Bubbles Galore

This is a film that has to be seen to be believed. Not only is it rather explicit at times, but the acting is poor, the story is practically incoherent, and the film is pretty much a mess. But even with all of these huge flaws, I almost liked this film. I mean, it is SO bad, that it is somewhat enjoyable, in a bizarre sort of way. If not for the thoroughly unappealing scenes with Annie Sprinkle, I might have even given this bomb a passing grade, as weird as it may sound. This is definitely not a film for most people, and it will probably offend almost everyone, but if you like seeing BAD movies, or if you like lots of female flesh, then perhaps this could be worth your time.

I consider myself to be a liberal person. I consider myself to be a feminist. I also consider myself to be a great fan of Canadian film. But after watching this movie, for a *split second* it made me reconsider all my previous sentiments.

For once, I agree with the Reform party for their stance against this film. But I agree for entirely different reasons. The furor that was raised shouldn't have revolved around the "pornographic" content of the film; the furor should've been over the fact that this film was simply AWFUL. I'd rather sit through repeated viewings of "Hot Dog... The Movie" than ever subject myself to Bubbles Galore again.

Where exactly were the feminist ideals? The empowering message supposedly directed to women? The fact that Bubbles ran her own company? The fact that "God" was played by a woman? Was that it? Gee, I must've been distracted by the violent assault scenes, and Daniel MacIvor's grotesque prosthetic at the time...

And where exactly was the $320,000 (Cdn) spent on, in the film? It certainly wasn't on the production values. And it certainly wasn't on the badly-needed acting lessons needed for Ms. Hartley, et al. (Your lack of dramatic adeptness may well be forgiven in your usual skin flicks ladies, but it certainly didn't get you anywhere in this film...) For less than half the money, Canadian skin-auteur Bruce La Bruce would've been able to pull a film out of his hat which would've been ten times more clever and engaging. If the film makers were trying to re-capture the ambiance and depth of an old John C. Holmes flick, they certainly did a good job of it.

One of the more baffling things I found was the appearance of Canadian mainstays Tracy Wright, Daniel MacIvor, and film maker Peter Lynch in this film. They made the best of their roles, but the horrible script and dialogue was just too overwhelming. I was embarrassed to watch them, and I was embarrassed *for* them.

If you want to watch a really great little (Canadian) film about the porn scene, try to get your hands on a copy of Don McKellar's 1992 short film "Blue". The film takes a glimpse into the life of a porn addict (played wonderfully by famed director David Cronenberg). It's clever, engaging, funny, and totally worth your viewing time.

If you're the type who hasn't been desensitized to the representation and language of porn flicks, I strongly urge you not to waste your time watching Bubble Galore. It's not for everyone (say, 99% of the viewing public). As my friend had put it, she was left "traumatized" by the whole spectacle, and I really don't blame her. If you're the type who considers themselves to be a serious film fan, I also strongly urge you not to bother watching either. You'll be left infuriated, and feel a strong inclination to submit scathing critiques of the film to internet movie databases.

I wonder why the Showcase Channel continues to air this "movie" occasionally. I guess they want to show what a XX movie is like as opposed to a X or XXX film. Personally, I consider it the first XX film ever made, and boy is it awful. It wouldn't even qualify as a cult film.

If it's a feminist film, it portrays women in a horrible manner (as well as men). If it portrays God as both man and woman (check what's under the arms...ewww), it fails miserably. If it's supposed to be porn, again it fails.

The plot, about a porno being filmed, and the ridiculous subplots involving the "stars" of the film, is just plain silly. Shot like a Russ Meyer film with quick edits, and given a "Natural Born Killers" style verite look; it fails to even amaze or anger. All we get to see are fake penises, sex toys, horrible choreographed fight scenes, lame sex scenes, awful dialogue and acting, and women who have the worst tanlines I've ever seen (tops and bottoms, or both). I wonder why these "exhibitionists" who make these kinds of films need to wear full bathing suits when getting a tan? Do we need to see these ladies in thongs when it clearly shows that they wear normal bathing suit bottoms at the tanning salon? Can't they at least be like France's women, who believe that a full tan is that more sexier? Oh, well...

The bottom line is that this movie is one of the worst ever made. Nina Hartley obviously spends every dime at the plastic surgeon and can't act to save her life, and the rest look like people just off the street. Fortunately, the government of Canada will make sure nothing like this hopefully gets produced again.

If you hear cheesy porn music and giggle, or crack a pizza boy joke every now and then, then this movie will probably make you laugh.

Don't look for plot, or acting ability, or anything that would generally make a movie good. Because this isn't a good movie. It's a stupidly funny semi-porn. If you can laugh at that, then it's worth watching. If you need it to be obviously funny, then you should watch Orgazmo and call it a night.

Consider that it's about a porn star's guardian angel. And that it's dedicated "To Working Girls Everywhere". And that it takes all of the stereotypes from porno and fills them full of fake body parts and even faker actors. Enjoying this movie requires an ability to laugh at absurdity, even if you think that maybe, just maybe, this was a serious attempt at some serious topic that you just can't grasp (there's no way it is, anyway).

I love this country! Where else would various government agencies fund a raincoater.

To be fair, this is Nina Hartley's best work to date(if one overlooks her perfomance in Boogie Nights).

Women are making strives in the Adult film industry and are beginning to stretch their wings in this genre.

This is a strange film, a little violent and hard to follow at times, but slightly better than a Three's Company rerun.

Interestingly enough, Nina Robert's hasn't seen the film yet, and this film will never be realeased in the U.S.

This movie does have a fair bit of Canadian Content, enough I suppose to justify the grants,

This time Canada plays Canada for a change.