Joli village, jolie flamme

Don't let the low marks take you away from this masterpiece - look at stars assignment, and you will get the picture.

If you expect black and white war movie, forget it. For me, this is by far most objective movie about civil war(s) in ex-Yugoslavia, better then Bosnian (good) "No man's land" and Macedonian (masterpiece) "Before the rain". At the beginning, you will see Serbs burning villages (that explain title of movie) and killing people, but, from middle to end, you will see completely same behavior done by Bosnian Muslims. Brilliance of this movie is because it shows you why this war was so bloody and why it is so hard to have peace and reconciliation after all. Every killing, every murder, has story behind, and movie gather them all. You have pure communist (Bata Zivojinovic) against his fellow officer, you have two best friends (Nikola Bjelogrlic - Bosnian Serb, Nikola Pejakovic - Bosnian Muslim) against each other, you have urban freaks, you have junkies, you have educated teacher, you have everything you need. Every one of them has his own reason to be there, but at the end, they all end completely empty, with only pure hate inside.

I suppose that some things from movie will be hard to get if you are not from Balkan. For example, Index (that's name of the bend) song that Nikola Kojo sing using gun as mice, was one of the greatest classics in ex-Yu (and lyrics fit the scene perfectly: "And tonight, if she listen, let her hear the pain..."). Some sentences are very hard to translate. For example, in joke scene, when Zoran Cvijanovic (junkie) want to insult Bosnian Muslim soldiers, he tell them joke that begins with "Check this out: Blonde, I mean Fata the Blonde, come to party..." Fata is Muslim name, but is obvious that joke was first intended as joke abound blonde woman, but he upgraded it in the moment. Also, in one scene you can see Serbian skinheads that are kicking traffic table with "Zagreb" (Croatian capital) written on it. Two are holding the table, one is hitting it by the head, and they are all singing "We f*cked Tajci! We f*cked Tajci!" Tajci was ex-Yu singer from Croatia that represented country on Eurovision competition few years before war started. Also, most of the scenes are extremely dark and funny at the same time, but that's Serbian humor in general.

Even without this small hints, movie still remain pure classic, to me comparable only with "Apocalypse now" and "Platoon" by its objectivity. It is very fast movie, easy to watch and hard to understand, as Balkan always was. I hope you will enjoy.

My opinion is that this movie is one of the strongest anti-war drama ever made. Only problem that comes is that you must be Serb to completely understand this movie. The thing is, every single second of the movie, every single word, the soundtrack are the row of symbols that creates a giant and complex puzzle made of historical events, way of living on Balkans, way of painting the portraits that will show you and let you to understand how did the war in Bosnia happened.

Movie is retrospective story, based on the true events. It is actually a row of memories of the two Bosnian Serb soldiers who survived few horrific days, trapped in tunnel, during the war in 1991. The tunnel was occupied by Muslim soldiers and with that fact we get to the first problem that was later, after the movie was finished and played in cinemas, used as main weapon of critics, saying that Serbs just want to show that they were victims in war.

For everyone, who will watch this movie, and who doesn't live on Balkans, I'll try to explain some basic facts of the movie, and also, I'll try not to spoil your enjoying.

This movie is a story of all consequences that war brings us. It is universal story of war, showing some basic facts that are similar to all wars, but in the same time, movie describes some things that are connected only with war in Bosnia.

The story starts in hospital, where the wounded are transported from the battlefield. There, the director introduce us with two characters. Two soldiers who survived the tunnel. Milan and Proffesor, both Bosnian Serbs. From their perspective, dialogs and memories,story leads us back, in Milan's childhood, where we can see his relationship with his friend Halil ( who is Bosnian Muslim ). Later, when the war begins, these two friend will be on different side of the tunnel. Halil, in the squad of the Muslim who occupied it, Milan with the Serbian squad who was trapped in the tunnel. Then the story goes on, introducing us , with whole Serbian soldiers and one American journalist who got there accidentally , trapped in tunnel. Every soldier has his own reasons that will make you understand, why did they checked in Serbian army, and why did they wanted to go on the battlefield. Than, the story goes straight, showing us events in the tunnel ( memories ) and the happenings in Belgrade ( real time ), during the protests against Slobodan Milosevic's regime ( one of the major facts that explains directors anti-war point ). Story goes on with shocking scenes, melancholic atmosphere, and tragic events that will lead to the final conflict. Did war changed Milan? His final confrontation is wounded Muslim prisoner of war who lies on the same floor of the hospital as he does. Did Milan became a dog of war?

Story was written by journalist Vanja Bulic, who was a host of TV drama-show called "Biseri" ( in English "The Pearls" ). Milan, the main character in the movie, is actually a guy who was a guest in that show. He told Vanja his shocking story and than the screenplay was written, off course, with some artistic changes.

This movie is grotesque, shocking, drama about one time on Balkans. About fall of former Yugoslavia. About mentality of the all people who lived in it. Check the lyrics in soundtrack, listen closely every word in dialogs, follow the symbols... I hope you will understand that there is no winner, there is no loser. Point is always the same, there is only destruction, there is only just suffering.

Another post-yugoslav film defending the humanity of the Balkan peoples in the light of European accusations that they are innately violent and blood-thirsty. It attempts to prove instead, that War is larger than man! The War easily defeats him into a monster that plunders his own house and seeks the murder of his own best friends.

The film follows the fate of a group of besieged Serbian soldiers coping with their imminent death in parallel with the stories of how they ended up as soldiers. Yet it manages to do this in more light-hearted way than one would expect! Maybe because humour has been always the last resource of the downcast, at least in this part of the world!

Balkan people may not be murderous savages, but they are masters in fashioning absurdity, and they appreciate absurdity when it happens to them. In this, the film characters stand next to the director, even when facing their own deaths. Absurdity of a fine sort fills the entire film, one might guess what is expecting him from the witty title itself properly translated as "Beautiful villages burn beautifully". I am only afraid it might lead the audience to believe that Bosnian war is portrayed here with more artistic license or exaggeration than is the truth...

"Lepa sela lepo gore" shares the same theme as the bosnian film "No man's land" and ends (very movingly at that!) with the same message - an outsider is not in position to judge or qualify those who have lived through the conflict for their actions. He has no moral right neither to blame nor to forgive. While "No man's land" relates this issue directly to the habit of international media and western audiences to qualify sides in conflicts they do not understand, this film remains less committed to the contemporary. Instead it poses the same question to all of us as humans.

An extraordinary film in the best tradition of Serbian cinematography which itself has a proved track record stretching all the way back to and throughout the Yugoslav era, and the one that far outweights contributions from other former YU regions. It's a big shame that non-Serbian speaking viewers cannot completely appreciate the spark and the breeziness of the dialogue, although the English subtitled translation is generally quite dextrous and does the best it can, by and large getting it right amidst very strong (sometimes amusingly so) language. The acting too is superb - a brilliant episode by Petar Bozovic (Sloba), a great turn from the main lead (Dragan Bjelogrlic, as Milan) - and a truly moving performance by Zoran Cvijanovic (Speedy, the self proclaimed 'unreformed drug addict currently getting anti drug war group therapy'). All in all, a group of very talented actors of a certain generation at work, and a tough and gritty piece of film making, which manages to be ominously dark (the amusement park flashback sequences are hauntingly disturbing), but also nostalgic, clinically sobering and mordantly humorous at the same time, whilst steering clear of pro-Serbian propaganda, opting instead, as another user correctly pointed out, for a sort-of-pro-Yugoslav one.

Quite revealing is an exchange between Velja (Nikola Kojo) and Gvozden (Velimir-Bata Zivojinovic, a veteran and a favourite of Serbian cinema in a routinely poignant performance) - halfway through the film - a few succinct lines spoken there which may offer a clue as to what Yugoslavia as a country was - or might have been - all about; and why events that ensued during the nineties actually took place. Great stuff, still going strong ten years on.

A very powerful film. One of the best war/anti-war films I can remember, and there are a lot of them. Worth watching if only for a fantasy scene resembling a music video when over a rock song that translates essentially as "their dancing to rock and roll in jugoslavia and everything is going down the hole."

Mix of starkly realistic war footage and very black comedy. Essential for anyone who wants to understand any of the Balkan wars.