Mondo

Mondo begins like a quiet, almost whimsical tale of a mysterious boy drifting through the streets of Nice. With minimal dialogue and an observational style, it may seem droll at first, but stick with it, focus, and don't try to decode the storyline... You won't figure it out.

As the story unfolds, a subtle twist emerges that forces you to reconsider everything you've just seen. The film's strength lies in its quiet depth and the emotional weight it reveals in hindsight. A second viewing brings out hidden layers and powerful "a-ha" moments. Thoughtful, well-acted, and deeply affecting-a quietly profound experience.

I thought it was great when the old man was teaching Mondo to spell with letters scratched onto rocks and Mondo scooped up all the letters in his name and carried them off in his pockets. There's something about a name, isn't there? --

Mondo, was shown here in Australia on Christmas night, and, after seeing it, I couldn't think of another movie that could rightfully replace it. This was a superb film, and one wonders why my local TV guide gave it only 3 out of 5 and described it as "moving". In my opinion, Mondo deserves a 10 out of 10, simply for its wonderful images (the scene in the garden - need I say more). Mondo was a film that seldom used words - it let its images speak for itself and tell the story. The bond between Mondo and the Vietnamese lady was a highlight of the film for me - so much so that by the end I had tears welling in my eyes. A wonderful film - now for the novel.

Throughout this movie experience - which moved me to tears several times - I had an extraordinary feeling that I was watching an adaptation of "Le Petit Prince" ("The Little Prince") by Antoine de Saint-Exupéry. Even though the film is set in a different time and place, and its main characters and plot line are not really in sync with the story of a boy from another world, there is, at the same time, a strange affinity here with de Saint-Exupéry's timeless classic. As we watch the peculiar odyssey of a little Mondo - a boy with no home, no family, no past, no memory almost, and no real skill apart from smiling wide joyful grins and opening his heart to strangers - we have no other choice but to fall in love with this little homeless adventurer, this modern Gavroche, who seems almost mythical in the way he turns up in the midst of people's lives to touch them, move them, perhaps change them - for a couple of days, or forever.

Heartily recommended to all those who embrace cinema as a way of channeling emotions, rather than notions and philosophical ideas, through images. "Toujours beaucoup".

This little-known film turned out to be a gem.

Mondo is a young vagrant boy living in Nice. He is free-spirited, joyful and does what he wants, with nobody telling him what to do. He would spend time walking the streets of Nice, go for a swim in the sea or join a lonely fisherman on the pier. Mondo is mostly met with a lot of goodwill. He would get cuts of freshly baked bread from the kind lady at the bakery, or fresh fruit from the open-air market. Mondo has many friends; we see him joining a beggar who has a suitcase with two beloved white doves, and meeting a busker whose effort he assists by passing his money collecting plate around. Then there is the childless Vietnamese lady who takes Mondo in and cares for him when he falls sick.

The antagonists in the story are 'welfare' officials who are out to capture Mondo and take away his freedom. In a disturbing allegory we witness how other officials catch stray dogs to take to the pound. Would Mondo escape the officials and retain his freedom?

Mondo seems mythical; he may not even be real. The film subtly compares the cost of conformity with that of freedom and individuality.

This film superficially may seem to be thin on the plot, but believe me, it is not a simple as it seems. Watch it carefully; it has a lot to offer below the surface.

This film speaks to the senses. The sound of a knife cutting through a crusty loaf of bread, the soothing splash of swells lapping against the side of a boat. Excellent cinematography accentuates the visual. A few memorable scenes: Rainwater collecting on a water-lily leaf; a wet but seemingly happy Mondo sheltering from the rain whilst a bedraggled and soaked dog in the next scene looks everything but happy; an insect moving to the sheltered side of a leaf as the rain continues. A small boat pulling against its mooring in the ebb of the tide. And then there is the surreal scene of oranges, with messages written all over them, washing up onto the beach. The attention to detail is remarkable. The soundtrack is excellent too.

'Mondo' reminds me of the importance of appreciating the world around us for what it is, uncluttered by preconceptions or indifference.

The young actor who plays Mondo, Ovidiu Balan, does so with distinction. The performances by the other actors (Philippe Petit, Schahia Aalam, Pierette Fesch, Jerry Smith and Maurice Maurin) are excellent too. The director, Tony Gatlif must be commended for producing this rewarding and splendid meditative work of art.

I score 'Mondo' a well-deserved 9/10.