Profit

I remember saying, way back in 1996, that "Profit" is the best television show I've ever seen. And I have been watching television for years...decades. When they decided to run "Profit" on TRIO as part of its "brilliant..but overlooked" collection of canceled television series, I thanked God that after all of these years, I was going to get to see the remaining 4 episodes that never aired back then. Also, I was curious to see if I would find the show to be as brilliant as I did at the time. Six years had passed. But after only five minutes of listening to Pasdar's velvety, whisper-like voice, and seeing him curled up in that box, I was back under the shows irresistible spell. I felt like I was watching the show for the first time. Completely spellbound, captivated, riveted, etc. The casting, writing, and direction of this series is pure perfection. We'll never see anything this great again (from network television).

Profit was simply AMAZING! I never saw this show when it first came out years ago but I recently got a hold of all the eps and I LOVED IT!! The first thing that came to my mind was that it was ahead of its time. I guess back in 96 or 97, the country just wasn't into this show. But if this show were released today, it would just blow your mind! I would hope some network (how about the original network, FOX?) picks it up and continues it as it relates to today's world? How can people not get this show even if you're not the corporate type? If a show like Desperate Housewives can become a huge hit today, I don't see why this show cannot! I hope somebody consequential reads all these comments from "Profit" fans and picks up this show! Jim Profit is the ultimate antagonist and I for one, would watch this show regularly to the end! LET IT LIVE, DAMMIT!

Profit poses many interesting questions, even before you watch the series. It was applauded by critics and failed when broadcast, so who got it wrong? The critics, the network, or perhaps it was the audience?

After watching the DVD, I'm convinced. This time the critics were spot on.

The creators looked to the corporate world and brought a complete sociopath into it, then layered style galore, and managed to keep the costs down and still produce some excellent drama which, although slightly dated in looks, could compete well with today's programming with its dark and edgy feel.

Series The series opens strongly in the first few episodes, the dating is apparent more in the quality of picture than anything else although some hairstyles do give away the years quite effectively as well as the phones they use, other than that you'd be forgiven for mistaking the release date.

There's a great sense of direction early on in the series and a real sense of Profit controlling and just how truly amoral he really is. The character is crafted so well and the events of each episode carefully orchestrated to show his slight and careful manipulation of other characters in order to manoeuvre them to his needs and his ultimate goal.

Unfortunately the careful crafting of the episode and the power of the character of Profit seems to dull towards the end of the series. His involvement in events becomes more direct, more obvious, much less clever. He actually feels much more like a henchman running to keep up with events around him than the opening sociopath.

That said, the first half of the series really does keep the focus on his power and manipulation, and to great effect. The whole premise of the show is superb, concentrating on the truly driven character at the centre, a character with no morals at all.

The episodes are multi-layered and complex, weaving multiple threads of the storyline together building them to a strong and very satisfying conclusion. They are dark and edgy yet it's not all serious and there is a far bit of comic value in the series ranging from the darkly comic to the odd moment of silliness. Neither overpowers the main feel of the movie though and these moments are well woven into the series.

One of the main devices used throughout the series is the voice-over of Profit, this is used to open and close each episode as well as providing insight throughout and some further exposition. Surprisingly this works really well as it does make you feel as though Profit is leading you through this journey as he does so many characters in the series. It's not so much used to say "Here's what's happening" but more "Here's what I'm going to make happen", it takes you right into his world from the opening moment.

Pasdar is superb as Profit, as is Szarabajka who plays the MD of G&G, there are some really strong performances from secondary characters throughout the series.

The two man team of David Greenwalt and John McNamara have done a wonderful job of developing this character and threading together the episodes, as well as the threads within each episode.

Sound: DDStereo The audio was clear and a very good soundtrack carried through the series. There was no real need for anything over Digital Stereo as there aren't any moments of loud action or explosions. The contrast of levels between shouts and whispers were good so that no volume adjustments were required.

Picture: 1.33:1 You can tell from the film style that this is from the nineties, it lacks the crispness of today's television, yet that's not a distraction. The picture does look really good, even on the then futuristic computer animation. The picture is good and clear with great colours and lighting particularly when visiting Profit's own private home. There's not an abundance of camera work and hand-held here, but there are some excellently filmed and framed scenes, with great use of crane and dolly shots.

Extras: Seven episodes including two hour pilot, Featurette with interviews and discussion from the creator and stars, Audio Commentaries on some episodes with Pasdar, Greenwalt and McNamara.

The Commentaries are interesting and entertaining, but perhaps the strongest and most revealing is that of the Pilot where the creators and main star give away most of the information you'll hear later on.

There's a lot of insightful discussion into the creation and development of the show and of the Profit character, as well as the story behind the sell of the series. It really does sound as though the show was developed around the character.

The discussions give us an impression of how much the actor was involved, how deep the character development of the series was, and how the relationships between the characters and the people on set developed and grew.

There's not many commentaries I can say this about, but this one really gets you excited about the show, the filming and the acting. Their passion for the character and the series really does get under your skin.

This passion extends into the other commentaries, all except the final episode which is surprisingly disappointing after the bar being raised so high on the first. There's little incisive examination of the episode, what was going to happen, and what could have been.

The featurette takes off where the commentaries left and builds more on the relationships of the characters and crew, as well as delving further into the darkness of Profit the series and the character.

Overall Profit is clever, sharp and superbly directed. It's a very clever and complex tale which when watched now, really does show that it heralded the dark and edgy television which we are now craving more and more of today. Who would have thought that watching someone this evil would be so enjoyable?

Caught this series for the first time after waiting for it to be rerun, and could not believe a show of this calibre was killed. Adrian Pasdar's performance as lethal executive Jim Profit is magnificent evil and carnal lust in a polished, yuppie, corporate mode. Each of the nine episodes brings Profit closer to a one man corporate take-over the old fashioned way, by killing off the competition and climbing the upwardly mobile ladder corpse by corpse. Black humor abounds.

Outstanding performances by entire supporting cast, but it's Pasdar's show, esp. at the end of the day as Profit climbs back into a Grayson and Grayson box after a hard day at the office...chilling and adult. Definitely not what the networks wanted. Offensive to the maudlin tastes of mainstream TV viewers, nevertheless this is one program that was just too good for the masses.

Back in 1996 when Fox was not picking up further episodes, I called programming and pleaded with them to reconsider. I have never done that with any show before or since. Profit was by far the most entertaining and compelling drama, ever. Homicide Life on the Street was a close second but lacked the dark intrigue of Profit. The end of each episode always left one awe struck and wanting more. In an era of mind-numbing reality shows who's only virtue is that it's cheap to produce, network prime time is becoming a complete wasteland; pushing even more viewers to cable. Any network picking up the rights and reintroducing this show will have a major hit on their hands.