Pusher

Pusher is a visceral low-budget movie set on the streets of Copenhagen. Though its director Nicholas Winding Refn is not a part of Dogme 95 the film uses many of the Dogme maxims to better effect. The plot is deceptively simple. Frank (Kim Bodnia)is double-crossed on a deal and has a couple of days to make good the covering loan to a sadistic Balkan gangster. The film's speed rhythms convey the nightmare of time running out, luck running out, and life, shot with hand-held camera in natural light going around in circles until suddenly damnation beckons. Tougher than Tarantino or Trainspotting, it pulls no punches and its running gags fail to draw the sting. One of the great city films of the 1990s.

This is a really good film, one of the most realistic films about drugs and the criminal underworld I've ever seen. The film examines a week in the life of a mid-level drug dealer on the streets of Copenhagen and pulls no punches. Kim Bodina gives a great, nuanced performance as Frank, the dealer and main character. He captures perfectly the snaky charisma, emotional detachment and nihilism of a street dealer. Frank is essentially a sociopath, turning on the charm when it suits him and turning a blind eye on the people in his life when they can't be of any use to him. Especially effective is the portrayal of Frank's relationship with Vic, the high priced call girl he obviously cares about but can't bring himself to get physical with because of his emotional coldness. Frank blames this dilemma on her work, suggesting he can't touch her because she's a whore. However it's Vic he always turns to when things go bad.

And things go very bad very quickly for Frank. Through a series of miscalculations and bad luck, he finds himself indebted to a slimy dealer higher on the food chain who's patronizing attitude barely conceals a violent streak. As the week progresses, Frank spirals downward into a desperate attempt to fix his broken life. Trusts are broken, violence and mayhem ensue, and the film finishes on a surprising but perfect note.

The director, Nicolas Winding Refn, shows a good command of pacing and camera work. The real star of the film, however is the script. There is never a moment of Pusher that doesn't seem utterly real. Though many may find this film dark and depressing (I won't argue), I think it's strong acting and excellent direction make it well worth seeing.

I just don't know what to say about this film: I just saw it and I feel so ignorant - I don't know who the director is, I don't know who the cast members are, but man-o-man I'm going to find out! What a compelling, gripping story! In this particular case I feel that a few of of us underground movie geeks knowing and loving this film just isn't enough. I feel like I want to run out and tell the world - in brief, I haven't been this excited about a film in a long, long time!

Although i've heard only good things about Pusher, it took me several years to pick it up. The result was surprisingly good.

The movie is shot almost as a documentary, which is well suited for the subject it depicts. Unlike hip-hop videos advertising gangster lifestyle, Pusher shows us the reality of a low level drug dealer. There is no glamor, but rather hard labor without strict working hours providing questionable financial gain.

Serbian gangsters are depicted rather realistically, presumably due to Slavko Labović'S experience as bouncer and mingling in the appropriate milieu.

Despite its independent funding, Pusher is rubbing shoulders with the best gangster movies of all times.

Quentin Tarantino fan?, Then watch this. Pusher has it all, drugs, violence, sex and great dialogue, it doesn't hold anything back. It's the first film by director Nicholas Winding Refn (Bronson, Drive.) and arguably his best.

The film is shot in a documentary style, in this film we follow small time drug dealer frank who is busted by the cops for trying to sell drugs, as a result of losing his drugs franks is now in debt to a local gangster named Milo, he has one week to come up with Milos money, during this week we see the desperate levels Frank stoops to in order to secure the money. What makes the film is the interesting characters, Frank, Franks girlfriend Vic, Franks friend Tonny, gangster Milo and Milo's henchman Radovan, each character brings something completely different to the film, you will find yourself favouring one of them.

The dialogue contains a lot of extreme racial slurs, and brutal violence, it makes a Quentin Tarantino film look like a PG 13. Overall the film is a fantastic watch, Kim Bodnia (Frank), Laura Drasbaek (Vic), Zlatko Buric (Milo), Slavko Labovic (Radovan) and Mads Mikkelsen (Tonny) are brilliant in this film.

What I love about this film is that it has no good guy, some people will side with Frank, some will side with Milo. Pusher is raw, edgy and most of all, entertaining.