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6.5/10
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A Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and co... Read allA Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and continues to infect people with it.A Chinese restaurant worker wanted for murder in Hong Kong contracts Ebola in South Africa, becomes immune to it, and unknowingly spreads the virus there, then comes back to Hong Kong and continues to infect people with it.
Shing Fui-On
- Boss Kwan
- (as Fui-On Shing)
Tsui-Ling Wong
- Lily Chow
- (as Siu-Ling Wong)
Peter Ngor Chi-Kwan
- Ma
- (as Peter Ngor)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is the type of horror film the world seems to be seeing less and less of nowadays. Pure Evil, Pure Gore, Unrelentless in its delivery and damn entertaining all the way through.
A geeza catches ebola, he's immune to the effects and is just a carrier, he spreads it all over the place. thats is the basic outline of the plot. You need know no more to get the jist of it all.
This is a classy film all the way through, i love everything about it. The deaths are brutal and realistic looking. Its predictable as hell, but not even this can stop it from being a top film.
As a horror, this is almost as good as it can get. 10/10
A geeza catches ebola, he's immune to the effects and is just a carrier, he spreads it all over the place. thats is the basic outline of the plot. You need know no more to get the jist of it all.
This is a classy film all the way through, i love everything about it. The deaths are brutal and realistic looking. Its predictable as hell, but not even this can stop it from being a top film.
As a horror, this is almost as good as it can get. 10/10
Hong Kong's extreme Category III rating allows producers and directors to cater to the sickest desires of their audiences by focusing on violence, sex, sexual violence and scenes of depravity normally not found in mainstream cinema. During the 1990s, there was a boom in such productions, with the most popular inevitably starring Anthony Wong as some kind of crazed killer or pervert.
THE EBOLA SYNDROME is one of the best-known of its kind and that's no surprise; this is one hell of a ride of a film, chock-full of bad taste scenes in which the writer tries to go out of his way to offend everybody watching. The protagonist, played by Wong, is a guy who goes around raping women and eventually contracting and spreading the Ebola virus, which leads to much unpleasantness.
From the opening set-piece you know what you're in for with this one: tons of bad language, naked women and gross gore effects. The directors throws in animal dissection, autopsies and all kinds of sickening stuff involving food production that's guaranteed to turn your stomach. Rape and murder are commonplace, and yet at the same time there's daft comedy to offset the darkness. It's all portrayed so over the top and ridiculously that none of it is disturbing.
What surprised me most about THE EBOLA SYNDROME is that it's a well made movie comparable with other Hong Kong films of the 1990s. The technical values are strong and the acting isn't too shabby either; Wong is a commanding actor and you can see why he's enjoyed mainstream as well as cult success. Yes, this is an unpleasant and sometimes childish film in the way it seeks out one depravity after another, but at the same time it's undeniably entertaining and it goes down avenues that Hollywood wouldn't dare. The ending rampage is by far my favourite part of the movie and has to be seen to be believed.
THE EBOLA SYNDROME is one of the best-known of its kind and that's no surprise; this is one hell of a ride of a film, chock-full of bad taste scenes in which the writer tries to go out of his way to offend everybody watching. The protagonist, played by Wong, is a guy who goes around raping women and eventually contracting and spreading the Ebola virus, which leads to much unpleasantness.
From the opening set-piece you know what you're in for with this one: tons of bad language, naked women and gross gore effects. The directors throws in animal dissection, autopsies and all kinds of sickening stuff involving food production that's guaranteed to turn your stomach. Rape and murder are commonplace, and yet at the same time there's daft comedy to offset the darkness. It's all portrayed so over the top and ridiculously that none of it is disturbing.
What surprised me most about THE EBOLA SYNDROME is that it's a well made movie comparable with other Hong Kong films of the 1990s. The technical values are strong and the acting isn't too shabby either; Wong is a commanding actor and you can see why he's enjoyed mainstream as well as cult success. Yes, this is an unpleasant and sometimes childish film in the way it seeks out one depravity after another, but at the same time it's undeniably entertaining and it goes down avenues that Hollywood wouldn't dare. The ending rampage is by far my favourite part of the movie and has to be seen to be believed.
This flick derives much of its grasping force from what has to be, if not the most explicit, at least somewhat the most sickening gore ever.
Some scenes are rather innovative : decapitation through the use of a ping-pong table, Kai blowing his load in a steak, corpses being chopped up into hamburger meat with a saw, eyes chewed out of a living head and lots of ebola-related bodily fluids.
Ebola syndrome would not be the same without the psychological profile of its main character.If we were given an insight on Kais childhood, it is likely to be a miserable one, full of abuse and rejection. Thus would explain his disturbed sexual attitude (he does not seem to be able to perform without constant oral stimulation) and his loser nature. Let's face it, most of his aggression originates from a lack of self-esteem, for which he tends to overcompensate once he disposes of financial powers and/or the opportunity to deploy physical force. It makes for a violent person, but not a threatening one, compared to Hannibal Lecter or the maniac from Maniac. Kai is, in a way, a personification of the virus, which searches for power and immortality through the devastation of other life forms, not realizing his actions will eventually lead to his own extinction.
Together, the gore and Wong hold together a remarkable modern piece of exploitation, with an honesty that most of its contemporaries do not dare to show, but which also demands the right mood, otherwise it feels cheap. In either case, see a schrink if this turns you on.
Some scenes are rather innovative : decapitation through the use of a ping-pong table, Kai blowing his load in a steak, corpses being chopped up into hamburger meat with a saw, eyes chewed out of a living head and lots of ebola-related bodily fluids.
Ebola syndrome would not be the same without the psychological profile of its main character.If we were given an insight on Kais childhood, it is likely to be a miserable one, full of abuse and rejection. Thus would explain his disturbed sexual attitude (he does not seem to be able to perform without constant oral stimulation) and his loser nature. Let's face it, most of his aggression originates from a lack of self-esteem, for which he tends to overcompensate once he disposes of financial powers and/or the opportunity to deploy physical force. It makes for a violent person, but not a threatening one, compared to Hannibal Lecter or the maniac from Maniac. Kai is, in a way, a personification of the virus, which searches for power and immortality through the devastation of other life forms, not realizing his actions will eventually lead to his own extinction.
Together, the gore and Wong hold together a remarkable modern piece of exploitation, with an honesty that most of its contemporaries do not dare to show, but which also demands the right mood, otherwise it feels cheap. In either case, see a schrink if this turns you on.
When I bought this movie I didn't really have any expectations at all. I bought it online for a cheap price because a friend of mine recommended it. Wow, I'm sure glad I listened to him. Ebola Syndrome is really a lot of fun. It is packed with over-the-top violent scenes, but still has a lot of comedy and dark humor in it. This is a balances mix which makes the movie work. It does contain very graphic violence and even rape. So if you have a weak stomach I would advice you to avoid it. But what makes this movie really filthy and ugly is the main character of the story, Kai San. He really steals the show. Everything he does and says is both disturbing and funny in the same time. I won't go in to detail of the things that he does. But let's just say he's a really sick pervert with extreme needs.
It's hard to explain the tone of the movie. Because some scenes remind me of a horror movie, some reminds me of a comedy, and other scenes goes more into the thriller category. But still you can never really take everything too serious.
It's hard to explain the tone of the movie. Because some scenes remind me of a horror movie, some reminds me of a comedy, and other scenes goes more into the thriller category. But still you can never really take everything too serious.
What can I say about this wonderfully demented Category III classic, it goes beyond the boundaries of most Cat III films (which involve usually uninspired sex and violence) and goes for the jugular without flinching once.
Anthony Wong plays our demented anti-hero, even thou our introduction to him is himself getting a blow job off his boss's prostitute wife, while the kid waits outside. The boss returns and is unimpressed to say the least and after beating up our hero has the tables turned on him and is killed along with his wife and lackey.
10 years on and were in South Africa, our hero works in a filthy restaurant, gets bullied all day and resents everything living. Soon enough he is back to his own ways and after raping a unconscious woman, who spews a frothy broth of Ebola into his face he becomes infected with this nasty little disease, and the story has not even got up to speed yet.
A darkly comic tale that does not mind pushing the barriers of what is deemed acceptable, I loved it. Every home should have a corner for Ebola.
Anthony Wong plays our demented anti-hero, even thou our introduction to him is himself getting a blow job off his boss's prostitute wife, while the kid waits outside. The boss returns and is unimpressed to say the least and after beating up our hero has the tables turned on him and is killed along with his wife and lackey.
10 years on and were in South Africa, our hero works in a filthy restaurant, gets bullied all day and resents everything living. Soon enough he is back to his own ways and after raping a unconscious woman, who spews a frothy broth of Ebola into his face he becomes infected with this nasty little disease, and the story has not even got up to speed yet.
A darkly comic tale that does not mind pushing the barriers of what is deemed acceptable, I loved it. Every home should have a corner for Ebola.
Did you know
- TriviaDuring the DVD commentary, Anthony Chau-Sang Wong made it clear that it was not him killing the frog in the first kitchen scene. He said that not only does it take a special skill to prepare a frog like that, but he also found it to be cruel.
- Alternate versionsApproximately two minutes were cut from original theatrical showings; the cut material had been presumed lost until November 2021, when Vinegar Syndrome released a fully uncut 4K restoration of the film, sourced from the original camera negative.
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