L'héritage de la haine

Sam Cayhall (Gene Hackman) is set to be executed for a bombing thirty years ago in Mississippi that killed two Jewish boys. His grandson Adam (Chris O'Donnell) has been avoiding the hateful legacy of his Klan grandfather. The young lawyer takes on the case. His investigation reveals that others were involved and he struggles to stop the execution.

Gene Hackman is a great racist but his character is irredeemable. Chris O'Donnell has his boyish looks but I don't sense the substance. Faye Dunaway is simply horrible in this one. The story is flat. The legal thriller is ultimately meaningless. Other than Hackman, this movie doesn't have much.

"The Chamber" tanked at the Box Office when it was released back in '96 due to critics' negative reaction and it was even bashed by the author of the novel himself, John Grisham, who called it a "disaster". Well, i don't know if it was Grisham's genuine feelings about the film or he was just jumping in the bandwagon of badmouthing this, for saving himself to earn more millions from Hollywood for the next screen adaptation of one of his works.

"The Chamber" isn't by all means a great movie or even one of the best Grisham's adaptations, but it's much better than the bad reputation it got then and still have over the years.

Some reviewers here wrote about "major" differences from the book to the screen, but as far as i read the majority of it, they're just picking on the movie, because nothing of them are noteworthy, and about EVERY movie adaptation from the literary world, it change certain aspects from the plot and / or the characters for the storytelling suit the big screen better.

James Foley (who helm'd the vastly underrated dark teen drama, "Reckless"; the splendid crime / thriller, "At Close Range" or the superb drama film adapted from Pulitzer Prize- and Tony-winning play, "Glengarry Glen Ross") knows how to handle social dramas of this kind, approaching dark subjects on the human condition, awareness and behavior and "The Chamber" is a competent exercise on that.

Gene Hackman delivers here one of his best performances from the 90's as the hateful bigot, Sam Cayhall, which deserved more recognition and Chris O'Donnel, playing his rookie lawyer and grandson who's advocating him, isn't bland here, in fact, he's solid, looking more mature in his acting and showing how he learned since working with Pacino in "Scent of a Woman".

Faye Dunaway is a bit 'out' in her acting, going over-the-top in every scene and being just 11 years younger than Hackman and looking every year of it, it looks implausible the father / daughter kinship.

The rest of the cast was given almost nothing to do (some appears in tiny roles such as Robert Prosky), but perform the best they could out of it, especially Raymond J. Barry in a memorable turn as the vicious Klansman.

In short, "The Chamber" is worth a watch for fans of Grisham's big screen adaptations and 'death row" flicks such as "Dead Man Walking" ('95) or "Stephen King's The Green Mile" ('99).

I give it a solid 7.5 !!

This is not one of the more famous (author) John Grisham based-movies and it's a bit talky for my normal tastes, but it was interesting. You can thank Chris O'Donnell and Gene Hackman for two excellent acting performances which helped make this so entertaining in spots.

O'Donnell plays young attorney "Adam Hall" (shades of Matt Damon's character in another Grisham movie, "The Rainmaker"). Meanwhile, it's no surprise that Hackman gives us another fascinating performance, this time as the attorney's brutally racist grandfather, "Sam Cayhall." He's been imprisoned for a murder and O'Donnell is trying to release him from a death sentence. Hackman's performance elevates from a "fair" to a "good" movie. While O'Donnell is trying to do his job, a few revelations occur considering his Klansman grandpa. Faye Dunaway also is in here and has a memorable scene with "Sam."

Yes, the critics were right in that this could have been better but they were off base blasting this film. It's still an entertaining film, and they forget the value of that.

First, I should admit that I've never read any of John Grisham's novels. I've seen many of the film adaptations (which usually seem to be worthy, if absolutely nothing else). It seems like most critics - and much of the public - considered "The Chamber" the worst adaptation of a Grisham novel ever. When I saw the movie, I didn't find it terrible, though not a great movie either. Maybe it was just that many people - myself not included - counted "A Time to Kill" as one of the best adaptations, and dismissed this one.

Anyway, Gene Hackman makes a pretty ugly Klansman (well duh, he gets into any character), and I'd say that he overshadows Chris O'Donnell (who just looks a little out of place in this sort of movie). I can't tell whether or not Faye Dunaway is just there for show. But overall, what I like about this movie is that it doesn't lionize Hackman's character, but it shows why he became a Klansman - sort of like what "Dead Man Walking" does with Sean Penn's character. Obviously, "The Chamber" isn't in the same league as that one. But still, I think that most people need to reassess this movie. Also starring Robert Prosky, Raymond J. Barry, Bo Jackson and Lela Rochon.

Idealistic attorney Chris O'Donnell (as Adam Hall) goes down to Mississippi, to take on the "death row clemency case of his onetime Klansman grandfather" Gene Hackman (as Sam Cayhall). "With just 28 days before the execution, Adam sets out to retrace the events leading to the crime for which Sam was convicted. As the impending death sentence looms closer, Adam works quickly to uncover the family's history for any hidden clues. In a white-knuckle series of twists and turns, Adam discovers deceptions and dark secrets that ultimately lead him to the startling truth," according to the DVD sleeve's synopsis.

"White-knuckled"? Indeed not. "The Chamber" (as in gas chamber) starts off very well; and, Mr. Hackman's portrayal of the yellow-teethed racist is worth a look. Faye Dunaway (as Lee Cayhall Bowman) has a showy supporting role. All in all, the film's personnel portends a much better story than the one which appears on screen. Building up a romance between blue-eyed Mr. O'Donnell and brown-skinned Lela Rochon (as Nora Stark) seems like such an obvious way to improve the story (whether or not it was done in the John Grisham novel), you've got to wonder how on Earth they missed the obvious.

***** The Chamber (10/11/96) James Foley ~ Chris O'Donnell, Gene Hackman, Faye Dunaway