A mother and daughter find their lives adversely affected when a new man enters the picture. Will their family ever be what they expect?A mother and daughter find their lives adversely affected when a new man enters the picture. Will their family ever be what they expect?A mother and daughter find their lives adversely affected when a new man enters the picture. Will their family ever be what they expect?
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- Won 1 Primetime Emmy
- 6 wins & 17 nominations total
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*** (out of 4)
Graphic adaptation of the Dorothy Allison novel takes place in the South Carolina as a young girl (Jena Malone) begins to be physically and sexually abused by her stepfather (Ron Eldard) while her mother (Jennifer Jason Leigh) keeps overlooking what's going on. BASTARD OUT OF CAROLINA was the directorial debut from Anjelica Huston and while I'd question some of the flow in the story there's no question that she dives head first into the abuse and doesn't pull any punches. This here is a pretty hard film to watch because of how graphic it is towards the abuse in the film. I was really shocked at how much detail was shown when it came to the abuse because most of the time the camera pulls away with a child involved but that wasn't the case here. It's clear that Huston wanted to show how horrid the abuse of a child was and this here was shown and it certainly wasn't easy to watch. The film really benefits from some incredibly strong performances with Malone leading the way as the abused girl. She's completely believable in the part and it was certainly needed because the actress really makes you feel that she's this smart little girl being forced to grow up quickly because of her situation. Jennfier Jason Leigh also turns in a powerful performance as the mother who can't leave her husband even though he's hurting her daughter. Eldard is a complete slime here and perfectly captures the spirit of the character. We also get strong supporting performances by Michael Rooker, Lyle Lovett, Glenn Headly, Grace Zabriske, Diane Scarwid and Pat Hingle. Christina Ricci appears in one scene. I think there were times when the film didn't flow as good as it could have but there's no question that Huston gets her message across. The film is hard to recommend to most people due to how depressing and graphic it is but those who do sit through the film will be rewarded with a strong picture.
Let's start off by saying that the performances in this film are sincere and it pulls the viewer into the reality of this child. I found myself feeling for her and hating the mother and stepfather. It was almost a relief to see that extended family was so willing to be there for the child. So, the story here is difficult but touching. My only complaint was that I wanted to see more. I wanted to see this child excelle despite her circumstances.
I'm really glad I decided to finally sit down and watch this. It was so worth it.
Anjelica Huston is the director and this is her first attempt at directing a feature length movie. The results are stunning. It is altogether a flawless movie, with an excellent script based on the Dorothy Allison novel, and stars Jena Malone as the young protagonist. Jennifer Jason Leigh is in the tough role of the mother torn between the choices she faces in loving both her daughter and the abusive stepfather. Many times throughout the movie I sat on the edge of my seat stunned by the action happening onscreen. It is not a movie with pat answers and predictable solutions, but manages to show the complexities involved in each situation. There are no cardboard characters either, as in real life not everyone is totally good or evil, though their actions may dip into either category from time to time.
The most compelling performance, in a film loaded with excellent acting, comes from young Malone, who commands a role that many adult actresses would no doubt have trouble handling. Her face tells a thousand stories with each shot giving a multi-leveled meaning to the deeper motivations that lie within her character.
After the credits Glenne Headly provides further information about the subject and a child abuse hotline number, which is a great addition to a film of this sort. It is not "entertainment" per se, but more along the lines of an informational public service. The symptoms of child abuse are highlighted throughout the movie and the effect of everyone's participation documented as fair warning to the viewer.
I can't praise this movie enough. A film like this raises my awareness and compassion level and makes me want to reach out to help in any way I can. It exceeds expectations in just about every way imaginable.
Did you know
- TriviaRon Eldard spent a lot of time playing sports with Jena Malone so they would both feel comfortable performing the scenes in which he is physically abusing her. He claimed that in no scene did inappropriate contact with Malone take place, and that for scenes in which he appears to grab her by the throat, he is actually only holding her by his fingertips. Eldard was adamant that the graphic depiction of sexual abuse and rape was a necessity for the film.
- GoofsAt 12 minutes and 57 seconds into the film, Dermot Mulroney's character (Lyle Parsons) is driving along a road past a modern looking house with a very modern looking red truck parked in the driveway.
- Quotes
Doctor: How'd she break her coccyx?
Anney Boatwright: Her what?
Doctor: Her tailbone, lady! Her ass! What you been hitting' this child with, or maybe you just been throwin' her up against the damn wall!
Anney Boatwright: What are you sayin'? What are you sayin'?
Doctor: [to Bone] Do you wanna talk about it, honey? How 'bout we ask your mama to leave, and then, maybe you can tell me what happened, okay?
Anney Boatwright: Let me have my girl!
Doctor: This child's been beaten! This child's been beaten, and I'm gonna call the authorities!
- ConnectionsFeatured in The 49th Annual Primetime Emmy Awards (1997)
- SoundtracksMy Lord Keeps a Record
Performed by The Mountain Ramblers
Details
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1