À l'épreuve du feu

Lt Col Serling (Denzel Washington) leads a squad of tanks in the first Gulf War. He accidentally destroys one of his own tanks in a friendly fire incident. Washington Post reporter Tony Gartner (Scott Glenn) is after the story. Serling is relegated to a desk job. He's assigned to determine if medical helicopter pilot Cpt Karen Emma Walden (Meg Ryan) should be the first woman to receive a Medal of Honor for combat. The White House is very eager. However, there is more than one version of the incident which resulted in her death.

I love several things about this movie. Denzel is perfect as always. He needs to hold the center while having a compelling emotional story. Meg Ryan does the hardest acting of her career by bringing different versions of her character to life. Lou Diamond Phillips is great. Matt Damon is unrecognizable. It also has the Rashômon style of storytelling. I love that method. It feels more compelling than the straight forward way. It also feels more real with differing point of views.

I don't care about the petty "goofs" or parts of the story that other people point out- this movie means a lot to me as a disabled veteran with PTSD. This movie is about many things, but to me, the story is about how Col Sterling is trying to manage his survivor guilt and PTSD from his incident on one hand, and deal with his task to validate the medal for his General, his wife, his kids, etc. on the other. He resorts to booze (like we all do) to try to cope. That's what this movie is really about: how one guy is trying to come to grips with PTSD, which I can tell you first-hand is a challenge that I face every minute of everyday. And seeing this movie helps heal me. It reminds me that I too lost a promising career in the Navy, lost my marriage, lost my kids, and lost myself in the abyss of PTSD and alcoholism before I got help. That's the only negative I have on this movie- we don't see if Col Sterling got help. Otherwise, this movie has helped heal me in ways that no other movie I've ever seen has.

This movie has 2 stories that that run side by side, depicting the same image of war from different perspectives.

Denzel's story is one of sadness and guilt over the death of a friend during the Gulf war, a friend that he himself killed in a 'Friendly Fire' incident, during the confusion of battle. His country won't let him speak, and they shower him with medals; this only adds to the pain that begins to tear him apart.

Denzel's Character is given an assignment to determine whether a female helicopter pilot (Meg Ryan) deserves the medal of honour.

Meg's story, played out in flashbacks, is about a helicopter pilot and her crew saving a handful of soldiers, from the Iraqi onslaught. She is the first female to be considered for the medal of honour, and the question is, does she deserve what the American people would so love too see her receive.

Denzel, determined to get this one right, collects evidence and testimony from Ryans crew and the men that were saved. The problem is, Denzel's superiors want this medal awarded, but the simple truth is difficult to unveil. Every shred of evidence leads to more and more uncertainty as to whether this medal should be awarded.

Truly compelling direction and very special character portrayal make this an extremely enjoyable, very dramatic movie.

If you've over looked it, then give it a try. I think you'll be glad you did.

8/10

America's sweetheart as a helicopter pilot? Most critics say she does an excellent job, but that's not what makes this movie so momentous. Neither is it the excellent performance by Denzel Washington, who had been expected by many to win an Oscar nomination for it. Nor is it the over the top performance of Matt Damon, nor is it the excellent contributions by any of the others in the cast. It's the way the story is told: throughout the movie you see the same sequence, over and over again, and each time you understand what is happening just a little bit more, until at the very end the import of it all hits you like a locomotive. It's a unique brand of story telling, and eminently successful.

The story is a simple one. Washington is a Lt. Colonel responsible for some accidental deaths during a tank battle in the Gulf War. The experience leaves him feeling pretty lousy. He neglects his family and begins drinking. He's assigned to investigate the suitability of Meg Ryan as a posthumous recipient of the Medal of Honor. She was flying a medevac helicopter to a crash site when her aircraft was shot down by small arms fire and, apparently, she stayed behind voluntarily and ordered her crew to save themselves while she covered them. Washington interviews the crew members and gets different stories. In one story Ryan behaves heroically as described. In a second, she is a coward and collapses under fire. In yet a third, the truth emerges. Yeah, it's Rashomon, but not as original or subtle.

Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.

The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.

There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.

The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.

It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.