À l'épreuve du feu

A DESERT STORM veteran, Lt Col Nat Serling (played by Denzel Washington), is assigned the task of recommending whether or not to award the first (posthumous) combat Medal of Honor to a woman, Capt Karen Walden (played by Meg Ryan). In investigating the inconsistent mission accounts of Walden's surviving crew, Serling constantly flashes back to his own searing DESERT STORM experience and the Army's subsequent attempts to whitewash the incident, resolving that his investigation will not suffer the same fate. As Serling tries to rectify the competing competing accounts it becomes clear that director Edward Zwick has crafted a contemporary "Rashomon," complete with reminders that the truth is always subjective and our accounts of it typically affected by self-interest.

Edward Zwick's second war-based movie (following the successful GLORY) is almost as good as his first, and every bit as watchable. I have particularly liked stories that use different viewpoints to tell the same story (hence creating different versions of the same story). These types of movies stemmed no doubt from Akira Kurosawa's epic RASHOMON, and while films that use this strategy rarely live up to Kurosawa's original in terms of intelligence and portrayal (the most recent being the slightly-better-than-mediocre VANTAGE POINT), COURAGE UNDER FIRE is still a rewarding Motion Picture.

Denzel Washington is near his brilliant best as the troubled Lieutenant Colonel on the verge of alcoholism due in part to his overwhelming feelings of guilt following a military procedure gone wrong. His depression and curiosity fuel his determination to get to the bottom of the 'mystery' even if it puts him out of favour with his Commanding Officers. Meg Ryan is equally superb, and as each re-telling of the story demands her to take on a different personality (similar to the female lead in RASHOMON), she manages to pull each one off effectively. Matt Damon puts in a reliable shift, even losing upward of 20 pounds to take on the role. For me, the biggest surprise is Lou Diamond Phillips who is actually quite watchable, and does not overact, as is his tendency.

Zwick's COURAGE UNDER FIRE is an examination of war from a less visceral point of view, and will stay with the viewer long after watching the movie. It deeply delves into themes of responsibility, guilt, and truth in an overall compelling Motion Picture. The script is effective and the buildup to the somewhat sentimental ending is quite commendable.

8/10. 3.5 stars (out of 4). Highly recommended. Should enter my Top 200 at around #183.

Courage Under Fire is a movie that will stay with me for a while. Denzel Washington continues to be one of the finest actors today and proves it in this movie. The premise was interesting and was entertaining. I was disappointed with Meg Ryan's performance. I usually like her but she got annoying with her constant shouting. Yet that didn't keep the movie down. It was extremely dramatic and my two favorite scenes are the scene with Lou Diamond Phillips in the car and when it shows what really happened. A great film and terrific acting by Denzel Washington.

America's sweetheart as a helicopter pilot? Most critics say she does an excellent job, but that's not what makes this movie so momentous. Neither is it the excellent performance by Denzel Washington, who had been expected by many to win an Oscar nomination for it. Nor is it the over the top performance of Matt Damon, nor is it the excellent contributions by any of the others in the cast. It's the way the story is told: throughout the movie you see the same sequence, over and over again, and each time you understand what is happening just a little bit more, until at the very end the import of it all hits you like a locomotive. It's a unique brand of story telling, and eminently successful.

The story is a simple one. Washington is a Lt. Colonel responsible for some accidental deaths during a tank battle in the Gulf War. The experience leaves him feeling pretty lousy. He neglects his family and begins drinking. He's assigned to investigate the suitability of Meg Ryan as a posthumous recipient of the Medal of Honor. She was flying a medevac helicopter to a crash site when her aircraft was shot down by small arms fire and, apparently, she stayed behind voluntarily and ordered her crew to save themselves while she covered them. Washington interviews the crew members and gets different stories. In one story Ryan behaves heroically as described. In a second, she is a coward and collapses under fire. In yet a third, the truth emerges. Yeah, it's Rashomon, but not as original or subtle.

Still it's pretty good. And, Gott sei dank, it is not a story in which a woman proves herself as a good as a man, despite the fact that she is a member of the weaker sex. (What condescension.) Meg Ryan is a capable and courageous officer who happens to be a woman. Her sex is important to the politicians who are positively drooling over the prospect of awarding her the decoration, but isn't really important to the narrative.

The performances are better than I'd expected. Everyone, in fact, is quite good in their different ways. Matt Damon, in particular, gives a sensitive performance as a guilt-ridden medic, and looks the part, somewhat ascetic, his facial features askew with uncertainty. Meg Ryan doesn't have a chance to do more than shout orders with a Texas accent but she registers pain and determination well. Lou Diamond Phillips is perhaps the least articulated character, but that may be the fault of the role as written, which is fairly complex but a little obvious. Denzel Washington is the central figure. He's good as carrying that burden of guilt left over from his battlefield mistake but isn't too convincing as a drunk. In the end, he relieves himself of some of that torture by visiting the parents of one of the men he had killed and confessing his part in the incident. The first few times I saw this I kept thinking what some other actors would have done with this scene, but the last time I found his incarnate remorse rather moving.

There is one scene delicately shot, an uneasy exchange between the lying Damon and the perceptive Washington that's beautifully staged and acted, and another memorable first encounter between Washington and Phillips, in which both actors probe the edges of insubordination. Michael Dolan stands out in a featured bit part as a hospital orderly.

The battle scenes are well done, although a little confusing, as I'm sure they would have been at the time. Some generic conventions are adhered to. Four of our guys can slaughter dozens of them. The enemy runs headlong into a hail of bullets. But there are some interesting twists given to the situation. The Iraqis on the other side of the hill can be heard laughing at our boys (and our woman). And the ending is revisionist, but I won't go into it. Justice outs, let's say that.

It's a worthwhile watch for any number of reasons. Craftsmanlike if not poetic.