Mary Reilly

In the nineteen century, in London, the dedicated housemaid Mary Reilly (Julia Roberts) is part of the staff under the command of the butler Mr. Poole (George Cole) that works for Dr. Henry Jekyll (John Malkovich). Mary is a traumatized woman that was abused by her father when she was a child and very devoted to Dr. Jekyll. One day, he gathers Mr. Poole and the servants in a room and tells that his assistant Mr. Edward Hyde will be work in his laboratory with free access to the house. Mary Reilly and her mates are unsuccessful to see the mysterious Mr. Hyde. Dr. Jekyll trusts on Mary Reilly and she helps him, delivering letters to the notorious Mrs. Farraday (Glenn Close) that owns a brothel to clean the mess that Mr. Hyde does in the city. Mary Reilly is seduced by the educated Dr. Jekyll and by the reckless and violent Mr. Hyde.

"Mary Reilly" is a dramatic and romantic view of the classic story of Dr. Jekyll and Mr. Hyde through the eyes of a housemaid. The plot is developed in slow pace and is not exactly an horror movie and maybe this is the reason that many viewers did not like this movie. My vote is seven.

Title (Brazil): "O Segredo de Mary Reilly" ("The Secret of Mary Reilly")

John Malkovich was the perfect actor to play/ jekyll hyde- he personfies the good and evil that can coexist in a person. I was very impressed that Julie Roberts had the demeanor of a household servant down so well. My husbands' family comes from a line of women who were domestics when they first came to America in the 1880's-- and his mother said that's how they had to act. Even though it was a little slow- I liked the way the story developed. The fact that Mary can't hate her abusive father because she came from him- helps the doctor understand the dilemna. Altogether a satisfying movie that takes a different view of the Stevenson classic.

Not many movies can get away with keeping Julia Roberts from smiling, but Mary Reilly does so well. It's a movie of subtleties and moods. Its dark themes deal with the oppression of a strict, class-based society in Victorian England as well as the secrets that we all hide inside our hearts. The familiar tale takes intriguing new turns from the viewpoint of the house's servants. John Malkovich, while a tad thin on his English accent, delivers a fantastic performance as both Jekyll and Hyde as he plumbs the depths of morality and the human soul. Hyde is a stark contrast of freedom among the restrained servants of the Jekyll house, and his subtle sexual innuendoes quietly violate the chastity of Victorian stereotypes. Much of the violence occurs off camera until near the climax of the film, which may be one of it's shortcomings. The film is very quiet and slow and may put some viewers to sleep. Another issue I had was the lovely Henson-Workshop-provided effects at the end, which are imaginative, but don't make a bit of sense when compared to the rest of the film. If you can stomach a quiet and very subtle thriller, however, this is a real gem.

I thought it was actually a very good film. I didnt realise when I started watching it that it would be so graphic, I never thought of Roberts doing a Period Horror, and she does better than i would have thought... although the accent is a bit dodgy at times. John is excellent- a very scary Hyde/Jekkel! Glenn Close makes a scarely good whore mistress! all in all a good film well worth watching!

A housemaid (Julia Roberts) falls in love with Dr. Jekyll (John Malkovich) and his darkly mysterious counterpart, Mr. Hyde (John Malkovich).

Stephen Frears, an excellent director, cast two very big names and put them in a twist of the Jekyll and Hyde story. This is not a horror tale, and the violence and gore are kept to a minimum. In some sense it is a love story, but only in the most general of terms. More accurately, it is a woman who is loyal to her employer.

The strangest thing about this is how little they tried to make the two halves look different. When Hyde comes out, he is still obviously Malkovich. How can they not notice? Someone remarks that they bear a resemblance, but it is much more than that.