The Arrival

At least "The Arrival" doesn't fall into the car chases and gratuitous explosions category of sci-fi. It has some semblance of scientific reason, and some pretty original ideas. The vortex balls were an intriguing touch, and the gigantic satellite dish scenes quite effective. It is necessary to suspend disbelief on several occasions, but overall the film succeeds as entertainment. Having the kid along seemed like kind of a stretch as well. If you can look past the faults in logic, "The Arrival" is totally acceptable. If you are going to tear it apart for every little thing, then I suggest you look elsewhere. - MERK

This is a cool film. Very solid story, good performances, catchy SFX. Better than most sci-fi out there.

*** 1/2 out of ****

Writer/director David Twohy accomplished the near-impossible in the summer of 1996; he delivered a fun, fast-paced AND intelligent sci-fi thriller with The Arrival, an intriguing, thought-provoking film that was unfairly ignored in theaters at the time of its release (most viewers chose to see Twister, M:I, Independence Day). The movie has a classic premise about a radio astronomer (Charlie Sheen) who receives a signal from outer space that may or may not have come from extraterrestrial life.

To say anymore would be unforgivable, as Twohy packs in believable twists and turns throughout the plot, which is fun without insulting the brain, and complex without ever bogging down in mind-numbing confusion. The script does have a few head-scratchers here and there (I was particularly miffed that Lindsay Crouse's character, an environmentalist, wasn't familiar with the concept of terraforming) and some contrivances, but they're hardly bothersome and aren't noticeable until a second viewing.

As good a screenwriter as Twohy is, he's even more adept as a director (further proven by Pitch Black, a superbly crafted deep-space thriller with a script not even half as smart as The Arrival's). With great pacing and precise editing, Twohy builds momentum with each discovery Sheen unfolds, until it culminates to an edge-of-the-seat climax that's quite satisfying (unlike...cough...cough..."V: the Final Battle", Independence Day).

The cast is all-around effective, with Sheen delivering a surprisingly terrific performance as the paranoid astronomer. It's great to see an intelligent protagonist who thinks his way out of tight jams, rather than shooting and blowing up everything in sight. No one else gets half of Sheen's screentime, but Ron Silver is nicely ambiguous as his boss, and Teri Polo, however underused, is fine as Sheen's girlfriend. Lindsay Crouse also makes a good impression as an environmentalist studying some strange activity.

On a technical level, some sci-fi fans might be a little disappointed. Those weaned on "V" and ID4 will notice the lack of large-scale special effects. Sorry, no disc-shaped motherships here. Still, the visuals present are mostly decent, certainly passable enough that they don't become a distraction to the plot. Despite the use of CGI in its more primitive stages (this was '96, after all) the effects are still occasionally excellent and imaginative, such as the spherical object those tight-lipped men wield. Composer Arthur Kempel's score adds a bit more tension to the already excruciating suspense, and evokes a creepy atmosphere during the film's quieter moments.

Remember, folks, The Arrival is a rarity, a once in a while example of how pure movie magic can be created when we've got dedicated filmmakers who want to intrigue the audience rather than catering to demographics just for the sake of box office returns. Forget Independence Day, The War of the Worlds, or V and its sequel, The Arrival is the most satisfying cinematic depiction of alien invasion to date.

After reading some of the negative reviews here I almost didn't watch it. Glad I watched. As one reviewer said, it's a bit like an extended X-files episode. That's not a bad thing, especially today when most of what passes for sci-fi is little more than cowboys in space with both sides shooting at each other with "advanced" weapons that cannot hit the side of a barn.

The Premise here is aliens are on earth and using Climate change as cover for their plot to warm up the earth quickly (they like it hot) so they can displace us.

No need to detail all that happens, suffice it to say there are a few minor twists but no real surprises. Yet it flows along well, characters get just the amount of development they need and no more. No huge plot holes once you accept the premises that underlay the aliens being here in the first place.

Thrilling film about mysterious events spread across the planet , being compellingly directed by nice filmmaker David Twohy . This is a mix of thrills , action , adventure , intrigue and extraterrestrial invasion of world doom and gloom ; add to that a really magnificent cast . The greatest danger facing our world has been the planet's best kept secret...until now . Zane (Charlie Sheen), an astronomer discovers intelligent alien life , as he picks up strange signals from outer space . Eerily soon after his discovery , Zane is fired by his boss (Ron Silver) . As strange sudden incidents altering life of an astronomer , leaving them stranded with no line of communication on a location in Mexico . But the aliens are keeping a deadly secret , and will do anything to stop Zane and his fiancée (Teri Polo) from learning it . Zane gathers evidence to support this theory but there are several enemies go after him .

This is a science fiction thriller that will keep you on the edge of your seat . Exciting film packs intrigue , intense scenes , noisy action and astonishing suspense . The picture follows the wake of the 8os and 90s in ¨X file¨ style and invasion mania . Passable acting by Charlie Sheen as a radio astronomer who receives signal from a far planet , and gorgeous Teri Polo as his girlfriend . Enjoyable support cast , such as Richard Schiff as his best friend and assistant , Ron Silver as a nasty chief , Lindsay Crouse as a curious scientific , Leon Rippy as a hoodlum , among others . Appropriate and suspenseful musical score by Arthur Kempel . Atmospheric and colorful cinematography by Hiro Narita .

The motion picture was well written and directed by David Twohy . David is an expert writer and director of splendid Sci-Fi movies . As his first picture was the acceptable ¨Timescape¨ . He also wrote ¨Warlock¨, ¨Waterworld ¨, a script for ¨Alien 3¨ in 1988, but it was rejected . Back in May of 2000, Fox Studios once inquired for his availability to write and direct "AVP: Alien vs. Predator" , but turned down the offer due to scheduling conflicts . David subsequently directed ¨Below¨, the successful ¨Pich Black¨ and its sequel ¨ The chronicles of Riddick¨ .