Balkan cinema, often overlooked and undervalued by Western audiences and festivals, mirrors the West's historical disregard for the Balkans, particularly Bosnia. This unfortunate pattern of neglect extends to Ademir Kenovic's 1997 masterpiece, "Savrseni Krug" ("The Perfect Circle"), a profoundly underrated film that offers an intimate and unflinching look at the Bosnian genocide.
The film's power lies in its raw authenticity. The performances are unvarnished and naturalistic, drawing viewers into the lives of ordinary people caught in the maelstrom of war. The set design is meticulous, recreating the war-torn streets of Sarajevo with harrowing realism. And the cinematography is nothing short of breathtaking, capturing both the beauty and brutality of the conflict.
"The Perfect Circle" is more than just a war film. It's a poignant exploration of human resilience, compassion, and the enduring power of hope in the face of unimaginable suffering. The film's central character, Hamza, a poet struggling to survive in a besieged city, embodies the indomitable spirit of the Bosnian people. His unexpected bond with two orphaned boys, Adis and Kerim, is a testament to the enduring power of love and connection, even amidst the chaos of war.
The film's title, "The Perfect Circle," refers to Hamza's ability to draw perfect circles, a metaphor for his unwavering belief in the possibility of order and beauty, even in the midst of destruction. This unwavering optimism, however naive it may seem, is ultimately what sustains Hamza and the boys through their ordeal.
"The Perfect Circle" is a film that deserves to be seen and remembered. It's a powerful reminder of the human cost of war and the importance of bearing witness to the suffering of others. It's a film that challenges us to confront our own complacency and to never forget the lessons of history.
