Nos funérailles

I found this an interesting movie, admittedly a bit slow at points, but if you're out for another "crime gone wrong" or "gangster crime war" film, forget it. Several reviews complain about a lack of action. It's not an action film. Several reviews complain about a lack of plot. It's more an examination of characters than a story. The movie would have been much better had I been able to hear more of it. The sound editing is truly abysmal. People's shoes make more noise than their raised voices do. I actually stopped and rewound a few times to try and catch what people said. It's not the fault of the actors. It's simply a bad mix job.

7/10

The Funeral is a dark and gritty story that plumbs the characters in a New York band of criminal brothers. It doesn't have the romantic sweep of a Godfather movie, nor the rawness of Scarface. But it does have great acting: the cold, sinister aloofness of the leader-brother(Christopher Walken); the raging insanity of the bartender-brother(Chris Penn); and, the cockiness of the younger communist-influenced brother. Annabella Scioria as the wife with a tortured psyche who "had two years of college", and Bennissio del Toro, as the suave and slick rival mobster round out the terrific cast.

But the movie does have some problems. The abrupt, "surprise" ending is consistent with the arcs in the movie, and is supported by trends in the characters' developments, but seems unsatisfying. Also, long philosophical conversations between killer and victims seems unrealistic. While these conversations(and flashback sequences) give insight into characters, it just doesn't seem likely.

Watch this movie if you are a fan of crime/Mafia films, and you can enjoy a thoughtful introspection of characters and relationships between characters. Don't watch it if you want to see a "thrill-a-minute", or explosions every other scene.

Though he was the director of that awful thriller, 'Fear City,' Abel Ferrer offers a movie about mobsters that distinguishes it from a decade of far too many mobster-themed movies in that it does not glorify mob life. Though slow in the introduction and sometimes confusing in structure, 'The Funeral' offers good acting and an intelligent plot.

Ray (Christopher Walken), Chez (Chris Penn), and Johnny (Vincent Gallo) are brothers and members of the same crime family. I suspect that of the small crime unit, the eldest, Ray, is the leader. The film is centered around the funeral of the youngest, Johnny, who was mysteriously shot to death. And the mobsters, especially his brothers, want revenge.

Johnny was an unusual part of such a violent family, too intelligent and often passive. He seemed to be drifting from his destined life of crime, handed down to him from his father to his brothers to him. It is not the role he seeks to fulfill, and it one he often questions, much to the resentment of his brothers, Ray and Chez.

Ray is a much different character than Johnny. As the oldest, he was the first to kill a man when his father offered him a gun to shoot someone he didn't even know. Ray also absconds from any responsibility for what he does, consistenly justifying his actions as something that God forces him to do. Jean (Annabella Sciorra), his wife, asks whether he thinks it is suitable to blame God for his actions. He apparently blinds himself to any reality, and basks in the idea that he is only carrying out someone else's plan. That this is what he has to do. Jean even remarks to Johnny's wife, Helen (Gretchen Mol), that Ray and Chez and everyone else involved just keep perpetrating this one-sided, illiterate way of life.

Chez is yet another counterweight caught in the middle. He is a very sadistic character and one who soon realizes what damage is being done. With Johnny dead and Ray eager for revenge, it is up to him to determine with the cycle continues.

The nature of these characters are particularly interesting in a story that points out the realities of mafia life (for both the mobsters and their wives) as violence begets violence, making for a very intriguing story. Director Abel Ferrer did a good job with this movie. Despite being slow and sometime scattered in focus, it is worth watching.

When it comes to cult film-maker Abel Ferrara, people seem to either love his work or hate it. I think some of his films are great but some are just rubbish. Fortunately "The Funeral" is far from being rubbish, but then it's not great either.

Set in New York in the 1930s, the film centres on an organised crime family, headed by brothers Ray (Christopher Walken) and Chezz (Chris Penn) who are set to bury their younger brother Johnny (Vincent Gallo). As Johnny's wake progresses the two remaining brothers reflect on his life and try to track down his killer.

The film is pretty well made, and benefits from strong performances all round. It's main defect is that the film tends to lose focus and go off at tangents (scenes where Johnny attends a Communist rally were pretty pointless). Also, as in many Ferrara films, there is a very blatant religious subtext which sometimes gets in the way of the drama. Also, be warned that there is a lot of pretty brutal violence in this film.

If you like gangster films (and obviously if you're a Ferrara fan) give this a go. It's worth trying anyway just for the quality of the performances.

In the 30's, in New York, the coffin of the leftist gangster Johnny Tempio (Vincent Gallo) is brought to the house of his older brother Ray (Christopher Walken) for the wake of family and friends. Ray is a cold gangster that likes to read and is married to Jean (Annabella Sciorra). His brother Chez (Chris Penn) is a hot head that runs a bar and is married to Clara (Isabella Rossellini). Ray decides to revenge the murder of his younger brother and believes the gangster Gaspare (Benicio Del Toro) is the one who killed Johnny. Meanwhile Chez has a breakdown with tragic consequences for the Tempio brothers.

"The Funeral" is a violent movie directed by Abel Ferrara with great characters that are developed through flashbacks along the main storyline. There are great performances and scenes but unfortunately, it seems that neither the writer nor the director knew how to end the story that has an unsatisfactory conclusion. My vote is six.

Title (Brazil): "Os Chefões" ("The Bosses")