Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.Young, wild poet Arthur Rimbaud and his mentor Paul Verlaine engage in a fierce, forbidden romance while feeling the effects of a hellish artistic lifestyle.
- Awards
- 1 win & 1 nomination total
Félicie Pasotti
- Isabelle, as a child
- (as Felicie Pasotti Cabarbaye)
James Thierrée
- Frederic
- (as James Thiérrée)
Aza Declercq
- Prostitute
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOuzo was used as a replacement for absinthe for the drinking scenes filmed on the first day. Because the scene turned out so well, method drinking was adopted for the rest of filming. As a result, Thewlis had admitted in a interview that he can't really remember making the film at all.
- GoofsIn the Café Andre where the adult Isabelle Rimbaud meets with Paul Verlaine, the typeface on the window is clearly in Helvetica, a typeface that was not created until 1954.
- Quotes
[last lines]
Arthur Rimbaud: I've found it. What? Eternity. It's the sun mingled with the sea.
- SoundtracksArrival
Composed by Hank Deckon and Jan A.P. Kaczmarek
Performed by Warsaw Symphony Orchestra and Wilanow String Quartet
Conductor [Warsaw Symphony] Krzesimir Debski
Featured review
This movie is not for the faint of heart or the conventional taste. It's not a fantasy.
Like the real-life characters upon which the movie is based, TE is eccentric and poetical. French poet Rimbaud, who wrote almost everything he wrote as a teenager, has been admired by some of the most eccentric creative people of the last century. He was a very unusual teenager, being some kind of genius, some kind of lowlife, and a runaway. His poetry digs into and portrays life with discomforting and sometimes painful and sometimes ecstatic detail. His is the muse which revels in the squalor of creation.
Many people will dislike this film because the two main characters, Rimbaud and Verlaine, are bisexual and not at all stereotypical. Both of them are snotty and selfish and violent and often despicable. (As Shakespeare probably was at times, but you'll never see him portrayed in movies that way.) These are not Robert Frost poets. These are worm and scat and sex and drug and rock'n'roll and get-down-and-get-dirty poets.
Past that, it's the story of a great, if brief, flowering love ... the kind of love story you'd expect for people who live and breathe life in the way great alternaculture poets must.
Eternity is where the sunlight mixes with the water. And the penetrating movie mixes with the prepared mind.
Like the real-life characters upon which the movie is based, TE is eccentric and poetical. French poet Rimbaud, who wrote almost everything he wrote as a teenager, has been admired by some of the most eccentric creative people of the last century. He was a very unusual teenager, being some kind of genius, some kind of lowlife, and a runaway. His poetry digs into and portrays life with discomforting and sometimes painful and sometimes ecstatic detail. His is the muse which revels in the squalor of creation.
Many people will dislike this film because the two main characters, Rimbaud and Verlaine, are bisexual and not at all stereotypical. Both of them are snotty and selfish and violent and often despicable. (As Shakespeare probably was at times, but you'll never see him portrayed in movies that way.) These are not Robert Frost poets. These are worm and scat and sex and drug and rock'n'roll and get-down-and-get-dirty poets.
Past that, it's the story of a great, if brief, flowering love ... the kind of love story you'd expect for people who live and breathe life in the way great alternaculture poets must.
Eternity is where the sunlight mixes with the water. And the penetrating movie mixes with the prepared mind.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Eclipse totale
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $340,139
- Opening weekend US & Canada
- $131,269
- Nov 5, 1995
- Gross worldwide
- $340,139
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