Jérusalem

Very interesting study of the effects of religion, especially cult-like Christianity, in a small Swedish town at the turn of the 20th century.

Has a great feel for time and place, and some very moving moments.

It almost becomes a great film, but – at least on 1st viewing – there was too much missing from understanding some of he characters' choices (perhaps because this was edited down from a mini-series), and a few too many melodramatic twists (again, with more time that might have felt less bothersome as they might have felt less on top of each other.)

Certainly a film I could imagine re-visiting, and would love to see the full, longer version.

This film is no less than a masterpiece--director Bille August's masterpiece! Selma Lagerlöf's novel described the Jerusalem syndrome 60 years prior to its diagnosis, and Bille August manages to capture the many levels of interior monologue. August takes the audience both to Sweden and the Middle East without painting nauseatingly glossy pictures. Neither does he cross any mines unintentional. The film shows the consequences of religious fanaticism as well as a piece of Scandinavian history. The pietist movements of the early 19th century are brought back to life and even modern, agnostic viewers can begin to understand what power the pietist preachers had among their followers.

Simply wonderful!

Bille August is one of the world's best directors. He can get the most enchanting moments from his actors. And his "Jerusalem" is a very good example of it. Long uncut takes with only little dialog show intense and breathtaking acting skills from every actor/actress - especially Maria Bonnevie.

Examples of this are: The scene where Maria's character Gertrud is walking alone in the forest and has a vision of Jesus for the first time; and one of the last scenes in Jerusalem where she sits with her friend who tells her; "You have to forgive... otherwise you will never be able to love again." ...

If you want to see truly unique acting skills this is where you want to go.

Sadly it has not yet been released on DVD. I only have it on old VHS. Let us have a full special edition DVD soon please.

Between his two works (DAS GEISTERHAUS / The HOUSE of the SPIRITS // FRÄULEIN SMILLAS GESPÜR FÜR SCHNEE / SMILLAS SENSE OF SNOW) for CONSTANTIN producer Bernd EICHINGER, the Danish director Bille AUGUST fulfilled his dream and made this Swedish film based on a novella by the Swedish Nobel Prize winner for literature Selma LAGERLÖF.

It tells the story of a small community in Sweden at the end of the 19th century, which falls into religious madness and emigrates together to the Holy Land. The young lovers Ingmar (Ulf FRIBERG) and Gertrud (Maria BONNEVIE) also get caught up in the turmoil of this religious enthusiasm, which doesn't end well...

A quiet and impressive film that is rarely seen in German-speaking countries. I remember a TV broadcast sometime in the nineties.

Pernilla AUGUST, ACADEMY AWARD nominee Max von SYDOW and ACADEMY AWARD winner Olympia DUKAKIS can also be seen in other roles.

The film is based on a novel by Selma Lagerlof and itself is indeed a magnificent epic of a Scandinavian spirit, though not that naive in its approach as one finds in, say, some famous epic movies based on Scottish history. In my eyes the film is a revelation of a fragile human story, full of obstacles and hard days, proceeded by a careful, attentive eye, and smooth in a sense that the sequence of events do not overshadow each other but rather form a nice waving flow, thus sustaining intensity not in separate scenes but rather as a whole, where each moment is masterfully organized. Also, though dealing with difficult issues, the film sees people not as a collection of scenes of despair, but as a continuous spirit, worth of admiration after all.

If you want an entertaining film in the narrow sense then I suggest this is not the right one to choose and you might be disappointed. Else, go and see it, it is rewarding in a sense of how much attention and openness you can give to it, a film its director Bille August did not manage to overtake by now, despite his expensive Hollywood attempts.