IMDb RATING
5.8/10
4.2K
YOUR RATING
Long-repressed feelings of bitterness and betrayal explode when three inner-city losers plot the robbery of a valuable coin in a seedy second-hand junk shop.Long-repressed feelings of bitterness and betrayal explode when three inner-city losers plot the robbery of a valuable coin in a seedy second-hand junk shop.Long-repressed feelings of bitterness and betrayal explode when three inner-city losers plot the robbery of a valuable coin in a seedy second-hand junk shop.
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In a way this is almost like a pornmovie, but instead of sex you have talk. The movie is a 90 minute long filmed conversation. But to me the movie is more entertaining than many actionmovies. It's definitely not for all viewers hence the bad overall ratings, but I can still recommend it. The acting is over the top. Hoffman and Franz is a very funny combination. Seldom have I seen someone make so much out of so little. As oppose to other movies the climax isn't in the ending, every scene is equally important. Not as good as Glengarry glen ross though. GGR was both a character study and a good movie. This is "just" an excellent character study, but with these actors it's enough to make it worth watching.
...so why couldn't they find a more imaginative director? Michael Corrente's direction of this would have seemed static and lethargic even if it had been done on the stage, which it practically was. If you're going to do a filmed staging, do a filmed staging. But if you're going to go through the motions of making a film, try to make it the least bit visually interesting. What does this guy have against moving the camera, for chrissake?? It's a shame, really, as Franz and Hoffman are flawless, and really have a handle on the tough delivery of Mamet dialogue. To see how easy it is to make Mamet-speak sound odd and out of place, check out the performance of Pinky in the recent "Heist". Mamet is as difficult to act as Shakespeare, all submerged rhythms and unusual language. American Buffalo is a powerful work, and the performances reflect the power of the text...but all that power crashes to the ground like a 747 with Corrente's static presentation. I'm giving this a 7/10, simply because the script and performances were SO brilliant. If directing were all I was taking into account, it'd be a 3/10. So disappointing.
A film starring Dustin Hoffman, plus the chief super from the Hill Street Blues, from an adapted script by screen writing legend David Mamet, at a pocket-money price? Why hadn't I heard of it, what was wrong with it.
Nothing - except it's more a filmed play than a film, with almost all the talky dialogue taking place in a dusty old New York junk shop. Dustin Hoffman is superb, mixing a florid torrent of irrelevant comment, swearing and unease that is not a far cry from his brilliant turns in Rain Main and Midnight Cowboy. Dennis Franz, meanwhile is the shop's proprietor and is an almost opposite, a masterclass in understated body language as the rants from Teach (Hoffman) have become like water off a duck's back.
A third character, black youth Sean Nelson is the dog's body of the outfit and has his own agendas to deal with. The U.S coin of the title is one that might be worth a lot of money, or is it? Having sold it for more than they thought it worth, do they steal it back, just in case it's worth thousands?
Mamet's dialogue crackles with a crisp reality - Teach swears like a trooper, with F and C swear words jumbled up along with everything else. He's harmless, you conclude, if not obviously emotionally damaged. Donny, (Franz) says as much and as little as most shopkeepers say; only when it's needed to get a deal done; to clarify a point.
It undoubtedly would have had more impact and urgency within the confines of a set in an actual theatre, but on DVD it's OK. The shop, at least looks like a proper shop with a plethora of junk, the clutter adding to the feeling of messed up lives, somehow.
Sadly, this won't appeal to everyone. There's no real action to speak of, no pretty women to break up the squalid male-ness and like Teach's dialogue, the story goes round in circles. However, this tale of emerging bitterness and feelings of underachievement is palpable and engaging, if you let it. Personally, I'm glad I chanced upon it.
Nothing - except it's more a filmed play than a film, with almost all the talky dialogue taking place in a dusty old New York junk shop. Dustin Hoffman is superb, mixing a florid torrent of irrelevant comment, swearing and unease that is not a far cry from his brilliant turns in Rain Main and Midnight Cowboy. Dennis Franz, meanwhile is the shop's proprietor and is an almost opposite, a masterclass in understated body language as the rants from Teach (Hoffman) have become like water off a duck's back.
A third character, black youth Sean Nelson is the dog's body of the outfit and has his own agendas to deal with. The U.S coin of the title is one that might be worth a lot of money, or is it? Having sold it for more than they thought it worth, do they steal it back, just in case it's worth thousands?
Mamet's dialogue crackles with a crisp reality - Teach swears like a trooper, with F and C swear words jumbled up along with everything else. He's harmless, you conclude, if not obviously emotionally damaged. Donny, (Franz) says as much and as little as most shopkeepers say; only when it's needed to get a deal done; to clarify a point.
It undoubtedly would have had more impact and urgency within the confines of a set in an actual theatre, but on DVD it's OK. The shop, at least looks like a proper shop with a plethora of junk, the clutter adding to the feeling of messed up lives, somehow.
Sadly, this won't appeal to everyone. There's no real action to speak of, no pretty women to break up the squalid male-ness and like Teach's dialogue, the story goes round in circles. However, this tale of emerging bitterness and feelings of underachievement is palpable and engaging, if you let it. Personally, I'm glad I chanced upon it.
"American Buffalo" is an excellent example of how a director with a breadth of vision can take an established, award-winning play and expand it to mesmerize big-screen and VHS audiences. All the action takes place in an inner-city junkshop, where Donnie (Dennis Franz) and Teach (Dustin Hoffman) plot to steal a valuable coin collection. From the movie's opening lines to the closing scene where one of the characters is being wheeled to the hospital, "American Buffalo" makes plain that, in America, people's business interests often turn them on one another, and sometimes turn them violent. The real star of the show is Dustin Hoffman's flawless and addicting interpretation of the character "Teach," once again showing Hoffman's dedication not just to the craft of interesting filmmaking - but to presenting the minute details an actor can reflect when given such a well-written character.
Adaption of Mamet play is even better on screen. Dustin Hoffman gives the best performance of his career as the protagonist Teach. Dennis Franz is equally good in his first leading role as Donnie, owner of an antique shop. One hell of a well acted movie with great cast, great script, great direction, great plot, great music, and great location. What else could a intelligent moviegoer ask for?
Did you know
- TriviaAl Pacino wanted to reprise his role of Walter "Teach" Cole for this film, but his schedule, which included films such as Carlito's Way (1993), Heat (1995), Two Bits (1995), and Looking for Richard (1996), had consumed most of his time along with Broadway shows. The producers of this movie could no longer wait for him to reprise the role, and Dustin Hoffman was hired to take his place.
- Crazy creditsspecial thanks to Mr. B
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Details
- Release date
- Countries of origin
- Language
- Also known as
- David Mamet's American Buffalo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $665,450
- Opening weekend US & Canada
- $164,109
- Sep 15, 1996
- Gross worldwide
- $665,450
- Runtime
- 1h 28m(88 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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