Le porteur de cercueil

The tone of this film is really difficult to convey on paper. It manages to successfully capture the elusive appeal that David Schwimmer has from time to time; it's easy for his sad-sack personality to grow annoying and pathetic, but this script managed to walk that line. The scenes of embarrassment and shame never seem overdone or cheap, and serve the story well. I especially like the down-to-earth, realistic beauty that Gwyneth Paltrow always brings to a role; she never seems like a movie star playing a real person. Because of Schwimmer's brief tenure as a star with buzz, this was seen as a box office failure, but it was never the kind of movie likely to rake in huge bucks. For what it is, a small, thoughtful, offbeat romantic comedy, The Pallbearer is a winner.

This 1996 flick was directed and co-written by Matt Reeves along with Jason Katims. A sort of serious romantic comedy. I loved Barbara Hershey in this. She never disappoints. Playing the mother of a son she lost, she turns to companionship to help heal the loss. David Schwimmer, Ross in FRIENDS, helps her out. Schwimmer does an admirable job as a young man, almost a virgin in relationships.

Then he meets the likes of Gwyneth Paltrow and sparks begin to fly. So, the plot thickens when he's up against the two ladies in his life. Add another lady, Carol Kane, his mother, who does a brilliant job as she fawns over her son. She's a riot and brings what little comedy there is to the movie.

Friends to Schwimmer are played by Michael Rapaport as a groom to be, with advice for his friend, and Michael Vartan, who I have liked since THE NEXT BEST THING. They both add much to this movie.

Not really a comedy, as the acting is quite real and often touching, but enjoyable to watch the two stars in the leads and an excellent supporting cast.

"The Pallbearer", a schizophrenic cross-genre muddling of comedy, drama, and romance with idiosyncratic characters and a thin, marginally interesting story. Schwimmer is at the center of this slow moving, somewhat quirky flick about a young man who lives with his mother (Bosco anyone?) and courts a demure unassured girl (Paltrow) while having an affair with an older woman (Hershey). Most will find it difficult to get their head into this off-kilter story and its subtle tongue-in-cheek humor though it remains loyal to its purpose throughout...whatever that may be.

Maybe it was the great, eclectic soundtrack with the likes of Django Reinhardt, Herbie Hancock, Perry Como, Curtis Mayfield, Neil Young and Richie Havens, or maybe it was the dark and subtle bits of humor that pleasantly surprised me throughout the movie, but I really enjoyed this one.

We meet Tom, a forlorn twenty-something man-child still living at home and struggling to take control of his life, played by David Schwimmer of "Friends" fame. Tom gets a call from a woman who mistakenly believes he knew her recently deceased son. He goes along with it, presumably to save her the added grief of knowing her son had no close friends. Of course, Tom's accommodating nature backfires and he's asked to give the eulogy for a man he never knew. This sets up a scene with the kind of dark humor seen throughout the movie that audiences are either delighted with or immediately turned off by.

At the funeral, Tom meets Julie, his unrequited high school crush, played with genuine emotion and winsome grace by Gwyneth Paltrow. Thus begins two relationships that play out over the duration of the film --one with Grace, the bereft mother of the friend Tom never had, played by Barbara Hershey, and the other with Julie.

Yes, this movie owes much, in terms of plot and characters, to "The Graduate," with Hershey playing the counterpart to Anne Bancroft's Mrs. Robinson. But it turns out to be much more than just an update of the '60s classic. The audience really gets to know the inner turmoil both Tom and Julie are going through -- Tom, both for the guilt of becoming unwittingly involved with Grace, and for also being involved with Julie at the same time, and Julie, for being torn between striking out on her own to escape her overbearing parents and getting into a deep relationship with Tom.

There are a couple of sideplots going on with Tom's friends -- Michael Rapaport's character getting married to a woman his friends don't like, and Michael Vardan's married character, making a move on Julie, which obviously infuriates Tom. And Carol Kane as Tom's mom, is precious. In one scene, he is livid after she bursts into his room unannounced. After she receives a brief scolding for not knocking, she replies "I only wanted to see if you wanted some ice cream," to which he replies "A little."

Schwimmer nails the role, with his underplayed, tacit sadness about his so-far-failed attempt at making a responsible life for himself. And Paltrow, well, can she ever miss? Whether for the dark humor, spot-on acting, or superb soundtrack, this one is definitely worth a viewing.

I would suspect that most reviewers on this page are disappointed for not being handed the cookie cutter romantic comedy that the poster art for this film suggests. Not getting the conventional romantic comedy was what I liked most about this well written and darkly hilarious film. In THE PALLBEARER, we are shown the effect that Gwyneth Paltrow's character has on David Shwimmer's character. In the end, Tom's the guy we're meant to focus on, not Julie, or even the relationship between the two. Even if the general consensus is that this film is sub-par, I'll have to stick to my conclusion that THE PALLBEARER was an exceptionally made black comedy.