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Achala Sachdev
- Rupa
- (as Achla Sachdev)
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Featured reviews
I must say I really enjoyed this film. I saw it late at night, when they usually only show crap on TV, and I was just blown away. I loved the historical setting, the costumes, the sets, the interaction of the characters, the dancing and the love story. I also can't help thinking that Indira Varma is probably the most beautiful woman alive. I found this film stunning, enjoyable and moving, and I highly recommend it to audiences who don't mind a little sensual nudity in their films.
When I rented KAMA SUTRA - A Tale Of Love, I thought my girlfriend would kill me for what the title implied. We were plesantly suprised to find a Love Story / Drama which, yes, has some very sexy scenes in it. Those looking for a movie version of the ancient text will be disapointed with the reasonable use of sexual content. There is an actual storyline here! This film is about true love, and the struggle for that love in the face of adversity. The love triangle, along with enough character development to explain the relationships between the five main characters, speaks of the human condition.
The story takes place "Once upon a time...". The costumes and sets are really well done. The cinematography is richly textured, with India as the exotic backdrop, and you are transported back into time... and into the lovers' experience.
This movie can take you through a full range of emotions, see it with your significant other, and expect it to effect you for the rest of the night.
The story takes place "Once upon a time...". The costumes and sets are really well done. The cinematography is richly textured, with India as the exotic backdrop, and you are transported back into time... and into the lovers' experience.
This movie can take you through a full range of emotions, see it with your significant other, and expect it to effect you for the rest of the night.
A film which features stunning use of photography, rich colours and excellent locations. The film relies on the beauty of the locations rather than the characters which I found to be under-written.
The film's erotic scenes are nicely done, they are not steamy, but very enjoyable.
The screenplay is a major disappointment, the characters are underwritten, and certain sequences are thinly executed, at times, there is no depth to scenes.
I don't know how accurate 16th century is represented in this picture, but I have my suspicions!
The direction is nice, but really required a screenplay to make the film work.
The performances are good, but I didn't think they were great.
Overall, a disappointing screenplay, which never gives depth to the characters. A bit pretentious!
The film's erotic scenes are nicely done, they are not steamy, but very enjoyable.
The screenplay is a major disappointment, the characters are underwritten, and certain sequences are thinly executed, at times, there is no depth to scenes.
I don't know how accurate 16th century is represented in this picture, but I have my suspicions!
The direction is nice, but really required a screenplay to make the film work.
The performances are good, but I didn't think they were great.
Overall, a disappointing screenplay, which never gives depth to the characters. A bit pretentious!
i admire mira nair's films. she clearly loves India and its culture, a fact evident in all of her films i've had the pleasure of seeing. but her real art is showing her passion through so many prisms. vanity fair showed us India from the British home perspective which we usually see from western directors, while salaam bombay showed us modern urban India at its most destitute and triumphant. monsoon wedding introduces to the rapidly expanding Indian middle class, providing us with a far more intimate appreciation of her subjects than we might get calling for tech support for our computers or trying to understand a credit card bill.
kama sutra shows us India through yet another prism. first a prism of history, which she lushly recreates, and then through a prism of sexuality, which she (rightly) brandishes as legacy of a great and ancient culture. perhaps she suggests that the British morality imposed by the empire attempted, with some success, to obscure a vibrant and enthusiastic sexuality. well, if British sex is anything like British food, and Indian sex is like Indian food, she might have a point. curiously, i've been told that if you want to eat good English food in London, go curry.
i don't think that nair's ultimately interested in instructing us on sexual physics, or in telling us an epic melodrama. but through her four characters, she reveals love and sex as they are manifest continuously through the human story. a king imposes himself on his queen (patriarchy and rape), a king demands his coutesan (adultery and carnality), unrequited love (every character, each with a twist), jealousy, shame, sex as love, sex as passion, sex as brutality, and so on. the shades of sex that she reveals through her characters' relations are familiar, and she artfully sketches the nuances in three dimensions, where you rarely see more than one or two in Hollywood tripe. yet, like a good tikka masala, the chicken is familiar, but the colors and the flavor are distinctly and marvelously Indian.
kama sutra shows us India through yet another prism. first a prism of history, which she lushly recreates, and then through a prism of sexuality, which she (rightly) brandishes as legacy of a great and ancient culture. perhaps she suggests that the British morality imposed by the empire attempted, with some success, to obscure a vibrant and enthusiastic sexuality. well, if British sex is anything like British food, and Indian sex is like Indian food, she might have a point. curiously, i've been told that if you want to eat good English food in London, go curry.
i don't think that nair's ultimately interested in instructing us on sexual physics, or in telling us an epic melodrama. but through her four characters, she reveals love and sex as they are manifest continuously through the human story. a king imposes himself on his queen (patriarchy and rape), a king demands his coutesan (adultery and carnality), unrequited love (every character, each with a twist), jealousy, shame, sex as love, sex as passion, sex as brutality, and so on. the shades of sex that she reveals through her characters' relations are familiar, and she artfully sketches the nuances in three dimensions, where you rarely see more than one or two in Hollywood tripe. yet, like a good tikka masala, the chicken is familiar, but the colors and the flavor are distinctly and marvelously Indian.
Last night I went to the theatres to see MONSOON WEDDING. Such a beautiful movie. This evening I ran to the video store to rent some other titles by the same director. I had seen the display box for KAMA SUTRA a million times, but was afraid it was some boring semi-porn movie. If you're into porn, rent porn, not pretend porn. I watched it tonight, a wonderful movie. Very romantic. Yes there is sex, and violence, and some naughty talk, so you would think all Americans would love it. But the beautiful music, settings, costumes, and people did it for me. Great Flick.
Did you know
- TriviaIn order to film in India, the production had to use a fake title "Tara and Maya." Indian authorities would not have permitted the film to be made there had they known its true title and content.
- GoofsThe story of this film is set in the sixteenth century. Young Maya is running through red chili pepper drying in the sun on the palace grounds. Chillies didn't reach Indian cuisine until the seventeenth century.
- Alternate versionsThe director Mira Nair suffered approximately 2 years bringing the film from censorship to lawsuits, and to the highest court due to the film's sexual content, the C.B.F.C. (Central Board of Film Certification) banned the film before being passed with an 'A' (18+) certificate in 1997 with small cuts to nudity made and all sex scenes reduced. After cuts were made to the English-language version, all Indian dubbed versions have this cut version, and no further cuts were made. The film was released theatrically in India in February 1998. It remains cut in India, but uncut worldwide.
- SoundtracksWinter in Austria, Theme and Variations
Written and Performed by L. Subramaniam
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Kama Sutra: A Tale of Love
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $4,109,095
- Opening weekend US & Canada
- $53,499
- Mar 2, 1997
- Gross worldwide
- $4,109,095
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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