City Hall
- 1996
- Tous publics
- 1h 51m
The accidental shooting of a boy in New York leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences.The accidental shooting of a boy in New York leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences.The accidental shooting of a boy in New York leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences.
- Awards
- 1 nomination total
- Paul Zapatti
- (as Tony Franciosa)
- Elaine Santos
- (as Lauren Vélez)
Featured reviews
I don't really know if the problem was with the script or its direction. I know I'm not the greatest John Cusack fan in the world (I find he's much better in comedy, like his sister Joan), but he had pretty good co-stars, whose talents were basically wasted, in Martin Landau, Anthony Franciosa and Danny Aiello (these guys were BORN for these roles and films, so on paper, this should have really worked out well). I had always wondered why this film had bombed so miserably, and now I know why. In cases like this, more should have been done to alter the story arc, just some basic tweaks, to make it more suspenseful and/or (though I usually balk at such 'Hollywood' tendencies) some romantic tension (a beauty such as Fonda's was misused--they may as well have hired someone else). All in all, a wasted opportunity that's worth a look if you like dramas about corruption--just don't go in with big expectations, and don't bother with a re-watch.
The characters. I found them believable, real, with some depth, in conflict. Not cardboard, cartoon-like. I found that I could really identify with and care about them.
The story. I thought it was really interesting and realistic. The behind-the-scenes look at political machinations was exciting. I tend to like movies without special effects, that are not unrealistic fantasies. ("Ordinary People" generally comes to my mind.) I thought that this movie simply took real-life type people, put them in interesting situations, filled with conflict, and had us watch them deal with the problems they were in.
I also think the movie had a message for us, in terms of right and wrong. In fact, it's downright Shakespearian. (Contrast this with another Al Pacino movie, "Heat", where the criminals are portrayed just as sympathetically as the law enforcement officers, and there is no inkling at all that there is anything morally wrong with armed robbery. I'm uncomfortable with that.)
It's refreshing to see a movie in this day and age without gratuitous sex, violence, bombs and bullets, profanity.
On a cinematic level, I found the directing, acting (the entire cast) and production to be first rate.
I realize that many, many people (possibly the large majority) don't see things as I've described here. But if what I've written resonates, then you'll probably like this movie a lot.
Which is too bad, because I really wanted to like this movie. There was great potential here to be a film about how government can still be worthwhile despite all the corruption, and to make a complex statement about that corruption, not the usual good guys vs. bad guys. And there is good acting here. Pacino and Cusack are both very good, and Danny Aiello gives one of the best performances of his career. But Fonda is wasted in her role, having nothing to do, and while there is merit in the central storyline, when it turns to a thriller, the movie loses its way, briefly recovers in the final scene between Cusack and Pacino, and then falls down completely in the end. I wish I could like this more, but no.
This film is chock full of character development and plot line; the kind that we used to analyze when I was in high school. It requires actual mental participation on the part of the viewer. What a nice change. I would compare it to 'All The President's Men' in terms of generic subject matter. That is, it is a mystery about intense misconduct on the part of elected officials and those with enough influence upon officials to essentially 'own' them.
Unlike 'All The President's Men', this film makes an effort to give a couple of the characters actual personality. In this sense the movie is a character study like 'The Negotiatior' with Samuel Jackson and Kevin Spacey. In that movie, their characters are both city employees and the plot is extremely intense. Yet, the plot is dependent on the ability of their characters to cooperate with each other, trust each, and ultimately unite together against the corrupt Police Department. There is more gun fire in this film and the specific plot is different but generically, there are many similarities.
I WILL say that City Hall requires a whole lot more concentration. In fact, I was struck how parallel it was to past and present political scandals I've seen in my life going back to Watergate. The thing is, the public knows that something is wrong, for sure! but following the details is hard to do. This movie is not even close to being as complex as real life but it actually is realistic to life in its complexity. I think that is one of the reasons that previous posters have criticized the film: unrealistic expectations.
If one watches this knowing what they are about to see and are up to the experience, it really is excellent! I watched it 3 times in a row! The acting is superb and the directing is flawless. The weakest link is John Cusak's accent.
Did you know
- TriviaTo help prepare for his role, Al Pacino spent time with then-New York City Mayor Rudy Giuliani and former Mayors Ed Koch and David Dinkins.
- GoofsAlthough the action of the film covers only a few days, Kevin Calhoun's (John Cusack) weight appears to fluctuate considerably from scene to scene.
- Quotes
Mayor John Pappas: I was warned not to come here. I was warned. They warned me, "Don't stand behind that coffin." But why should I heed such a warning, when a heartbeat is silent and a child lies dead? "Don't stand behind" this coffin. That boy was as pure and as innocent as the driven snow. But I must stand here, because I have not given you what you should have. Until we can walk abroad and recreate ourselves; until we can stroll along the streets like boulevards; congregate in parks free from fear, our families mingling, our children laughing, our hearts joined - until that day we have no city. You can label me a failure until that day. The first and perhaps only great mayor was Greek. He was Pericles of Athens, and he lived some 2500 years ago, and he said, "All things good on this Earth flow into the City, because of the City's greatness." Well, we were great once. Can we not be great again? Now, I put that question to James Bone, and there's only silence. Yet could not something pass from this sweet youth to me? Could he not empower me to find in myself the strength to have the knowledge to summon up the courage to accomplish this seemingly insurmountable task of making a city livable? Just livable. There was a palace that was a city. It was a PALACE! It was a PALACE and it CAN BE A PALACE AGAIN! A PALACE, in which there is no king or queen, or dukes or earls or princes, but subjects all: subjects beholden to each other, to make a better place to live. Is that too much to ask?
Audience: No!
Mayor John Pappas: Are we asking too much for this?
Audience: No!
Mayor John Pappas: Is it beyond our reach?
Some Audience Members: No!
Mayor John Pappas: Because if it is, then we are nothing but sheep being herded to the final SLAUGHTERHOUSE! I will not go down, THAT WAY!
[the audience begins shouting approval]
Mayor John Pappas: I choose to FIGHT BACK! I choose to RISE, not fall! I choose to LIVE, not die! And I know, I know that what's within me is also WITHIN YOU.
Audience Member: Amen!
Mayor John Pappas: That's why I ask you now to join me. Join me, RISE UP with me, RISE UP on the wings of this slain angel.
[Audience members begin shouting "Yes" at every pause]
Mayor John Pappas: We'll rebuild on the soul of this little warrior. We will pick up his standard and RAISE it high! Carry it forward until THIS CITY - YOUR CITY - OUR CITY - HIS CITY - IS A PALACE OF GOD! IS A PALACE OF GOD! I am with you, little James. I am you.
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Details
- Release date
- Country of origin
- Language
- Also known as
- City Hall: La sombra de la corrupción
- Filming locations
- Teaneck, New Jersey, USA(city hall interiors)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $20,340,204
- Opening weekend US & Canada
- $6,950,794
- Feb 18, 1996
- Gross worldwide
- $20,340,204
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1