Albino Alligator

When a new screenwriter is trying to get his script made, the best way to draw attention (nee money) is to attach a star, someone with visibility, someone bankable. Surprisingly, I don't think stars really read a lot of scripts, certainly not all the way through, certainly not with a mindset toward how to make this into a good, completed film.

At the time this film was made, Kevin Spacey was hot, very hot. His performances in Seven, Swimming with Sharks, and The Usual Suspects had brought him not only rave reviews, but an Academy Award. His want to direct, this inherent heat, plus his ability to attract additional star power, namely Faye Dunaway, Matt Dillon, and Gary Sinise, and a spec script from a first time writer had the financial backing it needed.

Maybe Albino Alligator would have been a weak film in even the most accomplished hands, it certainly is a weak film in this first time director's. The premise is sketchy, the through line distorted and vague. Some of the characterizations seem forced, or contrived, as if, for example, Faye Dunaway (or Gary Sinise)'s part were quickly created or expanded to accommodate their agreeing to particpate.

Many good young film makers are making daring, exciting, edgy films right now. This is not one of them.

Kevin Spacey's first try at the director's chair is a nice one to say the least, but he could have done much much more with the actors. There are just to many great and known actors in this movie and sadly not enough screen time for every one of them. But this movie has other things to offer; besides the good photography, the nice music and a strong cast it draws its energy from the script that has some great moment(albino aligator), but somehow fails to deliver in the end. "Albino Aligator" will appeal to those who like a dark crime movie but is just to plain to be something more. 6/10

Any hostage drama can't help but get compared to 'Dog Day Afternoon' and will therefore be found lacking, but 'Albino Alligator', while not without a few flaws, does a credible job. Kevin Spacey shows some promise as a director, but the script sometimes let's him down. Even so it's pretty entertaining, and the best thing about it is the outstanding cast. You might think Spacey would call upon his Usual Suspects buddies but instead we have Matt Dillon, Gary Sinise and William Fichtner as criminals on the run, Faye Dunaway, M. Emmett Walsh, Skeet Ulrich, John Spencer and Viggo Mortensen as the occupants of an after hours bar they hold hostage, and Joe Mantegna as the cop on the scene. All the actors performances are good, but I especially enjoyed Fichtner's redneck sociopath and Mortensen's mysterious French Canadian who may not be the average joe he appears to be. Both actors have been favourites of mine for some time. 'Albino Alligator' is no masterpiece, but if you want to see some good actors do their thing I suggest you check it out, you won't be disappointed.

Joe Mantegna definitely has the best scene in "Albino Alligator". It is a humorous infusion into a movie that at times borders on being terminal. Starts out fast with three petty criminals, Dillon, Sinese, and Fichtner, fleeing a botched robbery. Unfortunately once they take refuge in a basement bar, their endless posturing and planning, grinds on the film. There is nothing wrong with the acting, including a great supporting effort from M. Emmet Walsh. Other than the above mentioned scene, Mantegna is somewhat wasted in a one dimensional role. Faye Dunaway is interesting, and William Fichtner is in menacing psycho mode. Marginally recommended. - MERK

With so much talent aboard this could have been great cinema. That it's not is due to an unsure screenplay, lacking in credibility, though not lacking in promise. The story in itself, if tightened up, could have been riveting. But despite the actor's efforts, "Albino Alligator" fails to deliver the goods. By the end (which in itself is powerful), one has become a bit tired of it all.

Spacey was obviously drawn to the clear theatricality of much of the action taking place on one set, in effect on one stage. It's hence very talky and stagy, though Spacey is careful to keep the camera moving in interesting ways. The few outdoors scenes too are shot with great visual style. Combining a keen eye, together with his understanding of actors and acting, Spacey will probably at some point bring his directorial talents to fruition. Hopefully he will be more fortunate as far as a suitable screenplay is concerned.

Matt Dillon in the lead does a fair job. As is often the case with him, he manages some moments of excellence, but on the whole is capable rather than brilliant. (He sustained an exceptional performance is the "Saint of Fort Washington" and surprised many with "Drugstore Cowboy".). It's as if there is a depth to him which he seems to have a lot of trouble reaching. There is a brief scene in "Albino Alligator" in which he talks to himself in a facing mirror. It's a moment which reveals those depths which so often seem to elude him.

The other players do as well as one would expect. Gary Sinise is superb as Dillon's elder brother, William Fichtner is truly edgy and sinister and Faye Dunaway's bartender has a ring of truth to it.

Despite all this talent and a story with possibilities, this is not one to seek out.