Le huitième jour

I saw this film first on my way home from Paris to Newark aboard Air France in August 1996. The film itself I believe is quite a masterpiece. It's the kind of film that people should be making. I still think Daniel Auteuil is one of the sexiest actors around. In this French film, he plays a divorced father and businessman who has lost his zest for life until he across a Down Syndrome man who lives in an institution with other Down Syndrome patients. The actors including the actor who actually has Down Syndrome create a believable friendship and relationship between these two unlikely men. Daniel's life and ours changes forever with the Down Syndrome man. He realizes that life is not just work and not play but for the living and loving and that's what life should be all about. The ending is kind of silly though but I still think it's one of my favorite movies. It's enough to bring a tear to your eye.

Foolishly, without bothering to learn any more about it than that it involved Daniel Auteuil and a guy with Downs Syndrome, I avoided this classic til a couple of days ago when they were offering the video for silly money. Let me put my ten cents in with every comment I have read here immediately and state categorically that this film is a JOY. Okay, you know going in that a major character is handicapped so you figure that at some point the movie is going to manipulate your emotions and you're ready for that but, like most things, it's all in the wrist, and this one has an extra metatarsal. It is, of course, the salesman who spends his life lecturing on how to manipulate the buyer who is himself manipulated by Georges - nice touch naming him after the 'normal' one of the two buddies in 'Of Mice And Men', where the retarded Lenny is looked after by George - the irritating, exasperating, impossible lovable guy who walks into his life after Harry nearly ran into his. Okay, to make this work you need to create a character who is the complete opposite of Georges, a guy literally too busy making money and being successful to stop and smell the roses. A guy who misses his daughters dreadfully since his estranged wife - it's not clear if they are divorced or just separated - took them away yet is so busy that he completely forgets to pick them up and leaves them waiting alone at the train station; who opts to attend a conference on his daughter's birthday, you get the picture. Georges misses someone, too. His mother, who is dead. Time and again in his loneliness and hurt he conjures her up and we see the great love they shared. This then, is the back story and the scene is set for what Hollywood used to call a 'meet-cute'. Here, Auteuil, in despair, his mind in a turmoil, driving through the rain runs over something large which he failed to see. Turns out to be the dog that had attached itself to Georges who has lit out from his residential home after watching all the other residents being picked up by relatives. Now all that is left is for Georges to 'change' Harry, to humanise him if you will and this he does in spades. This is a film chock full of laughter and tears and the fact that a leading French actress Miou-Miou agreed to play what is little more than a cameo as Harry's estranged wife speaks volumes for the quality of the writing. Now and again the cynicism surrounding the gongs of filmdom, especially the Oscars, get it right and how appropriate that BOTH these superb actors copped the 'Best Actor' nod at Cannes. 10/10

I have not watched many French-language films in my lifetime, but The Eighth Day and Amelie are way up there on my list of favourite movies. Perhaps it's just overexposure to the monolithic crap Hollywood mass produces today, but these films have an atmosphere that are like a breath of fresh air. Even with (or perhaps because of) little to no special effects to bedazzle you, you are immersed before you know it. The spontaneity and sheer oddness of some of the scenes add to the charm of the film, as does the tumultuous and unlikely friendship between a workaholic and a man with Down's syndrome. The Eighth Day gives you something to reflect on, a pause from the fast paced lifestyles we are caught up in today.

This film is close to be my favorite piece of celluloid. There is really not much I'd need or want to say here. Except maybe "See this film" and "Enjoy the excellent work by Daniel and Pascal", who carries you through this neat, funny and heartbreaking story about 'spending your eighth day' - your own day!

Seeing this film made me think seriously about how I spend my eighth day = my life! It appears, that some of us are wasting precious time doing things we think we need to do. Either if it's pleasing a career or just consuming TV-shows and ballgames. What we tend to miss is the satisfaction of being something for another person - make a difference. About taking room and time to be spontaneous and live - NOW! (on the eighth day)... At least that was what I got from 'The Eighth Day'.

With 'Le Huitième Jour' director Jaco van Dormael tells us a moving tale of two complete strangers (who couldn't be more different from each other), whose paths cross as they travel opposite directions. After this odd encounter, together, both take turns heading towards each other's destinations but with heartbreaking results. However, this journey allows them to find something they didn't know they were looking for.

Let's get the flaws out of the way: Certain scenes may feel a little dramatic but it still remains within the tone of the film, never looking out of place. Even though Harry and Georges are the primary focus of the film, some of the important supporting characters are poorly developed, especially Georges's hating sister and Miou Miou's Julie.

But those minuses aside, is 'Le Huitième Jour' a road movie (the landscapes are dazzling)? Is it a study of two characters? Is it a 'buddy' movie (certainly not the typical Hollywood kind)? Is it a dramedy?

It's poetry. The film, in a way, moves from one genre to another but it flows beautifully. The balance in humour, and intensity is first rate. The jokes work well and the timing is just right. I did find the ending to be a tad too dramatic.

What Georges shows the viewer is that, while people desire similarities, it is our differences that make us unique. Yet, that is the very reason why Georges is rejected by the 'real world'. What Harry further shows is that none of these supposed similarities that people look for in each other matters because acceptance, respect, being open to possibilities and being true to oneself are what will bring the greater joy.

'Le Huitième Jour' is stunningly filmed and wonderfully acted. Pascal Duquenne and Daniel Auteuil are superb. Duquenne delivers a very natural performance and Auteuil is terrifically restrained. They are well supported by Isabelle Sadoyan, Michele Maes and the two actors who play Harry's daughter.

'Le Huitième Jour' engages you right from the start. It's funny, intense, enlightening and reaches straight for the heart.