Les enfants de la révolution

As many of the other reviews suggest, if you have ever been a lefty or if your parents were lefties you will enjoy this film. You really do need to have some familiarity with the vocabulary of socialism in the 1930s and 40s to fully appreciate how good this film is. The German film "Goodbye Lenin!" (2003) touches the same sort of themes.

So, anyway, the script well written, literate and just a bit edgy, the way Australian films often are. The back story is wonderful and is ably developed by Sam Neil, Judy Davis and F. Murray Abraham. To my eye the cast has given a back story a wonderful 1940s or 50s feel. Sam Neil is good, as always, and remind me of James Mason. Judy Davis is good the way she is always good and reminded me of Betty Davis. F. Murray Abraham's performance actually reminded me of Claude Raines.

This film works on many levels and Richard Roxborough and Rachel Griffiths are very good but I as am more familiar with Russian communist dogma and American films from the 40s and 50s, I am sure I missed a lot when the film turned its attention to contemporary Australian politics and the civil service.

I loved the way the "International" was used in the sound tack. Of course it had to be there but I really liked the way it was used here.

This film is about a woman obsessed with Communism, and her life after bearing Stalin's child.

The film is meant to be a comedy, and it should be viewed as so. Forget the political backdrop of it, and you will find it quite amusing. I find Judy Davis' performance as the obsessed woman very magnetic. She has this dedicated enthusiasm towards Communism, and she portrays it so well. Her despair towards the end of the film, when Communism experiences downfall, is also depicted well. Though it is a comedy, I find the pace rather slow, which is more like a drama. Overall, I think it is an intelligent comedy, much better than the average toilet joke films.

One unsettling attribute of this movie is that it presents itself as if it were based on a true story. Judy Davis plays a Socialist who allegedly had an affair with Josef Stalin (F. Murray Abraham), and when she gives birth to a son with all the revolutionary's traits, there is some dispute about whether he is who everyone thinks he is. During the film he gets into all sorts of trouble with the law and eventually falls in love with a cop that frequently arrests him (Rachel Griffiths). Only at the end does the whim tone down to a serious drama. Whatever this movie has to say, it kept my attention all the way through.

When I saw this film in the TV listings, I thought "could be some good tack." It's much better than that. It starts off almost comedic like, culminating in Stalin singing. Then it enters into the emotional problems Anna has over killing Stalin. The film then focuses on her son Joe, and his problems in finding out he is the son of Stalin, and his gradual descent into Stalinism. The film serves as a warning against Stalinism, about how any abuse of power, no matter the end, is wrong. The interest is held with some superb acting by the cast and the idea of Stalin producing a child and "heir." The movie could use more of an ending, and it does treat itself as being "true" particularly at the end. Having said that this is well worth watching and I recommend it to anyone intrigued by Communism and Stalin.

...this is an extremely well-conceived, well-written, well-acted, and well-made film. The dialogue, in both its everyday scenarios and heated exchanges, is excellent; and the mockumentary style meshes perfectly with the nicely segmented, ever-twisting plot. Then, after making light of some serious history, the ending takes a dark, ironic turn to drive home its message that whatever political system you choose, the worst elements in human nature are here to stay...