Freeway

Matthew Bright stuns with his outrageous directorial debut 'Freeway', one of the most original and subversive movies to emerge from Hollywood in years. Bright wrote the utterly bizarre 'Forbidden Zone' over twenty years ago (once seen, never forgotten!), but 'Freeway' shows he is a major talent. His only real competition in the hyper-real pop art black comedy stakes is Gregg Araki, whose 'Doom Generation' and 'Nowhere' display a similar kick ass sensibility.

Reese Witherspoon is dynamite as the white trash lethal Lolita Vanessa Lutz. Along with 'Election' her best role to date. Kiefer Sutherland gets his most interesting part in years as her nemesis, the slimy Bob. And the supporting cast is equally strong, especially dependable character actor Dan Hedaya ('Blood Simple', 'The Usual Suspects'), the cute Brittany Murphy ('Clueless') who oozes sex appeal, and Amanda Plummer ('Pulp Fiction') and Michael T. Weiss (er... 'Howling IV') as the parents from hell. I also got a real kick out of the cameo by veteran Sydney Lassick ('..Cuckoo's Nest', 'Sonny Boy'). Pity we don't get to see much of him here, or anywhere for that matter!

Witherspoon has gone on to well deserved stardom, but this remains one of her finest accomplishments. Bright faltered with the largely disappointing 'Freeway 2', but my money is on him. Anyone who can create a movie this fresh and cool deserves to be remembered!

Freeway is written and directed by Matthew Bright. It stars Reese Witherspoon, Kiefer Sutherland, Dan Hedaya, Wolfgang Bodison, Brooke Shields & Brittany Murphy. Plot is darkly based around the Little Red Riding Hood fairy tale and sees young runaway Vanessa Lutz (Witherspoon) hit the road after her parents are arrested. Setting off to visit her grandmother she agrees to a lift from the kind and well spoken Bob Wolverton (Sutherland), only to find that he's not as nice as she first thought. He in turn is in for a big surprise himself since Vanessa is more than capable of looking after herself.

Twisted and richly humorous, Matthew Bright's movie oozes originality and quite frankly deserves to be better appreciated: never mind better known! Going into it for a first time completely oblivious to its structure will arguably aid the experience. Suffice to say that the less known about it prior to viewing it the better. All I have to say is that it's violent, sweary and contains very sexually explicit dialogue, so if those things are likely to offend then perhaps stay away from it. But what if I offer up that those things are dealt with a satirical bent? That the tough scenes, and some of them are very tough, are basis to a caustic narrative about social hypocrisy and the often stupidity of the law? Interested? You should be, because once viewed you're unlikely to forget it. It's no surprise to see Oliver Stone's name etched onto the production credits, since this very much feels like a dirty second cousin to his Natural Born Killers. I'd argue that here we have the better acted film with Witherspoon and Sutherland giving virtuoso performances: with admirable support coming from the likes of Bodison, Shields and Murphy.

One of the most undervalued film's of the 90s? You bet it is! 8.5/10

I know, it may seem ridiculous to some, but actually, even after all these years (now well into 2012), this is still a film to watch, and no one could have delivered the key role more perfectly than Reese Witherspoon. She is simply spectacularly spot on with her characterization of the theme and culture that is her character here.

The story is a bit hard edged for some, but sadly, not entirely outside the realms of reality in the current world.

Do characters like hers in this film really exist as portrayed? Absolutely yes. Do characters like that portrayed by Sutherland, the predatory pedophile sociopath who appears to be so acceptably "normal" to the outside world? Absolutely yes, as recent history has shown only too clearly.

On the surface this may have appeared to be a sort of whacky, creepy crime thriller, but actually, if one actually takes the time to watch this film, there is much more to this than the ad copy may have suggested at the time.

It is still currently viable, to this very day . . . has stood the test of time.

And it is absolutely one of Reese's best ever performances.

Sadly, her more recent work has sort of flattened out into much less risky, complex roles, but hey, a great actress she is.

I remembered Kiefer Sutherland played a psychotic killer....and IMDB lead me right to this one. I had seen bits and pieces of this movie on cable and couldn't believe how good it was, but back in those days we didn't have "channel info". This movie is wickedly funny, and Reese Witherspoon plays the most hilarious, bad-girl, tough trailer trash role I've ever seen and plays it fantastically. The slutty makeup and outfits she wears as well as the endless stream of profanity she swears are definitely a lot different than her "modern day" good girl roles she seems stuck in now. This movie is funnier than you can possibly imagine, as things keep happening that just blow you away or shock the pants off you and no main character is what they seem to be at first. Definitely unpredictable, this dark comedy is a rare lost gem I was glad to find again.

Although it started out slow, it really picked up the pace when Vanessa gets into Bob's SUV type vehicle. As the movie went on, it easily turned out to be one of the best movies I've seen in years. Dark, gory and still full of laughs in a twisted way. How Reese Witherspoon didn't win an Academy Award for this is a mystery. I have found new respect for Reese and glad to know she isn't all about fluff movies catering to woman (i.e., "Sweet Home Alabama"). I hope Reese digs into the grittier side of life again and does another movie of the "Freeway" caliber and leave her mantle of "the next Meg Ryan" at home!

Way to go Reese, this movie is definitely worth owning!