Larry Flynt

As Larry Flynt is hardly the usual type of person you think of when you think of the word "hero," it's fitting that this biopic opts not for the standard approach, but to make an offbeat comedy(as writers Scott Alexander and Larry Karaszewski did in their screenplay for ED WOOD and the upcoming MAN ON THE MOON, about controversial comedian Andy Kaufman). You may not like him(and one of two faults I had with this film was I think the filmmakers lionized him a little too much), but certainly any society which calls itself free needs to make room for him. Harrelson does a good job in the title role, but the real force for me came from Courtney Love, in an astonishing performance as Flynt's wife, and Edward Norton, one of the best new talents, as Flynt's reluctant lawyer.

Besides that it does lionize Flynt a little too much, there is one problem I had, though. If you believe the film, all of Flynt's opposition came from right-wing blowhards like Charles Keating and Jerry Falwell. Certainly, they did have the most publicized tussles with him. But to ignore the problems he had with feminists makes it rather limited. I don't agree with Gloria Steinhem's contention that the film ignores his depraved side, but I think the film would have been more interesting if it had addressed the opposition he had from both the left and the right. Still, this is a terrific and important film to remind us what freedom really is.

Idealized biography of Hustler magazine mogul Larry Flynt (played superbly by Oscar nominee Woody Harrelson) which finally ends up focusing on his legal battles to publish his pornography via the free speech laws of this land. Along the way he marries a bisexual wild woman (Courtney Love) who shares his unconventional views on free love, priced pornography and drug abuse. The character also survives an assassin's bullet, paralysis, imprisonment, endless court battles against the Reverend Jerry Falwell and even his own destructive nature. Edward Norton (a relative newcomer when this was released) shines as Harrelson's young attorney who tries to overlook and overcome his client's tirades. Director Milos Forman (Oscar-nominated) does a good job creating a cinematic story about a man who is hard for most in mainstream society to understand or relate to. Flynt is humanized and so are those who cross his path throughout the picture. The movie is not as wild and crazed as one would think. Instead Forman uses well-timed comedy with drama to get the major points across effectively. Overall one of the better films of 1996. 4 stars out of 5.

THE PEOPLE VS. LARRY FLYNT (1996) **** Woody Harrelson, Courtney Love, Edward Norton, James Carville, James Cromwell, Richard Paul, Crispin Glover, Vincent Schiavelli, Miles Chapin, Brett Harrelson, Donna Hanover, Norm MacDonald. Superb biographical account of smut publisher Larry Flynt (portrayed by Best Actor nominee Harrelson in arguably the role of his career) whose bouts with the courts regarding libel, pornography and ultimately first amendment rights to the freedom of speech are captured like a tempest in a teacup that depicts the rise and near fall of Flynt (who was paralyzed in an assassination attempt) and the uncomparable love affair with his doomed yet dedicated wife, bisexual, drug-addicted and tragically AIDS afflicted wife Althea Leasure (Love in a toweringly brilliant turn at acting that deserves all the recognition she mustered) who stood by her man as she withered away. Funny, insightful, important and some masterful filmmaking overall thanks largely to the cleverly constructed screenplay by Scott Alexander and Larry Karaszewski ("Ed Wood"), costumes by Theodore Pistek and Arianne Phillips, and all too believeable production design by Patricia von Brandenstein. And yes that is real-life Flynt as one of the judges passing sentence and yes it is real-life brother Brett of Woody playing siblings. Kudos to Best Director nominee Milos Forman (who was sorely passed over in the Best Picture nomination as well as practically getting shut out come to mention it) for pulling off a difficult hat trick: making scum respectable.

Woody does here what he always does...he steals the show.

The story the movie tells is a good one and it does a great job of creating debate about free speech.

However this movie lives and dies on the performance of Woody.

One of the most underrated actors off all time :)

Anyone familiar with Milos Forman's work will know how much he likes to discuss and examine controversial real-life characters and make them the focal point of his films. Amadeus for one was a powerful expose of the legendary composer; Forman was able to extraordinarily add so much spice to the script that the end result was a harrowing documentation that genuinely moved us. We didn't need to know anything about the composer or even like his work or personality; Forman craves on these sorts of challenges. He likes to make films about characters that the audience may not identify with because it heightens the overall achivement if the film is a hit. With Larry Flynt he's done it again.

Flynt is the story of Porn magazine chairman larry Flynt who amidst an era of overwhelming decadance launched Hustler magazine, a porn magazine that broke all taboos and crossed all boundaries. The magazine was a huge hit that transformed Flynt into a powerful figure in the American Community. Needless to say though, Flynt (superbly played by Harrelson) faces insurmountable odds from everyone to keep the business running. Politicians, reverends, mass public opposition et.al.. Flynt is accompanied along the way by his junkie wife (played with real panache by Courtney Love) and a reluctant lawyer (dependable performance from Edward Norton Jr.). At the midway point of the film Flynt is shot and paralyzed and consequently the fight to stay on top is made even more challenging.

This story is intriguing because is dares to break universal taboo's. It shows Flynt disassociating himself from the norms and traditions of society and really willing to take genuine risks that could blow up in his face. Before Hustler was formed, Playboy was the porno pioneer. Playboy was subtle in it's nudity, preferring to call itself a REAL magazine rather than something trashy. We notice that Playboy was afraid to overstep the barrier. Playboy was a magazine that was restricted in it's disclosure of barenaked ladies because of the shape of society at the time and the values the society had come to embrace. To call yourself a porno magazine was unthinkable with unthinkable consequences! Hustler dared to step over those lines and bear all the consequences. Flynt was not necessarily a likeable man but he cannot not be admired. He was a risk taker, an enterpeneur, a man with a vision, and a man who believed that oe should act on one's desires and ambitions.

The mass hysteria the swamps the society as a consequence mainfests how powerful yet dangerous a little "acting on ambition" can bring. Flynt's idea is impossible to resist; the public cannot stay away from the controversial impact of the magazine. As the fan base grows, so does Flynt's empire, and so do the forces determined to suppress him. Flynt's meteoric rise is unprecedented, and made all the more shocking by the fact that the evnets are real. His opposition ranges from hypocritical politicians to dubious religious figures, all of whom are hell-bent on the abolition of Flynt and his tremendous reach.

The film earns huge plaudits on the entertainment level. This is undisputed!! The acting demonstartes tremendous range from all involved and Flynt is an offensive yet endearing, and very funny figure. We grow to really love and root for him as the film develops. The points that necessitate discussion however are the legal and moral issues that are debated by Flynt, his lawyer, and the opposition. The freedom of press, of speech, and the freedom to exercise your FREEDOM are all fiercely debated. Flynt vehemently defends his position because he feels that the world is afraid to agree with him, that the world is afraid to speak out. The world is polluted by hypocrits; he's the only pure seed. This presents tremendous irony because Flynt is a low-class pervert up against scholars, and politicians, and bureaucrats, and yet he's claiming that he's the real deal and they are all phonies. He has a point; what's the point in looking presentable and being well-educated if you are banal, hollow, and insipid and cannot open your mind to new ideas?? The film asks that question; we see how closed off the men in power are to Flynt's ideas and we grow to hate them. Then we are torn because we are reluctant to accept the values of a porn fiend. The fact that we cannot resist Flynt's pulling power is the sign of the film's success. We start off opposing Flynt, unable to identify. Then we try and take a neutral stand as we discover the ugliness of Flynt's opponents. Finally, after Flynt is paralyzed and yet continues to defend his honour, we can no longer resist the seduction.

The film has Flynt giving amazing speeches about why he is doing justice to himself and the people. He's giving them what they want,they are taking it,and yet they are determined to censor him. He debates this point to manifest the outstanding hypocrisy that lies at the heart of society. Flynt is such an important character because he speaks for all of us. On countless occasions, we all seek to expose the two-faced ugliness of those around us. We just can't because not enough people are listening. Flynt however gets eveyone's attention and defends his honour, preserves his integrity, and succeeds in winning over the justice system. The final speech given by Issacman, his lawyer is very insightful and very powerful for it argues this very point: 'We don't need to like what Larry Flynt does, but we should like and appreciate the fact that we have the right to make that decision on our own, and that's what makes our society great. We have the right to accept or reject the offer on hand. We may well reject it but we and we alone need to have the choice made available to us. If that right is taken away, then we wither away as a people and our individuality is nullified' The speech is amazing because it demonstrates how the right to accept a porn fiend and his work preserves the democracy of the Western World. Truly Shocking but brilliant!!!

I haven't discussed the other characters all that much and I'm not going to except say this: All the characters are multi-dimensional because what we see on the outside is never what we get on the inside. Flynt for all his crude, perverted behaviour is an admirable, likeable, highly identifiable personality. His wife, for all her vulgarity and drug addiction is an endearing, loyal,intelligent personality. Issacman, the lawyer, for all his traditional, stiff boring work ethic, is an idealistic, shrewd, and deeply committed man....The list goes on and on

I loved this movie because our hero is not perfect; he's anything but!!! Movies that depict the hero as a flawed individual stand a better chance of being embraced by critics and audiences alike. Flynt thrives on this! And exposing hypocrits for their true selves is every cynics (and I happen to be a huge one) dream. Flynt's journey is whopping emotional tour de force!!!! You don't have to like Larry Flynt as a film, but I love the fact that I had the right to make up my own mind!! Society, you ignore that at your peril!!!