En route vers Manhattan

A Long Island woman finds a love letter in her house and suspects her husband of cheating. Her over-protective (and very pro-active) family convinces her to confront her husband at his workplace in Manhattan. They all (wife, mom, dad, sister and sister's boyfriend) pile into the station wagon to hunt down the scoundrel. In their efforts to find him they meet a bunch of interesting characters and learn a little bit more about their own feelings for one another.

This movie is so sweet in its examination of family loyalty and so honest in its examination of long-failed relationships in denial that I feel it is easily one of the most satisfying video rentals I've ever experienced. There's enough comedy throughout to provide laughs (especially any and all jokes at the expense of Liev Schreiber's pretentious novelist) and the realistic sisterly affection shared by Parker Posey and Hope Davis is genuinely touching.

Also provides a subtle examination of the Long Islander's relationship to Manhattan - the latter acting as an unfamiliar, answerless maze through which the family has to pass in order to find the truth.

Greg Mottola makes a very auspicious debut with "The Daytrippers". He directs a terrific cast in what is something of a rarity; a true ensemble piece. Rather than a road movie, this is a street movie with various stations in lower Manhattan. As the journey progresses so too does the family begin to unravel in a manner which is both funny as well as genuinely moving.

All give dead on target performances, with highlights from Ann Meara and Lieve Shrieber (whose unravelling is particularly poignant). Hope Davis is as wistfully wonderful as always with Parker Posey, Stanley Tucci, Pat McNaramra and Campbell Scott rounding out the ensemble.

A trip you may want to make.

Wonderful film about love and betrayal. Amazing cast that provides laughs in all of the right places. Anne Meara was incredible as the mother and Parker Posey was hilarious as usual. I was intrigued from the beginning to the end and highly recommend The Daytrippers.

Before the shockingly good teen comedy "Superbad" and the wistful, sentimental post-collegiate angst of "Adventureland", even before his now famous TV work, director Greg Mottola made this 1996 gem "The Daytrippers". The film, like Mottola's other films, works a familiar and unpromising premise into a genuine, heartfelt, wonderful observation on human behavior. The film, while rougher around the edges technically and as a script than either "Superbad" (written by Seth Rogen and Evan Goldberg) and "Adventureland" (written by Mottola himself, as "The Daytrippers" is), is yet another distinctive and memorable Mottola film. The plot is pretty much covered by the film's tagline: "One station wagon. Two generations. Three couples. Four relationships", but much like Mottola's other films ("Superbad": Two best friends and a nerdy semi-friend attempt to get laid before graduation. "Adventureland": college grad works at amusement park and falls in love) the plot doesn't really give any indication of how good the film is. Great script overall by Mottola with terrific characterization and dialogue which rings true, not to mention mature handling of the relationships as well as a good dose of humor. An excellent cast (at their best too, Mottola's great work with actors on display yet again) including Stanley Tucci, Hope Davis, Liev Schrieber, and Parker Posey bring the script to life well, and Mottola's storytelling skills and comic timing as director are, even this early in his career, excellent. Not as good as his later work, but Mottola shows great promise with this early film. Cannot wait for "Paul", which promises to be absolutely brilliant if his career follows the path it's on (getting better with every film).

While I've been meaning to see this film for years, (I think the trailer was on the Reservoir Dogs VHS that I wore out before I bought it on DVD) it was one of probably hundreds of films that I put on my back burner. So when I recently saw it was on a pay channel I jumped on it, and am very glad that I did finally see this gem.

The Daytrippers involves a woman (Davis) whose resolve that she is happily married is tested when she finds an excerpt from a love poem that fell from her husband's (Tucci) clothes. She elects to go to her mother (Meara) for advice and ends up going on a day trip to NYC to ask her husband about it. Along for the ride is her father, (McNamara) her sister, (Posey) and her sister's boyfriend (Schrieber). Of course, if they were able to simply confront her husband it would be easy; unfortunately he is no where to be found, so they willingly engage in amateur sleuthing to put together the story while they drive around the city looking for him.

The plot is a fairly simple one, but the character development is the true star of the film. While Parker Posey is known best for playing `quirky yet intelligent' characters, her role seems more of a natural addition in this film rather than a run-of-the-mill portrayal for her. Meara is nearly maddening as a meddling mother, and McNamara, a well established character actor is heartbreakingly sweet as the weary father. Davis and Tucci are both fantastic as usual, and while Tucci's role is a small one, he exhibits his usual passion that makes him an exciting actor. Davis gives her character a palpable fragility that just barely makes room for the modicum of strength that is holding her together. In my opinion, the true breakout star of the film is Schrieber as Carl Petrovic, `the boyfriend'. His character has so many facets to his personality and becomes such a complex study that is so rare in a supporting character. And Schrieber's portrayal is brilliant and both comedic and heart-breaking in it's subtle profundity. Schreiber has been on my radar since I saw him in RKO 281 brilliantly portraying one of my personal heroes, Orson Welles, and after viewing this performance I plan to seek out more of his work.

The Daytrippers has been an independent film darling for years now and I can see why. It is an intelligent, emotional and well-written and acted film that will hold an appeal for most who take the time to view it.

--Shelly