Telo bez duse

As someone who is trying to help a 23 year old recover from that lifestyle, I can say the film is a very accurate representation of not just boy prostitution in Prague in the 1990s but of boy prostitution as such. I saw it, along with many other films on that subject, because I wanted to educate myself as much as possible and had exhausted all other sources of information I could think of. Of the docos I saw, "Body Without Soul" was the most in-depth. The 2 hours (maybe 2+, I'm not sure) went in the blink of an eye, the film draws you in. In that sense, it's easy to get through but otherwise it's beyond painful, it hits very close to home and it hits repeatedly. The fate of one of the boys being interviewed - the youngest, most articulate and most beautiful, of course - is particularly heart-breaking. I finished watching the movie a few hours ago and I'm hurting almost physically.

Contrary to what other reviewers have said, I would recommend this film to anyone and everyone because the truth of the matter is that however unsavory, the subject "Body Without Soul" deals with is one people should be a lot more familiar with than most currently are. I find myself wondering what those who voted 5 or worse are evaluating exactly, said subject matter or their own reaction to the film. If it's the former, I can only advise them to direct their negative energy elsewhere. The movie didn't invent prostitution, adult males did. If it's the latter - if Body without Soul made them feel bad enough to hate it - then they should have given it a 10.

First I watched "Mandragora" – an excellent, trough very depressing movie. Than being found of documentary movies I decided to watch "Body without Soul " – based on other user comments I expected this to be another dark and depressing masterpiece of Wiktor Grodecki. Instead it turned out to be very powerful documentary, with a lot of life lessons.

You might be surprised by my statement above and so was my grandmother when I discussed the film with her. She asked me – why was I watching such movies anyway – and my answer was – because I rather see it on the screen than get a real life experience like the boys shown in " Body Without Soul " . If some of them had seen similar movie before they decided to cell their bodies – may be they wouldn't have made the steps which brought them in the hands of the porno producers … That is why my opinion is that movies such as Body without Soul should be viewed by as many people as possible – as they are sure to make them think – about what they had just seen and if they could do something to prevent it happening to them or their friends or relatives.

Some of the boy prostitutes interviewed in this movie seemed to deal pretty well with their lifestyle and profession, other were making just the opposite impression. In the movie you can see an the interview with a pornographic film director – to my surprise he wasn't shown as the absolute evil – but rather as a person who makes his living from shooting porno( and working at the morgue ) – with his sins and mistakes , but still real and accurate character as all characters in this documentary are...

A useful and distinct film. It does a pretty good job of getting viewpoints from the workers and somebody they work with. The filmmaker chose to mix filming of an autopsy with filming of a sex video which I suppose was supposed to be meaningful. That's a form of art. Also required looking away from the screen a lot. I don't think the movie makes a point that all of the industry is this bad but definitely the people working for this person we're not having a good time and you can see why. A lot of what you hear is very offensive.

In «Body Without Soul», Wiktor Grodecki's second installment of his trilogy on male prostitution in the Czech Republic, the filmmaker tackled the industry of homosexual pornography in the country, and he was lucky to have the participation of Pavel Rousek, pornographer in his free time and medical examiner as his profession. Rousek is a character that alternates between the repulsive and the fascinating, but it is he who brings Grodecki out of porno-misery and his method of editing and using music.

Once again, Grodecki is talking about Death, about sex that neither procreates nor derives pleasure, but an activity done in front of a cheap camera, for little pay, with no protection and enduring physical abuse. In these times, in which life has depreciated to the point that anyone is killed for a peanut, in which people sell their bodies because they have reduced it to the category of mere shell, «Body Without Soul» is a timely product, even though 23 years have passed since its release.

Grodecki also had one more time a group of young prostitutes between 14 and 19 years old, who spoke with courage to the camera. Among them, there is a young man who, as the film progresses, reveals that he has acquired AIDS, while the others speak frankly of their lack of fear of Death. Then you have Rousek: the pornographer not only gave an interview, but also allowed himself to be filmed during the shooting of one of his movies and, even more impressive, at work in the morgue, in front of a corpse that he dismembered, while making parallels between both activities.

However, Grodecki could not lose the habit of mellowing, melodramatizing and manipulating the audience with fragments of the most tearful music ever composed by Albinoni, Mahler, Vivaldi, Allegri and Mozart. Not even the group Olympic contributed something cheerful, but the weeping ballad "Tears of Your Mother". Neither on this occasion, Grodecki tried to contextualize his documentary in time and place, on the economic, political or social situation of the Czech Republic. Where, how and why did these guys come up with the idea of practicing prostitution or appearing in gay porno? Out of the blue? Because of hunger, but why were they hungry? Simply because they are amoral, ignorant or cynical? There are no answers.

In spite of everything, there is a notable advance in «Body Without Soul» when compared to the first installment of the trilogy, «Not Angels But Angels». Despite the endless music and sound effects, both documentaries will serve as historical memory of the beautiful city of Prague, at a time when it was being eaten away by a contagious and lethal disease. Followed by «Mandragora», last part of the trilogy.

Aside from the jaw dropping sensationalism of this film making, which left me speechless at several points......Once i came back to earth i feel it has to be said that this is "auteur" film masquerading as documentary. As documentary film, it remains irresponsible. The film maker went on to make three films about this subject, and it's more about the film makers own obsessions than anything else. Was it a film about a period in a drug crazed pornographer's monstrous life and how he moved from beyond horror and into the absurdly grotesque.(dark, dark,black comedy) ?? As documentary, i thought this was it's most successful subject. To say it is a film about under age male prostitution in Praha is incorrect. Only part of that reality is ever revealed, so much of what ought to have been explored simply remains absent.To have done all these boys honour & justice, he would have had to expand the true context of their lives and humanised them as much as possible. In the very least abandon a sensationalist and mythologising approach in favour of level headed factual survey. He did not. To say it is a film about pornography in Praha is also incorrect. Again only a small part of that reality is seen, and most left out. No other geographical or social context was explored, no interviews with police or other pornographers. No context of what life is like now in the city of Praha, concerning these matters. To this extent you can charge the director with exploitation of these boys as much as anybody else. This film is a pornographic documentary about sex, drugs and death which happens to be set in Praha . The audience manipulation is phenomenal. I really had to re-check in myself a number of realities after it had finished. Be critical and don't just take this highly disturbing film at face value.