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White Man

Original title: White Man's Burden
  • 1995
  • Tous publics
  • 1h 29m
IMDb RATING
5.3/10
5.3K
YOUR RATING
John Travolta and Harry Belafonte in White Man (1995)
In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.
Play trailer1:26
1 Video
95 Photos
DramaThriller

In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived dis... Read allIn an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.In an alternative America where African-Americans and White Americans have reversed cultural roles, a white factory worker kidnaps a black factory owner for dismissing him over perceived disdain.

  • Director
    • Desmond Nakano
  • Writer
    • Desmond Nakano
  • Stars
    • John Travolta
    • Harry Belafonte
    • Kelly Lynch
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    5.3K
    YOUR RATING
    • Director
      • Desmond Nakano
    • Writer
      • Desmond Nakano
    • Stars
      • John Travolta
      • Harry Belafonte
      • Kelly Lynch
    • 52User reviews
    • 11Critic reviews
  • See production info at IMDbPro
  • Videos1

    Official Trailer
    Trailer 1:26
    Official Trailer

    Photos95

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    Top cast54

    Edit
    John Travolta
    John Travolta
    • Pinnock
    Harry Belafonte
    Harry Belafonte
    • Thaddeus
    Kelly Lynch
    Kelly Lynch
    • Marsha
    Margaret Avery
    Margaret Avery
    • Megan
    Tom Bower
    Tom Bower
    • Stanley
    Andrew Lawrence
    Andrew Lawrence
    • Donnie
    Bumper Robinson
    Bumper Robinson
    • Martin
    Tom Wright
    Tom Wright
    • Lionel
    Sheryl Lee Ralph
    Sheryl Lee Ralph
    • Roberta
    Judith Drake
    • Dorothy
    Robert Gossett
    Robert Gossett
    • John
    Wesley Thompson
    Wesley Thompson
    • Williams
    Tom Nolan
    Tom Nolan
    • Johansson
    Willie C. Carpenter
    Willie C. Carpenter
    • Marcus
    Michael Beach
    Michael Beach
    • Policeman #1 Outside Bar
    Lee Duncan
    • Policeman #2 Outside Bar
    Wanda-Lee Evans
    • Renee
    Lawrence A. Mandley
    Lawrence A. Mandley
    • Sheriff #1 at Eviction
    • (as Lawrence Mandley)
    • Director
      • Desmond Nakano
    • Writer
      • Desmond Nakano
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews52

    5.35.3K
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    Featured reviews

    4Theo Robertson

    Role Reversal . What Role Reversal ?

    Alternative history is certainly one of the more compelling aspects of speculative fiction . Anyone who has seen the DOCTOR WHO story Inferno would be hard pressed to forget it , Robert Harris's Fatherland is a unforgettable novel and whilst I have no wish to read any of his books Harry Turtledove is a very popular author . In short premises featuring alternative planet Earths' and their different histories are thought provoking to say the least and when it was announced that John Travolta ( Let's not forget how massive a star he was then after PULP FICTION ) was going to be starring in an alternative future film where the roles of black and white are reversed the studio execs would have quite rightly tapped themselves on their shoulders knowing they were making a massive hit

    Strangely I'd forgotten all about this movie until it was broadcast on BBC1 a couple of nights ago and it's not difficult to understand why it's an obscure flop . The film starts with a black family gathered at the dinner table where patriarch and businessman Thaddues Thomas states his dislike for white people and their problems . Cut to Louis Pinnock who who works for Thomas company and lives in a rough area where his neighbours all seem to be pecker woods . Later due to a series of contrived , not very well written circumstances Pinnock loses his job with the company and decides to kidnap Thomas

    The problem with WHITE MANS BURDEN is that this is an alternative world where Black Americans are at the apex of social hierarchy while whites are at the bottom bu this scenario is never ever explored . In fact the only things were shown that things are so mightily different is when someone is flipping the TV channel that show amongst other things a western where all the calvarymen are black . I know this was made in 1995 but is director Desmond Nakano saying there's no white equivalent of Morgan Freeman , Condaleeza Rice or Colin Powell ? For goodness sake we're even shown a black golfer on TV . Is this version of America without a white golfing prodigy called Alpine Woods ?

    So that's the main problem and an unforgivable one where we're told that everything is different but as the plot rolls along we find ourselves asking what is actually different ? The audience are shown a couple of black cops being confronted by an angry white mob ( This doesn't happen in " our " America ? ) , a white man with a black companion are threatened by pecker woods ( This doesn't happen in " our " America ? ) etc , etc . At no point is the premise used to explore how anything would be different in " our " America . If you made a film set in " our " America where a disgruntled white employee kidnaps his racist black boss then you would not have to alter one single word never a single scene from this screenplay . And disgruntled employees kidnapping nasty employer type redemption plots we never all that compelling in the first place
    busstnactgrp

    Usual 'concept movie' prob's

    Just watched this film tonight on TV and if I were asked to sum the film up I would say "it conveys an important message, but one feels oneself constantly checking the film for the 'real-ness' of the scenario it is trying to portray". I say this because even a fantasy film such as this - and fantasy is precisely what it is - has to be real to make sense. In the event it felt at least partially real, granted, but as a viewer I felt that this aforementioned 'checking' got in the way of getting emotionally attached to the characters, which would have helped get the message across. It wasn't a bad film but watching it was a decidedly strange experience. Maybe that was the intended effect. I don't know.
    5noress

    Good concept, bad movie

    I didnt know anything about the movie when it was sent on Danish television, and to begin with I found it quite surprising; it made me think a lot. -A great way of describing the social problems in the USA. The only problem with the movie was that it lasted for more than half an hour; after that it was just a cliche of a movie..very predictable. Its obvious that the movie was produced basically because of the good concept. Then suddenly they had to write a script too, and they simply forgot to be original, resulting in a story which is lousy even compared to television.
    8Pates

    Excellent because of its ability to disturb.

    Although on the surface a stupid, simplistic and "unrealistic" film, there is much more to the film. If the roles were reversed and every black character was played by a white and every white by a black I would be bored to tears, the film would never have made a dime, and we'd all hate it with justification. However, it was this very realization, during the film, which made me respect its message. Because the roles are completely and totally reversed, swapping black and white character for character, the film is disturbing. It's almost painful to watch. Ask yourself while you're watching how you're reacting and how the reaction would be different if there were no race reversals. Maybe that's because of the stereotypes we have in place and the roles we do play in the world - if it were just another story about a black man down on his luck we'd all yawn but because it's a white man and all of society is reversed, we watch, we wonder how it will play out, and we're bothered by it. I analogize the film to Planet of the Apes in some ways because of its ability to make us step back and take a look at society in a different way entirely. It is not as well done as Planet of the Apes but is worthwhile.
    7sweetakatude

    Good intentions, lost cause

    It is JUST a movie!!! geez... you all are giving this movie too much power. It is meant to ENTERTAIN. The movie's soul purpose was to illustrate many popular stereotypes. Any mature audience would recognize that it was only meant to do this and NOT to properly represent either role for the sake of being politically correct. However, it is apparent that many of you find it offensive or brutal because you feel that "your race" was being misrepresented. Speaking as an African American female, I understood that this movie was ONLY meant to open my eyes to society's view of race roles of blacks and whites in America. Sure black people dont walk around with duck-tape on their jackets (as in the scene with the thugs at the restaurant) and little black girls do not have easy access to a revolver that they are permitted to use in the case of an emergency (as in the scene where Belafonte's character hid in a white person's home for safety) and LORD KNOWS a white man will NEVER bring a black girl home to meet his family. *haha* --kiddin'. ("disturbing" comment, huh?)

    Well anyways, I think the movie was good for rousing up these feelings of disturbance, however it lost me when the whole kidnapping took place. It became the focal point of the movie and confused many of its viewers. Other than that, the movie was ok. I give it a 8 on a scale from 1 to 10, only because I have never seen such a bold attempt to deal with race roles as this one. Therefore, I enjoyed the movie.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Desmond Nakano, who is Japanese-American, created the film in part because of how we felt that to both American whites and blacks, he was "them". He also tapped into the disorienting feeling he felt when he visited Japan, saying that "for so long I had been different, [and] it felt wrong to be the same."
    • Goofs
      All entries contain spoilers
    • Quotes

      [Last lines. Mrs. Pinnock has just refused to accept from Mr. Thomas the money he owed her husband]

      Thaddeus Thomas: Why don't you keep it? I can give you some more if you think... if you think it's not enough.

      Marsha Pinnock: How much is enough, Mr. Thomas? How much will ever be enough?

      [turns, shuts the door and walks away]

    • Connections
      Featured in Siskel & Ebert & the Movies: White Man's Burden/Last Summer in the Hamptons/Wild Bill/The Journey of August King/Things to Do in Denver When You're Dead (1995)
    • Soundtracks
      Dream Baby
      Written by Cindy Walker

      Performed by Hootie & the Blowfish

      Courtesy of Atlantic Records

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    FAQ17

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    Details

    Edit
    • Release date
      • January 3, 1996 (France)
    • Countries of origin
      • France
      • United States
    • Language
      • English
    • Also known as
      • L'impossible rançon
    • Filming locations
      • Southern California, California, USA(Location)
    • Production companies
      • A Band Apart
      • Chromatic
      • Home Box Office (HBO)
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $7,000,000 (estimated)
    • Gross US & Canada
      • $3,734,870
    • Opening weekend US & Canada
      • $1,743,251
      • Dec 3, 1995
    • Gross worldwide
      • $3,734,870
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 29m(89 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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