The film is three stories about one story, featuring an exciting and quirky cast of characters living on the edge.The film is three stories about one story, featuring an exciting and quirky cast of characters living on the edge.The film is three stories about one story, featuring an exciting and quirky cast of characters living on the edge.
Sam J. Jones
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Featured reviews
Totally original ideas abound in "American Strays". This stylish black comedy where nothing is explained, has converging story lines. Among the bizarre desert travelers are a dysfunctional family, bickering mob figures, a vacuum salesman serial killer, and other quirky characters. The liberal quantities of violence are tempered by a fresh and unpredictable script. Incredible cast, incredible dialog, with above average character development. The beautiful desert locale photography adds immensely, and the soundtrack is memorable. I recommend going into this movie without reading any plot summaries, and simply coming along for the ride with these unforgettable characters. - MERK
I think American Strays emerged when somebody got drunk in a film editing class and began splicing together outtakes. Bits and pieces from what could have been whole movies got thrown together to make one really disjointed piece of work.
That's all I can say about American Strays. In a sense it's a good title for the movie because it is about strays as the bits and pieces are put together like so much flotsam and jetsam salvaged from an ocean wreck.
A couple of the stories looked interesting like John Savage as the serial killer vacuum cleaner salesman, but in the end the whole thing is just a lot of mish-mash.
That's all I can say about American Strays. In a sense it's a good title for the movie because it is about strays as the bits and pieces are put together like so much flotsam and jetsam salvaged from an ocean wreck.
A couple of the stories looked interesting like John Savage as the serial killer vacuum cleaner salesman, but in the end the whole thing is just a lot of mish-mash.
Strayed persons in a strayed movie. Six or seven scripts, each ten minutes long, rolled into one pointless movie with no direction or redeeming value whatsoever.
Well, maybe a few laughs here and there. But this has been done better, American Perfekt for example. The title says enough, I guess...
Well, maybe a few laughs here and there. But this has been done better, American Perfekt for example. The title says enough, I guess...
I found a copy of this movie paired on the same DVD with the 1997 Gary Cole movie "Santa Fe". It was an apt pairing, because I found both movies to be extremely strange (though each was strange in its own original way.) Anyway, on to "American Strays"... As others here have pointed out, there is a strong Quentin Tarantino feeling to this movie, with its multiple stories and its quirky characters. Admittedly, with the movie jumping from one story to another every few minutes, the movie certainly never gets dull. But all the same, at the end the movie is somewhat unsatisfying. I think a big problem with the movie is that many of the characters are TOO quirky, coming across as live action cartoon characters instead of believable yet quirky people. Another problem is that while the movie tries to bring all the stories together at the end, there are two stories that don't really have a connection to the other stories that unfold during the movie. This movie really needed a few more rewrites before filming started. It's not an awful movie - as I said, it's not boring - but its unsatisfying edge will probably turn off a mass audience. In the end, the only people who will probably embrace the movie warts and all are those who are big fans of quirky low budget independent movies.
This movie is basically a satire of the American west and the crazy people who live there - here in my case.
Contrary to some other reviewers - the script of this movie is a work of art - the acting nothing short of total excellence.
It's the kind of movie that deserves an academy award - much like Mullholland Drive did - but the academy seldom gives awards too truly brilliant movies.
I'm not writing this review to explain the plot - but just too put some words down on paper stating how really good this movie is.
Perhaps if anything the movie - the script - the acting - is all too beautiful - too intelligent and too brilliant - because apparently some people - some reviewers - lack a soul or have an empty one and simply can not see outwardly what does not exist within.
The mesmerizing acting of Jennifer Tilly is worth the price of admission in itself - but all the acting in this movie goes beyond just good.
Contrary to some other reviewers - the script of this movie is a work of art - the acting nothing short of total excellence.
It's the kind of movie that deserves an academy award - much like Mullholland Drive did - but the academy seldom gives awards too truly brilliant movies.
I'm not writing this review to explain the plot - but just too put some words down on paper stating how really good this movie is.
Perhaps if anything the movie - the script - the acting - is all too beautiful - too intelligent and too brilliant - because apparently some people - some reviewers - lack a soul or have an empty one and simply can not see outwardly what does not exist within.
The mesmerizing acting of Jennifer Tilly is worth the price of admission in itself - but all the acting in this movie goes beyond just good.
Did you know
- ConnectionsReferenced in BlackMale (2000)
- SoundtracksStranglehold
Written & Performed by Ted Nugent
Courtesy of Epic Records
by arrangment with Sony Music Licensing
Details
Box office
- Gross US & Canada
- $1,910
- Opening weekend US & Canada
- $1,183
- Sep 15, 1996
- Gross worldwide
- $1,910
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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