James et la Pêche géante

I was surprised that people thought this film was average, or so-so. I found it to me a movie that was so much fun to watch.

Starts out live-action, than it seagues into stop-motion animation. Some of the scenes are very memorable (the pirate attack) and the voices are delightful. Not as good as Nightmare Before Christmas, but every bit as imaginative.

James and the Giant Peach is a stop motion/live action adaptation of the late Roald Dahl's book in the early 60s when being transitioned into film (like Charlie and the Chocolate Factory, The BFG, The Witches, Matilda, and The Fantastic Mr. Fox) about a young boy named James, who climbs into the peach and meets anthropomorphic stop-motion insects and stumbles upon an adventure of a lifetime. Many critics and fans of Roald Dahl alike were amazed about how faithful this movie was to the book, but there are two problems that I do have with this adaptation.

1) The beginning was quite dark and might frighten younger kids along with other scenes.

2) The rhino in the sky and the scene where James battles it wasn't explained enough. That's it for the criticism.

The positive aspects of this movie were excellent. The live action sets and the stop-motion animation have an astounding charm to the book. The character designs are pretty unique and the Jack Skellington cameo as the captain of the skeletons was amazing. The acting is very superb. The stop-motion insects were good, the two mean aunts named Spike and Sponge were tolerable, and the main character James is very likable. Even the action is very good. Music/songs written by Randy Newman (The Toy Story trilogy, The Princess and the Frog) were surprising good. Although not a masterpiece, James and the Giant Peach is an enjoyable family entertainment that stays faithful to the story from a great author.

8/10

I really enjoyed it, and so did my 3- and 5-year-old (and yes, we read the book). The animation and live-action scenes showed a lot of love. Though elements of the story seemed a bit hurried or neglected, they weren't anything a fairy-tale fantasy couldn't absorb in stride. The music works well enough for this non-fan of musicals, and I prefer serviceable and inoffensive tunes to the treacly jingles and melodramatic scores of the usual Disney classics.

My only real complaint would be with the ending, as it really is unclear how the aunts drove across the ocean (did they obtain their own crocodile tongues?), and the slice of NY upon landing has a grim, Munchkin-town quality. Still, everything up to that point has left you with lots of goodwill towards the movie's makers.

As a child James and the Giant Peach was one of my favorite books, so it was interesting to see how it would be formatted into a film. They actually did a pretty good job, although the book is much better. The animation was nicely done, and I liked the way the characters changed from life form to animated form- it gave the film a real surreal type of film. The songs were quite poor, and were obviously aimed at the kids to 'liven' things up a bit, after all some may say the story ventures on the dark side of things. It's nice to see a film aimed at children that can also appeal to adults as well, although it does help that many of us are very familiar with Roald Dahl's stories. In summary quite a good effort.

True, it isn't as good as the book, which is a childhood favourite of mine, but it is still a delightful and charming film. The look of the film is splendid, with bright colours in most scenes and some very memorable scenes such as the killer sharks, and the peach was stupendous. The script is very clever and funny, especially with Centipede, who has some truly hilarious lines. The performances are exceptional, Paul Terry is very appealing as James and Pete Postelthwaite delights as the mysterious man, who is responsible for changing James's life forever. There is also a terrific voice cast, including Simon Callow, Richard Dreyfuss, Susan Sarandon and David Thewlis who breathe fresh air into the screenplay, but it is certainly Miriam Margoyles and Joanna Lumley as the ghastly aunts who steal the show. I do however have two complaints of the film. I did find Randy Newman's songs forgettable, and they occasionally mar the film's pacing, and Paul Terry's singing voice just was a bit weak. Other than that, it is a delightful film, with an 8/10. Bethany Cox