Le courage d'un con

As it turns out, Chris Farley and David Spade only made three movies together ("Coneheads", "Tommy Boy" and "Black Sheep"), but this was truly the "Citizen Kane" of their pairings. Farley plays Thomas Callahan III, the dimwitted heir to an auto parts company. His father Big Tom (Brian Dennehy) hires mild-mannered Richard Hayden (David Spade) to look after him. Big Tom is getting married to a "ten" (Bo Derek), so everything has to be in order. After Big Tom suddenly dies, Tommy and Richard have to try to sell half a million auto parts to save the company from bankruptcy. From then on, the movie is pretty much an excuse for Chris Farley to do what he does best: make a mess of everything.

When this movie first came out in the theaters, I saw it with my grandfather. He figured out early on that the Bo Derek and Rob Lowe characters were hiding something. But you can completely ignore that and simply luxuriate in Chris Farley's antics. Nothing is safe around his stomach, and hell hath no fury like his happy-go-lucky attitude. The scene where he sets the cars on fire, and later the deer scene, make for a pure laugh riot. Chris Farley and David Spade were truly the John Belushi and Dan Aykroyd of their era. It's a pleasure to always be able to think about "Fat guy in a little coat" time and again.

I saw this film knowing absolutely nothing about both it and its stars, Chris Farley and David Spade, and I have to say that this film is a comic classic. It is so stupid at times that it can only be hilarious. Farley is brilliant as the bumbling idiot who takes to the road with his dad's right hand man (the equally excellent Spade) to find the funding to save the families 'auto parts' business. Relax, put your brain on auto-pilot and soak up the fun. A great supporting cast features film favourites such as Brian Dennehy (Cocoon), Rob Lowe (Wayne's World) and Bo Derek ("10"). Highly recommended for a good laugh.

I watch this film (or portions of it) every time it comes on television. I don't buy many DVDs, but this is one I will definitely make an exception for eventually. Chris Farley and David Spade's antics have been well documented in the other reviews, but in addition to the comedy, you might also find yourself shedding a bit of a sentimental tear. There is one particular scene that had me going from tears of sentiment to tears of laughter in a matter of seconds (the sing-a-long in the car - you know the one if you've seen the movie). Even Rob Lowe had some very funny moments. Frankly, I don't know how they ever managed to finish this movie, as I wouldn't have been able to keep a straight face had I been one of the actors. I imagine there were a lot of re-takes.

If nothing else, this certainly has to feature the funniest cow-tipping scene ever filmed, though I'd be hard pressed to cite other such scenes. Unlike many of the recent comedies, this one is funny throughout. Highly recommended.

Yes, I know, it's not THAT old of a movie, it only dates to 1995. However, so much has happened in our world since then, it just *seems* like it's been around for years.

I think the movie is very good and very funny, and certainly much better than critics gave it credit for (every time I see it in the TV listings it has only one star by it. Why?!). I watch it routinely (it's on TV a lot, especially USA network). Two things I like about it are the pacing, and the deeper story that plays in the background.

First, the pacing: this movie hits the deck running and never stops moving, it just keeps rolling right along, from one nutty event to the next, but it is all carefully intertwined and everything works in symmetry to bring the viewer to the (admittedly schmaltzy) happy ending. Anyway, I like it when a movie maintains a good pace or a rhythm, never letting itself get too bogged down. "Tommy Boy" is one of those.

Second, the deeper story in the background: all the times I've watched this movie, I've never lost sight of the fact that the story didn't just revolve around some big dumb guy who couldn't seem to find his way out of a wet paper bag. No, there was always in the background the sad issue of Tommy Boy's beloved father dying. Plus, another sobering issue, that of how all this will lead to rather dire economic consequences for a business (Callahan Autoparts) that's been around for a long time and has employed lots of people in the town of Sandusky. Those two grim facts of life - death in the family and impending economic consequences - make this movie more compelling watching than one may realize, and I think this movie will hold up well over the years to come just for those reasons.

But enough with the gloom already. This movie is just plain FUNNY, thanks not just to Chris Farley, but to an entire cast that seems to work really well together. I couldn't envision the cast members being changed or replaced in any form. And Chris Farley did such a seamless depiction of this funny guy named Tommy Boy, that I still, in my heart of hearts, just know that there really IS a big dumb funny guy named Tommy Callahan, somewhere in Sandusky, Ohio, who is running an autoparts factory. No, there really IS a Tommy Callahan, believe me... It's kinda' like Pee-Wee Herman: that wasn't really an actor named Paul Reubens playing him, no! - there really IS a Pee-Wee Herman, who is totally in love with his bicycle, and has a dog named Speck...

Funny, but I look at waitresses in restaurants just a little differently now (thanks to that wonderful scene where Tommy Boy explains to Helen why he sucks as a salesman). And any time I'm feeling down, I just remember: "Fat guy in a little coat." "Hey, Prehistoric Forest!" "Holy Schnikees!" "Hey, quit playin' with yer dinghy!" plus many other lines, LOL LOL Those will always cheers me up!

This film has everything - laughs, tears, heart. It's a training film on how to make a memorable comedy. And it appears its studio had no faith in it initially, since it was released in the spring of 1995, a time of year when you are not competing with a bunch of blockbusters. It's in good company though. Clueless, another classic, was also released that spring.

"Tommy Boy" Callahan (Chris Farley) is a goof off and a screw up from childhood. It takes him seven years to graduate college, with a D average. But his dad "Big Tom" Callahan (Brian Dennehy) welcomes him home with pride and open arms. He gives Tommy an office at the family company, a manufacturer of auto parts. Tommy is always getting sideways with Richard (David Spade), Big Tom Callahan's right-hand man. Richard worked his way up in the company, considers Big Tom to be the father he never had, and he resents Tommy because everything is handed to him - the company, a great dad - and he doesn't seem to appreciate any of it.

And then Big Tom dies suddenly, while he was in the process of expanding the company product line, so an extension in a loan is needed from the bank. But, to the bank, Big Tom WAS the company, and they really don't have faith in it without him. Tommy offers to put up his entire inheritance as collateral if the bank will give them a certain amount of time to get a large number of new sales, to prove the company still has a reputation outside of Big Tom's name. So this launches the lion's share of this film. Tommy, the neophyte who has never really had to work for anything, with Richard, the guy who has had to work for everything - on the road together, in Richard's prize car, trying to make the sales that will save the company.

Speaking of that car, I've always loved the symbolism of Richard and his car. In the beginning of the movie, he is all about his car since it is really the only thing in his life since he has no friends. He employs a no eating rule in the car and is upset when M&Ms roll into his dash. As the movie goes along his car just keeps getting more and more trashed and he cares less and less. His relationship with his car is inversely proportional to his friendship with Tommy. This all climaxes when he is fully sold on helping Tommy by going to ridiculous lengths. When they arrive at the airport near the end, and the parking attendant tells Richard that he can't park his car there, he just throws him the keys and says "keep it." Symbolically trading his car for his friend.

I'd highly recommend this, even if on the surface it might seem like just another sophomoric comedy, because it is not.