Le visage du danger

There are two things about "Mask Of Death" that will probably throw off a lot of potential viewers. The first is that this is a Canadian film, and the second is that it's a Lorenzo Lamas film. With each of those kind of films, quality is hard to find at times, so a combination of the two may sound deadly.

However, I found the film to be surprisingly watchable. The production values are definitely above average. While the movie never looks lavish, it is acceptably slick-looking and never looks seriously cheap. There is also some camera work that you usually don't get in a movie like this.

The plot will seem familiar to a number of viewers, but it's handled in an acceptable fashion, never being executed in a way that will make viewers groan. The hero does face a number of complications, and they are handled believably. The plot is also handled in a tougher than average way - there is some effective brutal violence that gives this telling of the story a hard edge.

As for Lamas... most of the movie has his character acting in a cold and detached way, so his unemotional way of acting actually fits a lot of the time. However, I will admit that when his character does have to show strong emotion (like rage), Lamas is very bad. But this was a minor quibble; I was never bored by the movie, and it passed the time well. It may not be a movie to seek out, but on a lazy weekend it will do its job.

An average effort by action hero Lorenzo Lamas. This movie is just another example of the stereotyped role we've come to associate with him: slick hair, sunglasses, black leather and boots, fearsome. I thought the role reversal from the ruthless criminal to the more sensitive cob, and vice versa, was a big flaw. The intention was good, but somehow, between Lamas's lame acting and the more than shallow script, everything fell apart. This movie was was lame and boring. I'd expected more from it, particularly with famed actors such as Chong and Star Wars hero Billy Dee Williams. Wave this one goodbye before you've even said hello.

Predictable, generic cop fare notable only for the many direct similarities to John Woo's Face/Off, which debuted subsequently. The initial sequences, from the speedboat chases to the plastic surgery sessions, are beat for beat the same. Lamas is adequate as the police infiltrator with revenge on his mind. A lot of violence and little plot. Two stars.

Lamas has dual roles as Det Dan McKenna and Russian Mafia liaison Lyle Mason. An FBI surveillance gone wrong gets McKenna's wife killed but not before she takes Mason with her. FBI agent( Billy Dee Williams) notices that Mason and McKenna look alike and with a little help from plastic surgery McKenna becomes Mason. Pain killers that seem to have the side effect of causing McKenna to become violent help to keep the charade going. The violence is never ending - the story line takes a back seat - and Lamas shows off all the right martial art moves.The ending looked like they were hoping for a sequel but it never happened.

What worse then a movie with Lorenzo Lamas? A movie that has two Lorenzo Lamas's. In a loopy plot that casts him as a cop named McKenna who goes undercover and imitates his evil lookalike when the Russian mob led by Frank Dallilo (Conrad Dunn) kills McKenna's wife. A poor movie all around with no real merit, casting Lorenzo Lamas in two roles is even worse then when Jean-Claude Van Damme played two roles in Double Impact.