When former cop and current security expert Jim Holland has a one night stand with Amanda after getting in her way roller-blading. That introduction turns out to be a well thought out plan b... Read allWhen former cop and current security expert Jim Holland has a one night stand with Amanda after getting in her way roller-blading. That introduction turns out to be a well thought out plan by Amanda and her sister Molly, to obtain security codes to office of a client. The girls a... Read allWhen former cop and current security expert Jim Holland has a one night stand with Amanda after getting in her way roller-blading. That introduction turns out to be a well thought out plan by Amanda and her sister Molly, to obtain security codes to office of a client. The girls and their cohorts rob his client and stash the loot. All the while, detective Jim has been ... Read all
- Prancer
- (as Christian Meoli)
- Comet
- (as Jim Ortega)
- Bar Trollop
- (as Karen Osborne)
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- Writer
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Featured reviews
But then for three years her career lost all momentum and sank into a series of minor roles in forgettable movies punctuated by huge gaps of unemployment before David Lynch pitched her that fast ball over the middle she had been waiting for (at precisely the moment she was set to give up and become a yoga instructor) in "Mulholland Drive" that she hit out of the ballpark.
This is a good, solid, noir film of three people who have screwed up their lives with carelessness and substance abuse desperately seeking another chance. I would like it on DVD. It holds up well with levels revealed with each viewing (the subtleties of the scene where Joe Mantegna first buys the sisters lunch...).
One thing that I found interesting in this film was their un-cliched use of smoking. In most films, a person only smokes if there is some dramatic reason to due so (eg. To look seductive/sexy, or to show they are bad or "naughty"), but in this film the two sisters just... smoked, plain and simple, and they did so in a manner that made them come across as believable, everyday people. I think there was even a line in there somewhere where Joe's character asks about Naomi's smoking and she replies that her and her sister started when they were kids. A very real scenario, again adding to the characters' believability.
I don't smoke myself so I'm not an advocate of the habit, but everything that can be said about this film already has been said in prior comments and so this was simply something different that came to my attention.
But Naomi Watts and Joe Mantegna both beautifully transcend this material, in a wonderful, understated love story. The usual histrionics of a paralyzed woman in love are left out, and instead we get some genuine, gritty dialogue, and the sense that there are two real people reaching out to each other. She is no blushing, helpless cripple, and meets him head-on, as when she asks him if he's one of those men who're drawn to women in wheelchairs, or who only get turned on by women who can't feel sex. Both actors put their all into this scene, without overplaying it, and draw you right into their story.
The ending is adult, rather than trite, and avoids most of the usual cliches; unfortunately, not all.
I found this an absorbing movie, and highly recommend it for a snowbound afternoon.
Did you know
- TriviaOne of three films starring both Joe Mantegna and J.T. Walsh. They also appeared in Engrenages (1987) and Parrain d'un jour (1988). The mentioned films were directed by David Mamet, who gave roles to both actors in his stage play "Glengarry Glen Ross" in 1984.
- ConnectionsReferenced in Celebrated: Naomi Watts (2015)
- How long is Persons Unknown?Powered by Alexa
Details
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1