Les liens du souvenir

Thank you Diane Keaton! This movie is outstanding! My mother passed away from Cancer in 1983 when I was only 13 years old. This movie explains exactly how one can feel as a young kid.(i.e. 'going crazy'-Uncle Danny, the need to find pleasure in 'simple things' –Uncle Arthur).

I have seen this movie about 20-30 times and it gets better each time.

I'm not sure why this movie is not more accepted 'main stream' or why it did not do better---financially-when it was in theaters----but I really appreciate Mrs. Keaton making this movie.

From the need to find God, the frustrations and anger that the father faced, and the need to just be a kid and try to enjoy life while you watch your mother pass away, this is exactly how you feel when going through this.

A young boy with an inventor for a father and a sick but loving mother finds life's answers in the unusual shenanigans of his two odd uncles, played by Michael Richards and Maury Chaykin. The uncles are hoarders and one is extremely paranoid. Though it's not really a coming-of-age story, the boy does expand his horizons through the unusual insights of his two uncles, one of whom collects, among everything else, balls "because they carry the sound of children playing" within them. It's a fairly interesting movie but nothing groundbreaking. Director Diane Keaton does about as well as anyone can with the material at hand. The two odd uncles provide a unique look at life to a confused young boy's eyes. John Turturro as the father is pretty unusual when we meet him as well but he loses his quirkiness once his wife, Andie MacDowell, comes down with an illness from which there is no hope of escape. The boy, now given a sense of self and purpose from his uncles, now has to rescue his father from giving up on life. The movie sways from comedy to pathos but is worth a viewing.

OH! How could anyone NOT love this movie? It's so good. Andie MacDowell and John Turturro make such a cute movie couple. The real show stealer was Michael Richards. Through the movie, you're not saying, 'Hey, why is Kramer being serious?' Instead, you say, 'Wow, Michael Richards is a good actor.' This was a rare opportunity to see him do a better-than-Kramer-by-not-being-Kramer performance. I would love to see him do more serious work like this. It's very tearful at the end. Parts are mildly funny, but this movie is pure drama and it's beautiful.

Based on Steven Lidz's memoir of his childhood in New York. His father is (we are told) a brilliant inventor; Steven adores his mother and is adored in return. Steven's relatives include two genially crazy uncles, Danny and Arthur, who live together in an apartment across town. Precise diagnoses are never discussed and their behavior is seen from the point of view of a boy, but they both appear to have variants of schizophrenia, Danny being paranoid and Arthur more undifferentiated. Steven's almost blissful family life is cruelly interrupted when his mother becomes ill with cancer. Unhappy with his home life after the change, he 'runs away' to live with his uncles. Their apartment is a crowded archive of their mental illness. Steven is alternately fascinated and mortified by their bizarre behavior, but by sharing their world, he becomes a better person. This movie has no real plot or payoff, but it is captivating and moving. My upbringing was completely different from Steven's, but as a member of a Jewish family that has produced both some very bright people and some very crazy people, I can say that the film conveys the accuracy of 'felt life'. It is the antithesis of today's usual deadly conformist, formulaic and violence-ridden Hollywood films.

Nathan Watt does a very good job as Steven. John Turturro as his father is part of the long and distinguished tradition in American film and television of Italians playing Jews (and vice versa); he's done it at least once before ("Barton Fink"). You can't help but see a bit of Cosmo Kramer in Michael Richards's performance as Danny. Best of all was Arthur as played by that shambling, rumpled Canadian bear Maury Chaikin. Most of the IMDb reviews rave about Andie MacDowell, but this Jewish reviewer feels that in fact she was woefully miscast as Steven's mother Selma; in her looks, her speech, her mannerisms, her body language, and her demeanor, she totally fails to convince as a New York Jewish woman. This was the sort of role that should have gone to someone like Lisa Edelstein, Bette Midler, Tovah Feldshuh or Debra Winger.

Directed by Diane Keaton, this is a beautiful, child's eye view of a difficult but enlightening period in a young boy's life. From Franz Lidz's autobiographical book, it's the story of his experiences coming to terms with his mother's cancer (described to him by his father as "a very bad cold"), and the changes within his family brought about by her illness. Offered little more in the way of explanation or reassurance by his father who is naturally overwhelmed with losing his beautiful wife (well-played by Andie MacDowell), the boy bonds for the first time with his two endearingly oddball uncles. The emotional aspects and situations are expressed subtly but richly, with a warm cinematic vision.

John Turturro is excellent as the boy's father, who we see as being rather cold and cerebral, always preoccupied and dismissive. The father is a genius, the mother tells her son, explaining that his scientific mind might make him seem like he's from another planet, but to try and cut him some slack and learn to appreciate him. His true feeling and human quality is finally exposed when, during an extended study of his face late in the film, Turturro shows us all the emotion of this brilliant young man who is helpless in the face of his wife's devastating disease.

The certifiably mad Uncle Danny is played by Michael Richards, who is finally given the opportunity to bring his Kramer, of Seinfeld fame, to a fully realized and hilariously paranoid characterization. Going to live for a time with Uncle Arthur and Uncle Danny, the boy, Steven (re- named "Franz" by his uncles and played impressively by then 12-year-old Nathan Watt) experiences a look into his family history and decides to study for his Bar Mitzvah, contrary to his atheist father's wishes. He also cleverly engineers a solution to the "Lindquist Problem" (a war the uncles have going on with their landlord), and learns to care for and about the two of them. Thus he returns home to his immediate family and his dying mother, newly confident and better equipped to cherish the remaining moments of her life.

This is a special movie and I couldn't recommend it more highly. There's no sense of the maudlin where it might have gone that way, but there is great humor that will be enjoyable to a wide range of ages.