Contre-attaque

If you've never seen a Jackie Chan film before, this is a good place to start. I speak from experience, for it is the first film of his that I saw. I must warn you, though: his films are not for everyone. The plots are often pedestrian and sometimes incoherent. They also are usually dubbed, making them seem cheesy. Sometimes I describe him to people as a guilty pleasure, but that may give the wrong impression. What Chan does well is sheer genius. Plot is besides the point. It's not what his films are about.

What, then, are they about? It's hard to put into words. You may have heard him described as a martial artist, a stuntman, and a slapstick comedian. None of those descriptions do him justice. I could add that he's something of an acrobat and gymnast, but even that doesn't sum it up. There is no actor he can be compared to, for his style is unique; it's like he's developed his own art form. These are not "fighting films" in a traditional sense. They're more like the types of acts you might see at a circus, involving props used in astonishing ways and depending on careful choreography and exquisite timing. For example, at one point in this film Chan flips and twirls a heavy stepladder like it was a baton, then sets it down and weaves his own body through the rungs, while fending off attacks from a group of men.

Typically in his films, the acts he performs get increasingly formidable as the film progresses, culminating in some large-scale stunt such as him leaping off a building. But even the little things he does are eye-popping. In this film he's constantly climbing walls with an agility reminiscent of Donald O'Connor. You never know what to expect, for he does different things in each film.

Well, at least that once was the case. Since "Rush Hour," his 1998 American blockbuster, his stunts have become less intricate, and he's begun repeating ideas. It may be that he's getting older, but it also may be that he's moved from Hong Kong to Hollywood. Undoubtedly the recent films have more polish and better production values, which has helped make them accessible to a wider audience. But his earlier work is so full of invention that I'm able to overlook formula plots, bad acting, and cheesy humor. I do have my limits. A few of his films--"The Protector" comes to mind--are so badly done that it doesn't matter that they have cool fight sequences. His films need some measure of competence to work. They are more than a series of routines strung together.

Part of what makes them charming is Chan himself. He is a pretty solid actor compared to some of the leading American action stars, capable of conveying a full range of emotions convincingly. He is particularly good at expressing panic. The character he plays is not your standard tough-guy. He is frequently an inferior fighter to those he confronts. When hit, he grimaces in pain. When faced with the opportunity, he runs. He survives by a mixture of quick wits and luck. He is far more a throwback to Keaton and Chaplin than a martial arts master.

Of course, I won't call this film or any other by Chan a masterpiece. Perhaps I'm too conventional. If the purpose of films is to entertain, his succeed brilliantly. Whether they appeal to you depends on your taste, but one thing you cannot do is claim he's untalented. It may not be a talent you're used to, but it's one that's likely to remain unparalleled.

The second 1990s Jackie Chan film made for a worldwide market. It seems the team has learned its lessons with Rumble in the Bronx, as First Strike is more on pace. Filmed in Hong Kong, Ukraine, Russia and Australia, spy intrigue is combined with kung-fu comedy as Chan gets involved in the illegal sale of weapons by the Russian Mafia (yes, another film with this premise). Thanks largely to the presence of Chan, the storyline is pulled off relatively successfully. The ski stunts are impressive and also humorous - but poor Jackie - he really is wearing a couple of layers' clothing! The Australian action sequences are well choreographed and have a sense of occasion. The action is better paced: it is not kung-fu for kung-fu's sake, although if you want realism in your stories, look elsewhere. As an individual Chan film, it works - but it does not deserve being part of the Police Story series, which it was in Hong Kong. The Chinese style is watered down in pursuit of the western markets - and the producers would have been better off creating a new character for Chan this time. Compared to the first and third instalments, it is lacking. This aside, it is entertaining and enjoyable, whether you see the original or dubbed version.

This is my favorite Jackie Chan movie. The script and acting is not that great. But the action sequences are really fun to watch. That's why people watch Jackie Chan movies, right?

In "Jing cha gu shi IV: Jian dan ren wu" (called "Jackie Chan's First Strike" in the US), Jackie Chan has to find a missing nuclear warhead. Of course, if you pay too much attention to the plot, you'll miss the rest of the movie. Like any of Chan's movies, the point is to have him kick ass in various and sundry ways. The snowboarding sequence in my opinion should get registered alongside Gene Kelly singing in the rain as one of the great cinematic moments. And the ladder? I DON'T KNOW HOW HE DOES IT, BUT HE DOES IT!!!!!!!! So just have fun watching this (and I guarantee that you will). You could be deaf and still get a kick out of it.

"First Strike" is at its worst when it tries to be a James Bond spoof and comes off as a cut-rate Bond imitation. It's at its best when it lets Jackie Chan do what he does best: performing awesome physical stunts and engaging in lightning-paced fight scenes. The plot is utterly disjointed, and I would go so far as to say that there are only two or three really good scenes here, but these are SO good they make the movie worth watching anyway. The "ladder scene", in particular, simply defies belief; Jackie Chan seems to be pushing the boundaries of what we consider "humanly possible". (**1/2)