L'arcano incantatore

The only film I'd seen from Pupi Avati prior to seeing this one was his excellent Giallo 'The House With the Windows that Laugh' and naturally, I had hoped that The Arcane Enchanter may be similar in quality to the earlier Giallo masterpiece. While by no means a bad film, The Arcane Enchanter doesn't portray the mystery and imagination nearly as well as the earlier film did. However, based on the strength of the two films I've seen from him; it's clear that Pupi Avati is a more than capable director, and The Arcane Enchanter is another (in terms of production values) high quality Italian horror film. The plot focuses on religion and black magic and the central character is Giacomo Vigetti. Giacomo is convicted of apparently trying to rape a young girl by the Papal State and is forced to flee. He takes refuge at the home of Arcano Incantatore; an ex-communicated priest. During his stay with the former priest, Giacomo soon realises the reason why he as thrown out of the church; the priest was practicing black magic...

The film exudes a scintillatingly Gothic atmosphere that carries the film even when the plot takes a turn for the less interesting. The Arcane Enchanter is very much a slow burn film, and while sometimes there is enough mystery created to make the audience want to see what is going to happen next; sometimes there isn't, and the film unfortunately falls flat at those points. The themes of horror shown in the movie largely revolve around death and the mystery springs from the ambiguous way that the plot is presented to the viewer. There isn't much in the way of character building on show, and this can sometimes make it hard to really care about the mystery at hand, however. The way that Pupi Avati presents the scares without special effects is well done, although sometimes it feels like a little more was needed. The ending pretty much flows with the rest of the film in that it doesn't end with a bang, and neither does it really tie everything up. Overall, this is certainly a decent film; but unfortunately, unlike The House with the Windows that Laugh, it's not a great one.

This lesser-known Avati wade into the fantastical is nonetheless highly accomplished, even if you handle that the supernatural elements don't really kick in until halfway through, and then not in a terribly flamboyant way. A disgraced young seminary student is dispatched to the remote castle of an aristocratic hermit rumored to be dabbling in occult matters. (And some locals have disappeared, adding fuel to the rumors.) Needless to say, the new helpmate eventually discovers this is true.

It's a slow but genuinely sinister tale that is very well put across by the two lead actors and Avati's great care with the visual presentation--this is hardly an extravagant production, but the modestly scaled period production design, the compositions and camera movement convey much more atmosphere than many a more expensive, FX-laden enterprise. There's probably not enough "payoff" for those who want conventional horror content in terms of kills and gore, but this is an admirably restrained exercise in supernatural creepiness that never goes slack.

Beautifully filmed and well-acted. But it feels unfinished.

The highlights here are the wonderful cinematography and spooky atmosphere and the acting. Stefano Dionisi is really great as the young, likeable protagonist who tries to do right but is in over his head.

I was also impressed with the score. It was reminiscent of Richard Band's scores from the 1980s. Creepy stuff.

However, I was disappointed by the story. It had a good build and good tension, but it felt like it never really arrives anywhere. There are too many unresolved strands that end in darkness. I'm not someone that needs to be spoon-fed, but this felt unfinished to me.

Settled in Italy during the 16th century. This a very good movie. If it has one defect, it's the end, that left me unsatisfied, even if as we all know most of the mysteries unveiled lose their power.

But there is one thing that is worth: the atmosphere, that is really Gothic. The characters are isolated in a forgotten manor, they move slowly, talk slowly, and web you in an enticement of stillness. The only rumors are the constant blowing of the wind and the screech of dust under their feet. (Audio is of the essence for this movie.)

In conclusion, this is worth renting the tape, provided you see it in silent and darkness.

An excellent horror movie, in my opinion, thanks to a lesson that appears to have been forgotten by Hollywood. There's no blood, no gore, and preciously few special effects.

There's just a tight plot and three people in front of that deep mystery which is death. Obscure forces are at work around the main characters, but are they real or just in the characters' minds? Even in the final climax the viewer is left with this unanswered question for the viewer to ponder - as a good movie should do.