 19th-century London on the east-side. Bob Hoskins in one of his finest performances is Mr Verloc, a plain person, who owns a plain shop inside a plain house in London of the 1880's. His one asset is that he has a beautiful wife, Winnie, played brilliantly by Patricia Arquette. And she takes care of a handsome brother who is feeble-minded enough to be on the verge of retardation, played by Christian Bale in one of his earliest films. (Of course, people didn't yet understand retardation at this time, and he is labeled a "degenerate".) They seem a happy family. But Verloc has some dark secrets. At first, we learn he hosts anarchist discussion groups at his home. But then we learn Verloc does much more than simply provide tea and cookies to would-be criminals and traitors to the government. He has a secret life in which continental agents hire him to make political statements through violent means. And Robin Williams (billed as Jeorge Spilvyn!) is the anarchist's anarchist who becomes the pivotal character.
Although it takes a few scenes to get moving, the story concerns one of Verloc's missions gone awry that has dire consequences to himself and his family. The form of the film is brilliant and is done in such a way as not to confuse the audience. We learn pieces of back-story in flashback, and it is not until movie's end that the entire picture emerges. Chief Constable, played by Jim Broadbent of "Topsy Turvy" fame, has put everything together, almost. And yet, the story keeps coming back to Robin Williams, the nameless "professor" who is the one crucial element.
Despite some of the negative press here, I think this is a brilliant film, subtle yet quite compelling from beginning to end. The performances are all top-notch, absolutely first-rate, from Hoskins to Gerard Depardieu as a self-centered lowlife often found at the tavern drinking with the "professor". Certainly, if you're looking for the usual 007 spy fair, you may have to look elsewhere. But if you're in the mood for something different and cerebral, take a chance on "The Secret Agent".
The film captures well the dark atmosphere of late 19th-century London on the east-side. Bob Hoskins in one of his finest performances is Mr Verloc, a plain person, who owns a plain shop inside a plain house in London of the 1880's. His one asset is that he has a beautiful wife, Winnie, played brilliantly by Patricia Arquette. And she takes care of a handsome brother who is feeble-minded enough to be on the verge of retardation, played by Christian Bale in one of his earliest films. (Of course, people didn't yet understand retardation at this time, and he is labeled a "degenerate".) They seem a happy family. But Verloc has some dark secrets. At first, we learn he hosts anarchist discussion groups at his home. But then we learn Verloc does much more than simply provide tea and cookies to would-be criminals and traitors to the government. He has a secret life in which continental agents hire him to make political statements through violent means. And Robin Williams (billed as Jeorge Spilvyn!) is the anarchist's anarchist who becomes the pivotal character.
Although it takes a few scenes to get moving, the story concerns one of Verloc's missions gone awry that has dire consequences to himself and his family. The form of the film is brilliant and is done in such a way as not to confuse the audience. We learn pieces of back-story in flashback, and it is not until movie's end that the entire picture emerges. Chief Constable, played by Jim Broadbent of "Topsy Turvy" fame, has put everything together, almost. And yet, the story keeps coming back to Robin Williams, the nameless "professor" who is the one crucial element.
Despite some of the negative press here, I think this is a brilliant film, subtle yet quite compelling from beginning to end. The performances are all top-notch, absolutely first-rate, from Hoskins to Gerard Depardieu as a self-centered lowlife often found at the tavern drinking with the "professor". Certainly, if you're looking for the usual 007 spy fair, you may have to look elsewhere. But if you're in the mood for something different and cerebral, take a chance on "The Secret Agent".
Did you know
- TriviaBob Hoskins was originally set to direct as well.
- ConnectionsReferenced in Aliens vs. Predator 2 (2001)
- How long is The Secret Agent?Powered by Alexa
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $106,606
- Opening weekend US & Canada
- $25,909
- Nov 10, 1996
- Gross worldwide
- $106,606
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content