L'homme de la mort

I really think that in this movie Gotz deserved an academy award. When you watch the movie you really think: "This guy is a fuc...g psychopath!" Especially when he talks about how he chopped a corpse and then laughs, like it was fun! He says that he made sausages out of it... And yet somehow... you see this man, who in reality is still a boy. He hasn't got a clear idea of what a crime is, or how he should feel about it. Creepy stuff and for this performance Gotz deserved an Oscar.

The mood is very creepy also. Like a true European film it focuses on feelings rather than special effects where you can see how arms and legs were chopped of. This is not a movie about the act of killing but a movie about the psyche of a mass murderer.

Somehow it's even better than the Silence of the lambs. :)

See it! It's a must!

Would a different translation have made it chillier or scarier? Are the subtitles too compact to convey the nuances of the original language? Does it even matter? You may have heard that great actors can make reading a phone book exciting. Well, this is an opportunity to judge for yourself.

If this isn't about homosexuality, murder, dismemberment, psychopaths, insanity, deviant psychology, then it is about acting - acting helped along with lots of dialog, So, enjoy the acting or muse about how titillating the dialog actually is.

For English speakers, "Twelve Angry Men" might be a better choice. There's a bit more interaction, and you can judge if the acting is consistent with the dialog. You don't have to wonder if you're missing something.

I would recommend Andy Warhol's "Empire" to those who like this film.

Basically that film is just about one long dialogue between the killer and his psychiatrist in a german prison (or psychiatric clinic?) in the 1920s or 1930s that spans over some days before the killer's death penalty. The other actors barely speak a word in this movie. That sounds rather dull but the compelling performance of the two main actors made me sit through the whole film. On the other hand, if you don't like dialogue movies the avoid. There's no action at all, only language and expressions... I'd give it a 7 out of 10..

George realy did a perfect job in this! Based on the historical examination script they deliver a film that comes very close to your stomach. Some people I know couldn´t stand it and turned it off and some turned the video off, because they were bored. Try it yourself! This is absolutely an about average view on the so popular subject "serial killer". I watched it late at night with 100 percent thrill and interest.

Most of my fellow reviewers around here dedicate their entire user- comment, or at least the largest part of it, to praising the formidable acting performance of Götz George. And don't get me wrong, I definitely concur. Götz George's depiction of the notorious and legendary despicable German serial killer Fritz Haarmann is absolutely stunning and mind-blowing! Jürgen Hentsch' performance as the shrink is terrific as well. Heck, even Pierre Franckh's performance as the silent stenographer is excellent! But a great film exists of more than just terrific acting performances from the lead characters, if you ask me. Thrillers, particularly when dealing with sensitive and socially relevant topics like real-life murderers, ought to have suspenseful scripts, moody atmospheres, authentic decors and filming locations and gripping action sequences. "Der Totmacher" isn't that type of film, clearly. The screenplay is based on Haarmann's profound and extended psychiatric evaluation, conducted by professor-doctor Ernst Schültze in between the serial killer's arrest and his inevitable execution. Fascinating material, for sure, but not suitable for a film. The long conversations between doctor and monster would make a compelling documentary and perhaps even mandatory viewing material for psychiatrist students, but it doesn't make a very interesting long-feature film. Despite the horrific content, "Der Totmacher" is tedious and monotonous. Fritz "The Vampire of Hanover" Haarmann previously formed the inspiration for another German thriller, the brilliant but sadly obscure "The Tenderness of Wolves" in 1973. That film features magnificent contemporary set pieces, numerous ultimately disturbing sequences and also fantastic lead performance (from Kurt Raab).