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IMDbPro

White Man

Original title: White Man's Burden
  • 1995
  • Tous publics
  • 1h 29m
IMDb RATING
5.3/10
5.3K
YOUR RATING
John Travolta and Harry Belafonte in White Man (1995)
In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.
Play trailer1:26
1 Video
95 Photos
DramaThriller

In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived dis... Read allIn an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.

  • Director
    • Desmond Nakano
  • Writer
    • Desmond Nakano
  • Stars
    • John Travolta
    • Harry Belafonte
    • Kelly Lynch
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    5.3K
    YOUR RATING
    • Director
      • Desmond Nakano
    • Writer
      • Desmond Nakano
    • Stars
      • John Travolta
      • Harry Belafonte
      • Kelly Lynch
    • 52User reviews
    • 11Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:26
    Official Trailer

    Photos95

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    Top cast54

    Edit
    John Travolta
    John Travolta
    • Pinnock
    Harry Belafonte
    Harry Belafonte
    • Thaddeus
    Kelly Lynch
    Kelly Lynch
    • Marsha
    Margaret Avery
    Margaret Avery
    • Megan
    Tom Bower
    Tom Bower
    • Stanley
    Andrew Lawrence
    Andrew Lawrence
    • Donnie
    Bumper Robinson
    Bumper Robinson
    • Martin
    Tom Wright
    Tom Wright
    • Lionel
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Roberta
    Judith Drake
    • Dorothy
    Robert Gossett
    Robert Gossett
    • John
    Wesley Thompson
    Wesley Thompson
    • Williams
    Tom Nolan
    Tom Nolan
    • Johansson
    Willie C. Carpenter
    Willie C. Carpenter
    • Marcus
    Michael Beach
    Michael Beach
    • Policeman #1 Outside Bar
    Lee Duncan
    • Policeman #2 Outside Bar
    Wanda-Lee Evans
    • Renee
    Lawrence A. Mandley
    Lawrence A. Mandley
    • Sheriff #1 at Eviction
    • (as Lawrence Mandley)
    • Director
      • Desmond Nakano
    • Writer
      • Desmond Nakano
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews52

    5.35.3K
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    Featured reviews

    Nick Zbu

    Undermined by its own racism.

    I appreciate when a movie tries to break the conceptions of the audience. This shows that someone is trying to be smart and use the medium to express their own heartfelt views as well as entertain. Yet this movie has a serious problem: it tries to show a mirror world in which the roles of whites and blacks are reversed in order to show the injustice. Yet this movie doesn't have the sense to realize that when you use a stereotype in order to break it, you end up enforcing it. Travolta's character in this movie is not just your bog standard black man, it's representative of whites in the same class strata. Yes, there are white people who act just like he does in this movie. This is not behavior that is reserved solely for black people. And yet this is supposed to be an Alternate America?

    Nonsense.

    This movie is misinformed racewise. There are plenty of rich blacks and poor whites in this world. Turn it on Cops or any talk show and you'll see proof of the latter. To give us a morality play with the intent to shock us with things a lot of us in middle America see on a daily basis is lazy conception.

    The movie fails on this level. Perhaps if it gave more thought to the classes instead of just using the race card (and actually looking more into their topic) it would be a good movie. But now, it's just a forgotten piece of tripe with a very limited and selectively cynical view of the world. And the world is lesser for it.
    7sweetakatude

    Good intentions, lost cause

    It is JUST a movie!!! geez... you all are giving this movie too much power. It is meant to ENTERTAIN. The movie's soul purpose was to illustrate many popular stereotypes. Any mature audience would recognize that it was only meant to do this and NOT to properly represent either role for the sake of being politically correct. However, it is apparent that many of you find it offensive or brutal because you feel that "your race" was being misrepresented. Speaking as an African American female, I understood that this movie was ONLY meant to open my eyes to society's view of race roles of blacks and whites in America. Sure black people dont walk around with duck-tape on their jackets (as in the scene with the thugs at the restaurant) and little black girls do not have easy access to a revolver that they are permitted to use in the case of an emergency (as in the scene where Belafonte's character hid in a white person's home for safety) and LORD KNOWS a white man will NEVER bring a black girl home to meet his family. *haha* --kiddin'. ("disturbing" comment, huh?)

    Well anyways, I think the movie was good for rousing up these feelings of disturbance, however it lost me when the whole kidnapping took place. It became the focal point of the movie and confused many of its viewers. Other than that, the movie was ok. I give it a 8 on a scale from 1 to 10, only because I have never seen such a bold attempt to deal with race roles as this one. Therefore, I enjoyed the movie.
    8kingrexxx

    Eye opening, even to a black man

    I think the ending was sad. I felt sorry for Travolta, even his son. But I disagree with the comment about "whats the point" because it shows what I go through weekly. I mean, some of it is extreme, but true. And when Belafonte remarked, "well, most of them don't have father's" in response to his wife's comment about the white kids discipline, it was... I'm at a lost for words. I'm watching it again tonight, and I think every white man needs to see the movie, and every black man. It was a trip seeing the roles flipped. But the movie is truly, "a trip". I mean, when Belafonte talks about the "socially crippled, genetically inferior" whites, its a trip, just hearing that. I study psychology, and all these theories are pervasive, and they relate to science by the genetic concepts of the 20th century, i mean, eugenics and it is really wild. Anyway, this is a must see movie. You must see it. I'm mad I didn't know it existed for the last ten years.
    busstnactgrp

    Usual 'concept movie' prob's

    Just watched this film tonight on TV and if I were asked to sum the film up I would say "it conveys an important message, but one feels oneself constantly checking the film for the 'real-ness' of the scenario it is trying to portray". I say this because even a fantasy film such as this - and fantasy is precisely what it is - has to be real to make sense. In the event it felt at least partially real, granted, but as a viewer I felt that this aforementioned 'checking' got in the way of getting emotionally attached to the characters, which would have helped get the message across. It wasn't a bad film but watching it was a decidedly strange experience. Maybe that was the intended effect. I don't know.
    8Pates

    Excellent because of its ability to disturb.

    Although on the surface a stupid, simplistic and "unrealistic" film, there is much more to the film. If the roles were reversed and every black character was played by a white and every white by a black I would be bored to tears, the film would never have made a dime, and we'd all hate it with justification. However, it was this very realization, during the film, which made me respect its message. Because the roles are completely and totally reversed, swapping black and white character for character, the film is disturbing. It's almost painful to watch. Ask yourself while you're watching how you're reacting and how the reaction would be different if there were no race reversals. Maybe that's because of the stereotypes we have in place and the roles we do play in the world - if it were just another story about a black man down on his luck we'd all yawn but because it's a white man and all of society is reversed, we watch, we wonder how it will play out, and we're bothered by it. I analogize the film to Planet of the Apes in some ways because of its ability to make us step back and take a look at society in a different way entirely. It is not as well done as Planet of the Apes but is worthwhile.

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    Storyline

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    Did you know

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    • Trivia
      Desmond Nakano, who is Japanese-American, created the film in part because of how we felt that to both American whites and blacks, he was "them". He also tapped into the disorienting feeling he felt when he visited Japan, saying that "for so long I had been different, [and] it felt wrong to be the same."
    • Goofs
      All entries contain spoilers
    • Quotes

      [Last lines. Mrs. Pinnock has just refused to accept from Mr. Thomas the money he owed her husband]

      Thaddeus Thomas: Why don't you keep it? I can give you some more if you think... if you think it's not enough.

      Marsha Pinnock: How much is enough, Mr. Thomas? How much will ever be enough?

      [turns, shuts the door and walks away]

    • Connections
      Featured in Siskel & Ebert & the Movies: White Man's Burden/Last Summer in the Hamptons/Wild Bill/The Journey of August King/Things to Do in Denver When You're Dead (1995)
    • Soundtracks
      Dream Baby
      Written by Cindy Walker

      Performed by Hootie & the Blowfish

      Courtesy of Atlantic Records

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    FAQ17

    • How long is White Man's Burden?Powered by Alexa

    Details

    Edit
    • Release date
      • January 3, 1996 (France)
    • Countries of origin
      • France
      • United States
    • Language
      • English
    • Also known as
      • L'impossible rançon
    • Filming locations
      • Southern California, California, USA(Location)
    • Production companies
      • A Band Apart
      • Chromatic
      • Home Box Office (HBO)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $7,000,000 (estimated)
    • Gross US & Canada
      • $3,734,870
    • Opening weekend US & Canada
      • $1,743,251
      • Dec 3, 1995
    • Gross worldwide
      • $3,734,870
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 29m(89 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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