In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived dis... Read allIn an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.
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Strangely I'd forgotten all about this movie until it was broadcast on BBC1 a couple of nights ago and it's not difficult to understand why it's an obscure flop . The film starts with a black family gathered at the dinner table where patriarch and businessman Thaddues Thomas states his dislike for white people and their problems . Cut to Louis Pinnock who who works for Thomas company and lives in a rough area where his neighbours all seem to be pecker woods . Later due to a series of contrived , not very well written circumstances Pinnock loses his job with the company and decides to kidnap Thomas
The problem with WHITE MANS BURDEN is that this is an alternative world where Black Americans are at the apex of social hierarchy while whites are at the bottom bu this scenario is never ever explored . In fact the only things were shown that things are so mightily different is when someone is flipping the TV channel that show amongst other things a western where all the calvarymen are black . I know this was made in 1995 but is director Desmond Nakano saying there's no white equivalent of Morgan Freeman , Condaleeza Rice or Colin Powell ? For goodness sake we're even shown a black golfer on TV . Is this version of America without a white golfing prodigy called Alpine Woods ?
So that's the main problem and an unforgivable one where we're told that everything is different but as the plot rolls along we find ourselves asking what is actually different ? The audience are shown a couple of black cops being confronted by an angry white mob ( This doesn't happen in " our " America ? ) , a white man with a black companion are threatened by pecker woods ( This doesn't happen in " our " America ? ) etc , etc . At no point is the premise used to explore how anything would be different in " our " America . If you made a film set in " our " America where a disgruntled white employee kidnaps his racist black boss then you would not have to alter one single word never a single scene from this screenplay . And disgruntled employees kidnapping nasty employer type redemption plots we never all that compelling in the first place
Well anyways, I think the movie was good for rousing up these feelings of disturbance, however it lost me when the whole kidnapping took place. It became the focal point of the movie and confused many of its viewers. Other than that, the movie was ok. I give it a 8 on a scale from 1 to 10, only because I have never seen such a bold attempt to deal with race roles as this one. Therefore, I enjoyed the movie.
Did you know
- TriviaDesmond Nakano, who is Japanese-American, created the film in part because of how we felt that to both American whites and blacks, he was "them". He also tapped into the disorienting feeling he felt when he visited Japan, saying that "for so long I had been different, [and] it felt wrong to be the same."
- GoofsAll entries contain spoilers
- Quotes
[Last lines. Mrs. Pinnock has just refused to accept from Mr. Thomas the money he owed her husband]
Thaddeus Thomas: Why don't you keep it? I can give you some more if you think... if you think it's not enough.
Marsha Pinnock: How much is enough, Mr. Thomas? How much will ever be enough?
[turns, shuts the door and walks away]
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Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $3,734,870
- Opening weekend US & Canada
- $1,743,251
- Dec 3, 1995
- Gross worldwide
- $3,734,870
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1